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Vibrant, bursting with color (shot in the late, and much lamented Kodachrome) and ringing with bells and whistles, Wayne Sourbeer’s ode to the joys of the lowly pinball machine is a visual feast; Colored balls whiz, clink, and crash across the laminated landscapes. Dim bulbs illuminate the gaudy caricatures that stare back at the player. Neon lights flash in streaks of hot pink, red, and blue.
Music
The small town of Lucas, Kansas, is home to one of America’s most unique triumphs of self-expression: S. P. Dinsmoor’s fantastical backyard concrete and wood rendering of the Garden of Eden. Dinsmoor’s self-constructed and wildly imaginative figures represent one man’s attempt to make sense of the world in which he lived. A Civil War veteran, farmer, and self-taught artist, Dinsmoor created a work perhaps more relevant today than ever before; witness Dinsmoor’s Labor Crucified surrounded by a Doctor, a Lawyer, a Preacher, and a Banker to know that this garden is still thriving today. Adding to Dinsmoor’s triumph is the collective work of Montage Production’s Richard Grove, Richard J. Meyer, and Wayne Sourbeer, a trio of avant-garde filmmakers who simply and effectively captured the power of Dinsmoor’s architectural sculptures under the blue-gray skies of southeastern Kansas and further emboldens them using Dinsmoor’s own words.
