Suga Josuke

Filmes

リハビリテーション
Art Direction
For his own trauma, which he hates but cherishes. There is a man who was sexually violated as a child. He is troubled by the presence of another self, who appears before his eyes and reminds him of that time. The man hates the boy, but not completely, as he tries to control him by force but cannot. The boy silently adores the man. In the end, the two decide to live together in a world that is always looking for curiosity. The psychological symbols hidden here and there are not only rhetorical but also beautiful and striking enough as visuals to give a sense of sadness born of inevitability. The fact that the faces of the people are not shown clearly gives the film the effect of a scene from a dream.
超愛人
Sound
Smile apologetically next to a beautiful woman. Kyoko Yamada is an ugly woman. She has a man in her life, Momotani, whom she has feelings for. He says to her, "Bring your friends and come visit me. Yamada, who is ugly and has no friends, goes out on the street and talks to girls. There is only one criterion. The only criteria is that the girl has to look good enough to complement him. Finally, Yamada finds a fat girl and takes her to Momotani's flat. But Momotani is a fat lover. The protagonist, who relies on fortune-telling in order to become beautiful and is bossy with the same sex whom she identifies as less than her, confronts the audience with "the ugly part of you", in the form of a laugh, saying "ugly people are such creatures". The film is a radical stomping ground of the looks complex.