Estefania Ortiz

Estefania Ortiz

Nascimento : 1998-01-09, Barcelona, Cataluña, Spain

História

Estefanía Ortiz (Barcelona, Spain, 09/01/1998). She has written and directed the short film “All the days of summer are sad” (2021), produced by Alhena, selected and awarded in festivals worldwide (Best Female Director at Madrid Film Festival – PNR). Her latest work is the script for the animated short film “Went to Heaven” and she is currently working on her final master’s project “What I don’t talk to my mother”. “A little woman” is her second short film.

Perfil

Estefania Ortiz
Estefania Ortiz

Filmes

the things I keep from my mother
the things I keep from my mother
Writer
Gonzalo, now 18, chooses not to take his deceased father's car, even though it was expected that he would. This unexpected choice perplexes everyone, especially his mother. The car becomes a symbol of an unresolved family wound, only to heal when Gonzalo honestly admits to his mother that he doesn't remember his father.
the things I keep from my mother
the things I keep from my mother
Director
Gonzalo, now 18, chooses not to take his deceased father's car, even though it was expected that he would. This unexpected choice perplexes everyone, especially his mother. The car becomes a symbol of an unresolved family wound, only to heal when Gonzalo honestly admits to his mother that he doesn't remember his father.
tots els dies d'estiu són tristos
tots els dies d'estiu són tristos
Director
A teenager remembers his most special summer. In his mind, everything s is even more perfect than what he felt at the time. Moments that passed quickly and that he did not know how to value. And paradoxically, although that summer was the most perfect of his life, he remembers it with enormous sadness for a reason: it will never return.
a little woman
a little woman
Writer
A bloodstain on a sheet triggers a great transformation in Tina, an eleven-year-old girl. As she spreads out the laundry with her mother, she will have to silently face all those unknown feelings she thought would never come.
a little woman
a little woman
Director
A bloodstain on a sheet triggers a great transformation in Tina, an eleven-year-old girl. As she spreads out the laundry with her mother, she will have to silently face all those unknown feelings she thought would never come.