Mariana Durán

Filmes

Deus Irae
Editor
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.
Esplendor de los días venideros
Editor
One Night
Editor
A single night tells the story of Lucía (Emilia Attias), a 36-year-old woman who has just separated from her partner, and on a failed trip to New York she meets Horacio (Naim Sibara), a man who seems to have lived all his life. in order. These strangers will spend the last night of the year together and during the evening, they will reach an agreement in which both of them must open their hearts with the truth without any lies.