Luciano Albertini

Nascimento : 1882-11-30,

Morte : 1945-01-06

Filmes

All or nothing
The Chase After Millions
Stowaway
Early German sound film based on the novel "Lord Spleen" by Ludwig von Wohl. Two stowaways attempt to unravel a plot onboard a steam train.
Arsenal
Raffaele
Imagens mostram a devastação que a Primeira Guerra Mundial causou aos ucranianos.
Der Unüberwindliche
Silvio Spaventa
Rinaldo Rinaldini
Rinaldo Rinaldini
A gentleman trades place with a notorious gangster who's his dead ringer to prevent an evil baron to marry his fiancée.
Der König und das kleine Mädchen
Der Prinz Rudolf von Seeland
Der Mann auf dem Kometen
Mister Radio
Gaston de Montfort
Die Schlucht des Todes
Manuelo
Die Schlucht des Todes
Director
Death Cheat
An adaptation of Homer's epic Greek poem THE ODYSSEY, this was one of a series of 1920s adventure films starring Luciano Albertini and directed by Max Obal. Albertini goes through a series of acrobatic and life-threatening adventures as he is pursued across city streets while pursuing the love of the woman he loves.
Il ponte dei sospiri
Il Mostro di Frankenstein
Baron Frankenstein
The last silent Frankenstein film. While there is plenty of promotional material proving this film was shown internationally, there is currently no known film print and it is believed lost.
Il Mostro di Frankenstein
Producer
The last silent Frankenstein film. While there is plenty of promotional material proving this film was shown internationally, there is currently no known film print and it is believed lost.
The Superman
Sansonia
While Sansonia is away shooting a movie in Argentina, villains Markus and Niska plot to kindap his wife and sons back in Italy.
Sansone e la ladra di atleti
"Albertini is the champion of Italian athletic cinema. When he’s around, wrongs are righted by way of bold feats. The year 1919 saw him in superb shape. In Sansone e la ladra di atleti he is joined by another sort of hero: Costante Girardengo, the first great champion of Italian cycling." - Andrea Meneghelli
Assunta Spina
Raffaele
Assunta and Michele are in love, but others come between them and jealousy arises. Assunta Spina stands out as an early landmark of naturalistic acting and a blueprint for the Italian Neorealist films to come.