First Assistant Director
During 1950, Miguel Contreras Torres led a group of filmmakers to officially denounce William O. Jenkins' monopoly on film theaters, which was built throughout the country upon crime and corruption. Ever since, Uncle Miguel was ridiculed and eventually forgotten, but it is certain that his proclaim announced the separation of Mexican cinema and its audience. Discoveries may be found in the films made by Miguel, and bringing back to life these moving pictures might recover this history that was never told, a story that is almost lost and that Contreras Torres himself tried to pass on through his writings in The Black Book of Mexican Cinema.
Diego
Gaby, Fer's mother and Silvia, Diego's mother, live their lives happily, until one day, due to Diego's kidney disease they find out that the kids were switched at birth. In order to save Diego’, both mothers end up in a legal battle to see who will have the custody of which kid.
Ignacio
Em uma noite escura e chuvosa, um grupo de oito estranhos fica preso em uma remota estação de ônibus esperando pela condução até a Cidade do México. Coisas estranhas começam a acontecer e eles ficam presos em uma luta pela sobrevivência e sanidade mental.
Executive Producer
The film is not constructed as a lineal story, instead, each scene works as a painter’s brush freely tracing a distinctive shape; the lifestyle of the Raramuri people, the particular way in which they relate within the family, the community and their surrounding nature. Nararachi’s warm, intimate and profoundly human insight of the indigenous lifestyle and culture is so powerful that it enables the viewer to expand her horizon.
Editor
The film is not constructed as a lineal story, instead, each scene works as a painter’s brush freely tracing a distinctive shape; the lifestyle of the Raramuri people, the particular way in which they relate within the family, the community and their surrounding nature. Nararachi’s warm, intimate and profoundly human insight of the indigenous lifestyle and culture is so powerful that it enables the viewer to expand her horizon.
Cinematography
The film is not constructed as a lineal story, instead, each scene works as a painter’s brush freely tracing a distinctive shape; the lifestyle of the Raramuri people, the particular way in which they relate within the family, the community and their surrounding nature. Nararachi’s warm, intimate and profoundly human insight of the indigenous lifestyle and culture is so powerful that it enables the viewer to expand her horizon.
Though it sounds incredible, little Ulises with only nine years old, from one day to another grows an enourmous mustache. This situation, appearing to be ordinary, starts a series of extraordinary events for him, his mother and his best friends. From this moment onward with the company of a bunch of very curious characters they will have to face this hairy adventure.
Editor
Ayúdame compadre
(uncredited)
Emilio Fernandez directs Dolores Del Rio and Pedro Armendariz in a classic tale of family and obsession. Raimunda's daughter Acacia hates her stepfather Esteban, and in order to escape her suffocating home life she's accepted a marriage proposal from a man she doesn't even love. But Esteban has become obsessed with Acacia, and in order to ensure that she doesn't leave he's plotting to murder the girl's unsuspecting fiancée. As Esteban's true nature emerges, mother and daughter must band together to support one another and make sure that their family bond remains strong even in the darkest of times.
