Director
What are the wild waves saying ? Following up on Saturn and beyond (Georges de Beauregard International Award, FID 2021), Declan Clarke listens in again. The waves here, are those that, through the figure of the writer Francis Stuart, connected the Irish nationalist movement to Nazi Germany : anti-English broadcasts for German radio from 1940 to 1944, pirate radio transmitter sent from Germany to Ireland, infiltration of German agents helped by the author’s wife who stayed in Ireland… The director plays the writer’s role but we never hear his voice, as if to offset the power of radio as a means of propagating a discourse. Both rigorous and playful, vivid and melancholic, this film is a meditation on political compromission and the mass media that serve as their tools.(Nathan Letoré)
Script
The film is a 60-minute reflection on the development of transatlantic communication, ultimately connecting these networks with neural networks, and dementia
Director
The film is a 60-minute reflection on the development of transatlantic communication, ultimately connecting these networks with neural networks, and dementia
Himself
Artist Declan Clarke reflects on the changing relationship with his brother.
Writer
Artist Declan Clarke reflects on the changing relationship with his brother.
Director
Artist Declan Clarke reflects on the changing relationship with his brother.
Director
A mythic brand, three iconic cars, and three dead bodies inside the Renault’s trunk : the American actress Jean Seberg, the Italian politician Aldo Moro, and the French CEO of Renault, Georges Besse. Here are the starting points of Declan Clarke’s film, from where he deploys a larger narrative and reflexion on the intricate relationship between capitalist development, the supression of industrial policies and the expansion of privatisation, as well as the implication of international secret services and underground political networks. Declan Clarke
