Cinematography
The story of an at first unsuccessful painter whose bitter struggle within the confines of his artistic works is traced from his studio to the interior of his brain.
Director
The story of an at first unsuccessful painter whose bitter struggle within the confines of his artistic works is traced from his studio to the interior of his brain.
On the 28th of October 1884 Daniel Paul Schreber, candidate of the National Liberal Party in Chemnitz, suffered a heavy defeat at the elections of the German Reichstag. He was taken up in the mental clinic of the Leipzig University soon afterwards. To his rehabilition he wrote an extensive piece of work, "Denkwürdigkeiten eines Nervenkranken" (Memoirs of My Nervous Illness), which was published in 1903 and led to his temporary dismissal. Hereby Schreber became the most quoted psychiatric patient in scientific literature. The third part was realized by Peter Tscherkassy based on a concept by Ernst Schmidt Jr.
Director
A pyramid, by no means static, is instead brought to ever-increasing movement by the use of camera motion, cuts and fades. The cinematic illusion jumbles the individual elements and unites them in a symbolic sketch of Adolf Loos' dynamic thought processes. A High Speed Journey through the spinal cord of this revolutionary architect.
