Carole Doland Weed

Filmes

Artemisia
Editor
While indoors alone, a disabled woman reflects on a recurring social phenomenon she encounters when outside. The implications regarding self identity, her otherness and the right to opacity are questioned whilst she moves through poses from Artemisia Gentileschi’s historical works.
Artemisia
Producer
While indoors alone, a disabled woman reflects on a recurring social phenomenon she encounters when outside. The implications regarding self identity, her otherness and the right to opacity are questioned whilst she moves through poses from Artemisia Gentileschi’s historical works.
Artemisia
Writer
While indoors alone, a disabled woman reflects on a recurring social phenomenon she encounters when outside. The implications regarding self identity, her otherness and the right to opacity are questioned whilst she moves through poses from Artemisia Gentileschi’s historical works.
Artemisia
Director of Photography
While indoors alone, a disabled woman reflects on a recurring social phenomenon she encounters when outside. The implications regarding self identity, her otherness and the right to opacity are questioned whilst she moves through poses from Artemisia Gentileschi’s historical works.
Artemisia
Director
While indoors alone, a disabled woman reflects on a recurring social phenomenon she encounters when outside. The implications regarding self identity, her otherness and the right to opacity are questioned whilst she moves through poses from Artemisia Gentileschi’s historical works.
Artemisia
While indoors alone, a disabled woman reflects on a recurring social phenomenon she encounters when outside. The implications regarding self identity, her otherness and the right to opacity are questioned whilst she moves through poses from Artemisia Gentileschi’s historical works.