Director
Human past and future intersect in a non-linear, natural history meta-documentary about ourselves: Homo sapiens.
Director
Welcome to hell. The late cultural theorist Mark Fisher, known to some as k-punk from his early blogging days, is giving a lecture on the “gentrification of contrapasso,” the Dantean term for a punishment resembling the sin itself. What could this flashy phrase possibly mean? Fisher is interested in those doomed to repetition until they realize their wrongdoing. See: Groundhog Day, Russian Doll. He hasn’t watched that show, but he doesn’t like what it’s doing to hell on Earth. What he does like is punk band The Fall, particularly their inimitably antisocial frontman Mark E. Smith. He drones on and on about Smith’s antiborgeious, radical inscrutability. Then, a certain kind of heaven. Smith appears before him. He got to heaven and he hated it. Soon he’ll learn to regret his reactionary choice, doomed to spend his afterlife as part of Fisher’s repeating his self-deluded sin.
Director
Prompts of a far too real present, Narrative Devices by DIS and Babak Radboy reflects the “post-contemporary”: the future as familiar, predictable, immutable, a simulacrum of the past. It is the present that is unknowable, unpredictable and incomprehensible. In a post-Trump, post-truth, “alternative facts” reality, Narrative Devices suggests fantasy is more influential and effective than reality.
