Katharina Pethke

The ensemble of buildings that makes up the maternity clinic and art school in Hamburg where the director taught is the starting point for this sober interrogation of how motherhood and career can be combined based on three generations of German women.

Do computer-generated figures now look as “real” as “genuine” humans? For 26-year-old Lale, this question is not only exciting in theory, but in practice. She works as a model but would rather spare herself exhausting shoots by getting an avatar. But when she has taken the first steps towards “doubling” herself, she has second thoughts. What does it mean, in actual, legal and moral terms, to bring a virtual duplicate of oneself into the world?

Do computer-generated figures now look as “real” as “genuine” humans? For 26-year-old Lale, this question is not only exciting in theory, but in practice. She works as a model but would rather spare herself exhausting shoots by getting an avatar. But when she has taken the first steps towards “doubling” herself, she has second thoughts. What does it mean, in actual, legal and moral terms, to bring a virtual duplicate of oneself into the world?

Is it possible to get close to someone who sees their sole task in life in losing themself in the parts they play? How can a film portrait be created when every image only contributes to further fictionalization? Who is facing each other when the line between fact and fiction becomes blurred? Katharina Pethke looks back to dissect the past and her contradictory feelings for the celebrated actor Philipp Hochmair, following the lines of her own artistic and personal doubts.