Svetlana Slityuk

Filmes

The Norseman
Executive Producer
Managing position at Nastenka Cleaning Service, whose employees are migrant girls from Asia, comes at the Muscovite Kirillov out of the blue. The situation is complicated by the fact that Kirillov is planning to leave for Norway and expecting his bride, a typical European with a rather rigid interpretation of freedom and tolerance, to come visit. The idea that she will learn about the exploitation of "women of the East" terrifies him and makes him prevaricate in order to hide his "harem"...
The Man at the Window
Producer
Alexander Dronov, the actor, didn't have many success in his life. But despite all the troubles he has an important life mission - he's the man at the window.
Swing
Producer
The life of a characters of this movie can be described as a swing - up and down, up and down; each day, each week...
Suzeniy-Ryazeniy
Producer
For a whole her life Olga knew that she's going to meet her prince charming on New Year Eve. So today is December 31st and she's ready and waiting...
Seven Booths
Producer
What, it would seem, could be more innocent than a women's toilet being renovated? In his booths you can hide from the bustle of the big city, discuss lovers, drink, cry, sleep, smoke and have sex... And you can also hide in it what no one should find. An unknown beauty leaves a disc with information in the toilet. Two gangsters come to collect theirs and 7 stalls in the closet of a fashionable nightclub become the stage for one of the most unexpected stories of our time.
Butterfly Kiss
Producer
Potseluy babochki (Russian: Поцелуй бабочки, meaning Butterfly Kiss) is a 2006 Russian film directed by Anton Sivers. The world premiere of the film was held July 21, 2006. He (Nikolai Orlanov) is the genius of industrial espionage. She (Li) is a Chinese. She has nothing, she does not even have a name. They love each other madly, but they belong to the system. Go away from the system can only be to the madhouse, or to the grave.
Rush Hour
Producer
A terminal diagnosis forces a career-obsessed advertising executive to rethink his priorities, relationships and outlook on life.
Our Own
Producer
It is August 1941. With the battle line far away in the east, three soldiers who have managed to escape from captivity find it difficult to hide: the territory is occupied by the enemy. The local woods are not safe: you can easily get embogged. Are the villagers loyal? Nobody can say. There is an old man who offers to help them. Is he reliable enough? He may kill them or report them to the local German authorities. Anything may happen, but one of them, the sniper, is his son who is his youngest, his dearest.
Mechanical Suite
Producer
Two colleagues go to fetch the body of their co-worker from a neighboring town where that man died unexpectedly. As this person has no kin, the director of the factory chooses to send Markerants and Mityagin to deal with the whole business. And here the adventures begin...
Mechanical Suite
Two colleagues go to fetch the body of their co-worker from a neighboring town where that man died unexpectedly. As this person has no kin, the director of the factory chooses to send Markerants and Mityagin to deal with the whole business. And here the adventures begin...