George Bernard Shaw

Um filme feito em homenagem as famílias desse mundo com grandes frases de grandes pessoas.

A young billionaire of South Asian descent is bound by the conditions set by his beloved, deceased father in order to get married.

Award-winning Irish actor Gabriel Byrne explores the life, works and passions of George Bernard Shaw, a giant of world literature, and - like Byrne - an emigrant Irishman with the outsider's ability to observe, needle and puncture.

Josie Rourke directs Gemma Arterton as Joan of Arc in Bernard Shaw's electrifying classic. Performed at the Donmar Warehouse, and part of the NT Live series of broadcasts.

Academy Award® nominee Ralph Fiennes (The English Patient, Schindler’s List, Oedipus at the National Theatre) plays Jack Tanner in this exhilarating reinvention of Shaw’s witty, provocative classic. Jack Tanner, celebrated radical thinker and rich bachelor, seems an unlikely choice as guardian to the alluring heiress, Ann. But she takes it in her assured stride and, despite the love of a poet, she decides to marry and tame this dazzling revolutionary. Tanner, appalled by the whiff of domesticity, is tipped off by his chauffeur and flees to Spain, where he is captured by bandits and meets The Devil. An extraordinary dream-debate, heaven versus hell, ensues. Following in hot pursuit, Ann is there when Tanner awakes, as fierce in her certainty as he is in his. A romantic comedy, an epic fairytale, a fiery philosophical debate, Man and Superman asks fundamental questions about how we live.

Stratford Shakespeare Festival presents: Caesar and Cleopatra. Shaw's legendary wit turns political drama into sparkling comedy when veteran strategist Julius Caesar becomes mentor to the enchanting teenage queen of Roman-occupied Egypt. Their first encounter under a desert moon will lead to a shift in the course of history, as Cleopatra gradually overcomes her timidity to become a determined player in the game of power politics

First produced on the London stage in 1894, "Arms and the Man" immediately established Shaw's reputation as one of the greatest wits in London drama. This beautifully remastered BBC production brings to life an uproarious comedy that still resonates in its critique of warfare and romance.

Shaw turned to the classic Victorian melodrama to focus on the insincerity of much that his audience held dear, especially family and marriage. In 1777 as the American War of Independence rages, Dick Dudgeon returns to the family he revolted against years ago. But his life is about to take another twist as the british arrive and seem set on an execution...

The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.

The action in this lavishly produced film takes place at an oddly ark-shaped mansion during World War I, and in spirit (although not in story) it reflects the play which inspired it, the ferociously antiwar Heartbreak House by George Bernard Shaw. A large group of family and friends have gathered at this country house to dance, drink, and converse. Their conversation, in particular, is adorned with erudite literary references and quotations. Despite their apparent refinement, their preoccupations are simple: sex and violence. Disquieting images break the tranquility of the vacationers' inappropriate idyll: some of these include documentary footage of starving African children, images (both real and re-enacted) of George Bernard Shaw going about his daily life, and a corpse coming to life on an autopsy table, only to cheapen that miracle by scolding a group of women. The music used in the film ironically points to its disturbing message and is uniformly anachronistic.

Shaw used the traditional fable of Andocles to focus on the integrity of religious belief. Androcles, a christian fleeing persecution in Rome, is captured by Caesar's men. Alongside other christians - Ferrovius, a fierce fighter, Lavinia, a beautiful aristocrat and would-be martyr Spintho - he must face the lions of the Coliseum. How will each of them face their desperate fate?

An adaptation of George Bernard Shaw's play.

Adaptation of the play by Bernard Shaw.

One of Shaw's "pleasant plays", The Man of Destiny is a one-act lighthearted comedy of egos and social hypocrisy. Set in 1796 in northern Italy, it features a battle of wits between Napoleon Bonaparte and a mysterious, daring woman who has stolen his documents. Can she really challenge the strategic mind of a general still celebrating a famous victory?

Adaptation of the play by Bernard Shaw.

Captain Shotover, a retired seafarer, is reluctantly hosting a weekend house party for his two daughters and their bohemian friends. As they indulge in dangerous flirtations, will anyone notice their drift to destruction?

The film ballet based on the play by Bernard Shaw "Pygmalion" to the music of Timur Kogan. For the first time, an attempt was made to translate the play into the language of choreography. And although the musical “F. My Fair Lady” was taken as the basis, the choreographer D. Bryantsev and director A. Belinsky offered a completely original interpretation of the famous work - classical ballet dancers act as real dramatic actors.

In heaven there is faith, and love. Only in hell there is justice. Everyone here gets the part that suits them best. Therefore, hell is the place for eternal pleasures.

September evening, an unusual ark house, resembling a ship in shape, for its owner, the gray-haired old man, captain Châtover, sailed the whole life through the seas. A strange house where people behave differently. Young beauty sisters reign in this house, beckoning true gentlemen, as the light of a lamp beckons moths. This house fences its inhabitants from the outside world. Talk about the meaning of life, home entertainment, hopeless novels. And a premonition of trouble: at the same time, clouds of the First World were gathering over the good old England ...

Shaw's comedy of ideologies looks forty years to the future at the impossibility of government as the British cabinet and monarchy face a day of "crisis" for the country. King Magnus is happy to engage a prime minister seeking to transform the nation into a constitutional monarchy, but who truly rules in this democracy: the king, the government or the businessmen? And do any of them care about the people?

The most famous and beloved of Shaw's plays, Pygmalion is a witty exploration of class and gender, Professor Henry Higgins bets his friend that they can take a poor flower girl, Eliza Doolittle, and pass her off as a duchess. They teach her perfect English, mannes, and how to dress like a lady, but proves to more than a match for her tutors.

Performed in 1902, after being banned by the censor for eight years, Shaw's indictment of the hypocrisy surrounding prostitution still shocked its audiences. Mrs. Warren has graduated from prostitution to opening and operating a chain of brothels throughout Europe. When her educated daughter Vivie discovers the truth about her mother's profession her reactions affect everyone around her.

One of Shaw's later plays, The Millionairess explores his fascination with the machinations of capitalism. Epifania is glamorous, clever... and also the richest woman in the world. Brought up by a money-mad father, she will only consider a man for marriage if he can convert £150 into £50,000 within six months. But when she meets an intriguing Egyptian doctor, he has his own money-making challenge for her...

An interesting mixture of filmed scenes with Belmondo and archival footage regarding cultural aspects of all kind around Paris, starting at the end of the 19th century and ending in the mid-1960's. Jean-Paul Belmondo leads us through the movie starting as a young photographer around 1900, a reporter in both world-wars and doing fictional interviews with lots of celebrities.

When British Capt. Charles Edstaston arrives at the court of Catherine the Great in St. Petersburg, Russia, he is stunned by the palace's disorderly condition. The severely intoxicated Prince Potemkin concludes that the handsome Edstaston would be a suitable lover for Catherine, and he coerces the bewildered visitor into her bedchamber. Edstaston manages to escape, but he is repeatedly recaptured and delivered to the mischievous Catherine.

The story of Androcles, the simple-hearted Christian tailor whose friendship with a lion saves himself and his friends from martyrdom in the Roman Colosseum.

Henry Higgins (Rex Harrison), um intelectual e professor de fonética, aposta que conseguirá, no período máximo de seis meses, transformar Eliza Doolittle (Audrey Hepburn), uma simples florista de rua que não sabe falar direito, em uma dama. Mas a tarefa se mostra muito mais difícil do que tinha sido imaginada originalmente.

When her father dies, Epifania Parerga, an Italian in London, becomes the world's richest woman. She feels incomplete without a husband and falls in love with a humble, Indian physician, Ahmed el Kabir, much loved by his indigent English patients.

In a small New England town during the American War of Independence, Dick Dudgeon, a revolutionary American Puritan, is mistaken for local minister Rev. Anthony Anderson and arrested by the British. Dick discovers himself incapable of accusing another human to suffer and continues to masquerade as the reverend.

The burglar Karl Kilian Ledig tries to get his somewhat reluctant son Carl Gustaf interested in his "profession". He bring him along one evening to the sculpture Ulla-Carin von Knaake's house to break in and steal from her safe. Complications arise when Ulla-Carin and some of her friends unexpectedly come home and she imagines that Carl Gustaf is a model she has hired from a model agency.

Four doctors face a serious dilemma when the beautiful wife of a TB-stricken artist begs one of them to cure her brilliant, but amoral, husband.

1865: Swiss captain Bluntschli fights as mercenary in the war between Bulgaria and Serbia. When his group's attacked by a few Bulgarian troopers, he learns that he's got the wrong ammunition for his cannon and has to flee. His flight leads him right into the bedroom of his enemy's fiancée.

Phonetics professor Mr. Higgins decided to prove that he could, thanks to his knowledge and teaching skills, turn Eliza - a simple street flower girl with terrifying speech and manners - into a socialite and introduce her to guests as a duchess.

Young Joan of Arc comes to the palace in France to make The Dauphin King of France and is appointed to head the French Army. After winning many battles she is not needed any longer and soon she is thought of as a witch.

George Bernard Shaw’s breezy, delightful dramatization of this classic fable—about a Christian slave who pulls a thorn from a lion’s paw and is spared from death in the Colosseum as a result of his kind act—was written as a meditation on modern Christian values. Pascal’s final Shaw production is played broadly, with comic character actor Alan Young as the titular naïf. He’s ably supported by Jean Simmons, Victor Mature, Robert Newton, and Elsa Lanchester.

Compilation film about a very German first half of the 20th century.

As the title of this French documentary indicates, Ce Siecle a 50 Ans examines the 20th Century at its halfway point. Utilizing the archives of several European film reserves, director Denise Tua offers a fascinating mosaic of the people and events that shaped the years 1900 to 1950. Complementing the vintage film clips are three dramatized sketches, delineating the romantic customs of three different points in time. These sketches are inadequately performed, and can easily be ignored. Ce Siecle a 50 Ans both preserved and provided celluloid material for scores of future documentaries.

Documentary filmmaker Nicole Vedre's first semi-fictional feature was released in France in 1949 as La Vie Commence Demain. The film made it to the U.S. in 1952 as Life Begins Tomorrow. Made in cooperation with UNESCO, the film speculates on the future of mankind after the advent of Atomic Energy. Many prominent French artists and intellects contribute to the narration: Jean-Pierre Aumont plays The Man of Today, Andre Labarthe is the Man of Tomorrow, and Jean-Paul Sartre, Daniel Agache, Jean Rostand, Le Corbusier, Pablo Picasso and Andre Gide are respectively seen as "The Existentialist," "The Psychiatrist,' "The Biologist," "The Architect," "The Artist" and "The Author" (talk about typecasting!) Film clips of hospitals, schoolrooms, scientific laboratories, and even nightclubs are woven into Vedre's fascinating tapestry.

The aging Caesar finds himself intrigued by the young Egyptian queen. Adapted by George Bernard Shaw from his own play.

Idealistic young Barbara is the daughter of rich weapons manufacturer Andrew Undershaft. She rebels against her estranged father by joining the Salvation Army. Wooed by professor-turned-preacher Adolphus Cusins, Barbara eventually grows disillusioned with her causes and begins to see things from her father's perspective.

Idealistic young Barbara is the daughter of rich weapons manufacturer Andrew Undershaft. She rebels against her estranged father by joining the Salvation Army. Wooed by professor-turned-preacher Adolphus Cusins, Barbara eventually grows disillusioned with her causes and begins to see things from her father's perspective.

This 1940 presentation features highlights of earlier (1928 onward) Oscar ceremonies including Shirley Temple and Walt Disney, plus acceptance speeches for films released in 1939 with recipients and presenters including Vivien Leigh, Judy Garland, Hattie McDaniel, Fay Bainter, Mickey Rooney, Thomas Mitchell, Sinclair Lewis, and more, with host Bob Hope.

When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.

When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.

When linguistics professor Henry Higgins boasts that he can pass off Cockney flower girl Eliza Doolittle as a princess with only six months' training, Colonel George Pickering takes him up on the bet. Eliza moves into Higgins's home and begins her rigorous training after the professor comes to a financial agreement with her dustman father, Alfred. But the plucky young woman is not the only one undergoing a transformation.

Prof. Henry Higgens takes a wager on turning a low class flower seller named Liesje Doeluttel into a presentably lady. Adaptation of Bernard Shaw's play.

Which soldier will the naive, impressionable Raina choose to love - the unromantic, hard-nosed, tough Bluntschli, or the handsome, dashing, reckless (and extremely stupid) Sergius?

'Rich man suspects wife loves poet.' (British Film Catalogue)

An impression of the state of the world in 1929, contrasting similarities and differences in religion, customs, art and entertainment from all over the world. The film is constructed like a symphony.

Famous author George Bernard Shaw's monologue to an audience on a variety of topics, including his impression of Mussolini's stern facial expressions. TITLE CARDS READ "1927. SHAW TALKS FOR MOVIETONE Several months before 'The Jazz Singer' appeared, sound films of current events and of interview with eminent figures of the day had been issued by the Fox Film Corporation. The voice in the interview given here is recorded with a precision rare in the early talkies. / William Fox Has the Honor to Present / The World's Outstanding Literary Genius / GEORGE BERNARD SHAW / First Appearance in America Recorded by Fox Case Movietone Western Electric System"

An actress cures an aged flirt by posing as his wife.

A showgirl's baby has an adventure with brigands.

Candida is the wife of a famous clergyman, the Reverend James Mavor Morell. Morell is a Christian Socialist, popular in the Church of England, but Candida is responsible for much of his success.