Stuart Hall
Nascimento : 1932-02-03, Kingston, Jamaica
Morte : 2014-02-10
História
Stuart Henry McPhail Hall (3 February 1932 – 10 February 2014) was a Jamaican-born British Marxist sociologist, cultural theorist, and political activist. In the 1950s Hall was a founder of the influential New Left Review. At Hoggart's invitation, he joined the Centre for Contemporary Cultural Studies (CCCS) at Birmingham University in 1964. Hall took over from Hoggart as acting director of the CCCS in 1968, became its director in 1972, and remained there until 1979.[3] While at the centre, Hall is credited with playing a role in expanding the scope of cultural studies to deal with race and gender, and with helping to incorporate new ideas derived from the work of French theorists such as Michel Foucault.
Hall left the centre in 1979 to become a professor of sociology at the Open University. He was President of the British Sociological Association from 1995 to 1997. He retired from the Open University in 1997. After his death in 2014, Stuart Hall was described as "one of the most influential intellectuals of the last sixty years".
In one of Stuart Hall's most famous lectures, Hall speaks with dazzling precision about the responsibilities of intellectuals in the face of undemocratic structures of power, injustice, racism, and inequality.
Himself - Archival Material
Nos anos 1970, os ultra-direitistas da Frente Nacional estavam à frente do governo inglês e muitas estrelas do Rock andavam flertando com o racismo e o fascismo, como Bowie, Clapton, Rod Stewart e outros. Foi então que Red Sounders e seus comparsas decidiram fazer frente ao fascismo e debater as leis de imigração e o papel da mulher na sociedade. Apoiado por The Clash, Sham 69, Steel Pulse, Tom Robinson e outros eles conseguiram virar o jogo. Esta é a história do movimento Rock Against Racism.
When the world-renowned cultural and political theorist Stuart Hall died in 2014, he left behind an unfinished 300,000-word memoir. In this interview with MEF Executive Director Sut Jhally, Bill Schwarz talks about the challenges of preparing the final published book, detailing his negotiations and conversations with the disembodied words of an author who cherished dialogue above all else.
In this interview conducted shortly before his death in 2014, Stuart Hall, one of the seminal figures in cultural studies, talks about his classic work Policing the Crisis, describes the political, symbolic, and material concerns that animated cultural studies in the 1970s, and offers a critical assessment of the field today. He then turns his attention to the always shifting terrain of race and identity in the United States and Britain, offering fascinating cultural and political insights into the presidency of Barack Obama and the 2012 Olympics in London. While Hall was physically ill for much of his later life, this final interview provides powerful testimony that his formidable intellect, sense of humor, and willingness to engage with the gritty realities of politics and power never deserted him. An absolutely essential resource for anyone interested in cultural studies.
himself
Through juxtaposing and layering archival footage with text, music and photographs, The Unfinished Conversation crosses the memory landscape of Stuart Hall, the Jamaican-born British cultural theorist, to reflect on the nature and complexities of memory and identity.
A person’s culture is something that is often described as fixed or defined and rooted in a particular region, nation, or state. Stuart Hall, one of the most preeminent intellectuals on the Left in Britain, updates this definition as he eloquently theorizes that cultural identity is fluid—always morphing and stretching toward possibility but also constantly experiencing nostalgia for a past that can never be revisited
In this stimulating and eloquent four-hour interview, conducted by the literary journalist Maya Jaggi and directed by Mike Dibb, Hall reflects on his life and career, talking personally and in depth about the trajectory of his work and how it has intersected with broader political movements. In a conversation both intimate and sweeping in scope, Hall describes his migration from Jamaica to England, his immersion in left-wing politics in London, the influence of Raymond Williams and E.P. Thompson on the evolution of his thought, and the context within which the early classic texts of cultural studies were written. Hall also shares his pessimism about the economic recession and his optimism about Barack Obama's victory. Future analysis of Hall's work, and of cultural studies in general, will need to take account of this fascinating and indispensable first-person account of his life and ideas.
In this re-mastered lecture from 1989, Stuart Hall provides an extraordinarily clear summary of the origins of cultural studies. Hall discusses the founding of cultural studies at the University of Birmingham, the field's baseline concern with issues of symbolic representation and power, and how cultural studies ultimately gained an institutional foothold at the "frontiers of intellectual and academic life by testing the fine line between intellectual rigor and social relevance." An excellent introduction to Hall's work, and to the broader social, political, and economic concerns that have shaped cultural studies.
Himself
Stuart Hall offers an accessible and clarifying analysis of the social construction of race and racial difference. He explores how variations in people's appearances come to be mistaken for essential differences. He traces how these misinterpretations function both to express and to reproduce dominant power relations. And he argues for more rigorous engagements with identity, representation, and contingency capable of acknowledging and respecting difference without essentializing it. An ideal introduction to how cultural studies intervenes in debates about race, representation, identity, and power.
Himself
Cultural theorist Stuart Hall offers an extended meditation on representation. Moving beyond the accuracy or inaccuracy of specific representations, Hall argues that the process of representation itself constitutes the very world it aims to represent, and explores how the shared language of a culture, its signs and images, provides a conceptual roadmap that gives meaning to the world rather than simply reflecting it. Hall's concern throughout is the centrality of culture to the shaping of our collective perceptions, and how the dynamics of media representation reproduce forms of symbolic power.
Himself
Explores the life and work of the psychoanalytic theorist and activist Frantz Fanon who was born in Martinique, educated in Paris and worked in Algeria. Examines Fanon's theories of identity and race, and traces his involvement in the anti-colonial struggle in Algeria and throughout the world.
Self
This award winning drama/doc tells the story of Paul Bogle, leader of the Morant Bay Rebellion 1865. This rebellion had a major impact on attitudes to race and empire in Victorian Britain, still present today.
Himself
Queer activist and artist Ajamu prepares to leave Brixton for an exhibition of his work in his hometown, Huddersfield.
Narrator / Himself
A two part documentary that details the contribution of black and Asian people to television history from the birth of television in 1936 to 1992. Interviewees include: Pearl Connor, Thomas Baptiste, Lenny Henry, Norman Beaton, Horace Ové, Carmen Munroe, and Stuart Hall.
British voice (voice)
A black and white, fantasy-like recreation of high-society gay men during the Harlem Renaissance, with archival footage and photographs intercut with a story. A wake is going on, with mourners gathered around a coffin. Downstairs is an elegant bar where tuxedoed men dance and talk. One of them has a dream in which he comes upon Beauty, who seems to reject him, although when he awakes, Beauty is sleeping beside him. His story and his visits to the jazz and dance club are framed by voices reading from the poetry and essays of Hughes and others. The text is rarely explicit, but the freedom of gay Black men in the 1920s in Harlem is suggested and celebrated visually.
Himself
Cyril Lionel Robert James (1901-1989) was a historian, journalist and contributor to Marxist thought. Stuart Hall was able to interview him for Channel 4 in the UK . The interview discusses his thoughts on revolution, socialism, and politics. His involvement in activism lasted decades. Born in Trinidad, much of his life was spent in the UK. C.R.L James became a teacher and notably taught Eric Williams. Williams went on to lead Trinidad and Tabago to independence. C.L.R. James also wrote fiction and about cricket. During his youth he did play the sport and wrote Beyond a Boundary (1963) describing cricket’s cultural significance. One of his favorite novels was Vanity Fair. This novel followed the lives of Becky Sharp and Amelia Sedley during the Napoleonic Wars. James was a figure in the Pan-African movement and the anti-colonial freedom struggle. What tends to be ignored is his concern about class exploitation.
Writer
The impact of Marx on the 20th century has been all-pervasive and world-wide. This program looks at the man, at the roots of his philosophy, at the causes and explanations of his philosophical development, and at its most direct outcome: the failed Soviet Union.
Self
The impact of Marx on the 20th century has been all-pervasive and world-wide. This program looks at the man, at the roots of his philosophy, at the causes and explanations of his philosophical development, and at its most direct outcome: the failed Soviet Union.
Himself
Academic and activist Stuart Hall presents a rigorous deconstruction of the racism - both explicit and more insidious in its subtlety - of the British media from within.
Himself
The use of an old Victorian law of ‘being a suspicious person’ commonly known as ‘sus’ was used against young black peoplein the mid 70’s in the UK. Interviews include Rudy Narrayan, Stuart Hall and Paul Boeteng. Breaking Point is the first documentary directed by a black director for mainstream British Television.
