Music
Lebon began filming soon after the end of a significant relationship. Following a desire to reflect on the nature of intimacy, loss and memory, he traveled to film couples and individuals from different countries, who were open to sharing the typically-private intimacies of their lives. The footage was later intercut with Lebon’s own personal travel and holiday footage and reworked through successive stages of bleaching, scratching, painting, melting and cutting. Lebon commissioned an engineer to customise a number of original die-cutting machines so that specific pieces of the animated frames could be cut out and interchanged with one another. Die Cuts is the result of over three thousand hours of analogue post-production processes.
Music
A 15-minute short about squatting in London, the film sees Lebon’s signature melding of cut-and-paste graphics and animation meet disarmingly intimate camera work. Told from the perspective of both the squatter and the squatted, it explores unconventional choices and the moral grey areas found in ownership, public and private living, family and community.
