Luca Grazioli

Luca Grazioli

Nascimento : 1998-11-28, Brescia, Lombardia, Italia

História

Luca Grazioli, class 1998. He was born in Brescia, but he trained in Milan where he still lives. In 2021 he graduated with honors from the Civica Scuola di Cinema Luchino Visconti with a thesis on Takeshi Kitano. He debuts in 2021 with his first short film, “Donne senza uomini", which receives several nominations at national and European level. Also of note is the work "Portrait de Rosa, à la française", an experiment in Super 8, which earned him the Cavatorta Prize.

Perfil

Luca Grazioli
Luca Grazioli
Luca Grazioli

Filmes

Ritratto di Rosa, all'italiana
Ritratto di Rosa, all'italiana
Director of Photography
"Ritratto di Rosa, all'italiana" stands as the second act of the trilogy begun in 2019 with "Portrait de Rosa, à la française." The poetry of the first chapter is replaced by a melody that takes the viewer back among the waves of a journey, among rocks and shells. A song full of love and hope from the past, setting the end of youth and the beginning of maturity.
Ritratto di Rosa, all'italiana
Ritratto di Rosa, all'italiana
Editor
"Ritratto di Rosa, all'italiana" stands as the second act of the trilogy begun in 2019 with "Portrait de Rosa, à la française." The poetry of the first chapter is replaced by a melody that takes the viewer back among the waves of a journey, among rocks and shells. A song full of love and hope from the past, setting the end of youth and the beginning of maturity.
Ritratto di Rosa, all'italiana
Ritratto di Rosa, all'italiana
Director
"Ritratto di Rosa, all'italiana" stands as the second act of the trilogy begun in 2019 with "Portrait de Rosa, à la française." The poetry of the first chapter is replaced by a melody that takes the viewer back among the waves of a journey, among rocks and shells. A song full of love and hope from the past, setting the end of youth and the beginning of maturity.
Portrait de Rosa, à la française
Portrait de Rosa, à la française
Editor
Poetic, delicate, engaging. "Portrait de Rosa, à la française" gently draws you into this passionate love story, with a love text that fits well with the images of Rosa's smiling face. A narrative that recalls the “nouvelle vague” interpreted with today's eyes.
Portrait de Rosa, à la française
Portrait de Rosa, à la française
Cinematography
Poetic, delicate, engaging. "Portrait de Rosa, à la française" gently draws you into this passionate love story, with a love text that fits well with the images of Rosa's smiling face. A narrative that recalls the “nouvelle vague” interpreted with today's eyes.
Portrait de Rosa, à la française
Portrait de Rosa, à la française
Director
Poetic, delicate, engaging. "Portrait de Rosa, à la française" gently draws you into this passionate love story, with a love text that fits well with the images of Rosa's smiling face. A narrative that recalls the “nouvelle vague” interpreted with today's eyes.
Women Without Men
Women Without Men
Editor
Italy 1965. Marcello, a middle-class man, decides to spend the night with a prostitute. He gets in touch with a luxurious brothel managed by a very strict owner with draconian rules. Among multiple women introduced to him he chooses Bice, a young woman in her early twenties. After their sexual intercourse the bedroom’s phone rings.
Women Without Men
Women Without Men
Screenstory
Italy 1965. Marcello, a middle-class man, decides to spend the night with a prostitute. He gets in touch with a luxurious brothel managed by a very strict owner with draconian rules. Among multiple women introduced to him he chooses Bice, a young woman in her early twenties. After their sexual intercourse the bedroom’s phone rings.
Women Without Men
Women Without Men
Director
Italy 1965. Marcello, a middle-class man, decides to spend the night with a prostitute. He gets in touch with a luxurious brothel managed by a very strict owner with draconian rules. Among multiple women introduced to him he chooses Bice, a young woman in her early twenties. After their sexual intercourse the bedroom’s phone rings.