Roland Alexandre

Several men have been murdered lately, mostly rich lovers on their way to meet their mistresses with gifts of fine jewelry. To fight this scourge, King Louis XIV decides to create a special court named "La chambre ardente", designed to find and punish the perpetrators of such heinous crimes. An unexpected person, Mademoiselle de Scudéry, the famous poetess, will find herself entangled in the web of a criminal intrigue linked with the jewel murders, along with a a goldsmith, his daughter and her fiancé...

The film follows the life of Napoleon from his early life in Corsica to his death at Saint Helena. The film is notable for its use of location shooting for numerous scenes, especially at the French estates of Malmaison and Fontainebleau, the Palace of Versailles, and sites of Napoleonic battles including Austerlitz and Waterloo.

The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.

Jacques Montet, a successful crime story writer, has already written a hundred books and would like to call it quits now to devote himself to loftier writing. But his wife, a cold-hearted, money-minded, bossy woman won't allow. All the more as she is the one who supplies Jacques with the plots of his detective stories. When Jacques, yearning for true love, meets young, pretty Muriel, he can't stand the situation any longer. Fortunately - for him - the plot of the 101st detective story imagined by his wife is about a ... perfect crime. He simply has to follow her instructions to ... get rid of her. Everything goes according to plan until Jacques discovers a scary detail: the presence of a mysterious witness on the scene of the crime.

Jean-Pierre, a pianist, is also the composer of a revue he would very much like Maroni, a famous theater producer, to put on. Maroni is not interested. All he wants at the moment is to impose Violette, a pretty young singer whose career he supervises. He has her dressed up as a flower seller. When he meets her, Jean-Pierre, who does not realize that she is in disguise, falls in love with her at first sight.

An honest taxi driver gets into trouble by looking for a customer who left her purse full of cash in her vehicle.

Nobel-prize-winning author, social justice crusader, anti-colonialist, adventure traveler, musician, and one-time Communist: André Gide was a larger-than-life character who dominated French letters from the turn of the 20th century to his death in 1951. Directed by Marc Allégret, with whom Gide traveled extensively in French Equatorial Africa, the With André Gide was made in the year leading up to the writer’s death.

Professor Louis Delage is a kidney transplant specialist. He is so good in his field that his peers nickname him the "great man". But one day, one of his patients die during surgery and Delage starts doubting. Is he actually such a great man? To fight desperation he decides to take in the deceased child while devoting more time to Florence, his hitherto neglected wife.

Irène is the unhappy wife of a wealthy publisher, Jacques Voisin-Larive, who cares about her no more than a beautiful piece of furniture. Her meeting with Étienne, a young cabinetmaker with whom she falls in love, turns her dismal existence upside down. Not wanting to reveal her condition to her lover, she pretends to be a modest maid, employed by the Voisin-Larive. At the end of a weekend spent with her lover, Irène discovers that she is pregnant. The fragile balance of their existence is suddenly broken. Taking the initiative, she reveals her affair to Jacques and tells him about her desire to divorce. But her husband has no intention of giving her back her freedom...