Cinematography
The author continues with her main themes: the relationship between man and woman, the intrusion of the mythical into the rituals of everyday life. This video uses many electronic image processing options. Most fascinating are the scenes with "morphing" (electronic transformation), in which the character on the canvas is transformed into an identical figure on the video surface, or the latter "freezes" into a character in a still image. Once again, the author insists on a real natural environment, which deforms it and thus equates it with the artificiality of the video image.
Camera Operator
The author constantly depicts the duality of human nature: the same horror occurs in both the mythical and the real world. She illustrates all this with the use of electronic tricks that can, for example, petrify a human face or wall up a human being in just a few seconds. With an electronic trick, even human figures dressed in extravagant costumes return to nature: a man in a costume reminiscent of a bird turns into a real bird. At the same time, the scenes are shot from a bird's eye view, which, as always, emphasizes man's smallness and his loss in his own world and nature.
Camera Operator
In the video works of Ema Kugler, mythology is inscribed in the rituals of everyday life, this time it is the theme of Hydra with many faces. It is illustrated by individual scenes with actors in leather costumes (the author's creations), which restrict their movement and thus already emphasize the separation of man from nature. The last trace of connection - the ritual relationship between man and bull, which is again based on human cruelty to animals - ends with blood, which on a symbolic level also pervades the whole image.
