Francesca Bertini
Nascimento : 1892-04-11, Florence, Tuscany, Italy
Morte : 1985-10-13
História
Francesca Bertini - pseudonyme d'Elena Seracini Vitiello - a été une actrice cinématographique italienne de l'époque du cinéma muet. Fascinante, romantique, mystérieuse, raffinée et élégante, Francesca Bertini grâce à la force symbolique de ses interprétations a réussi à hisser à son niveau de perfection le phénomène italien de la diva. Elle atteignit probablement le sommet de sa carrière avec le rôle d'Assunta Spina, dans le film homonyme tiré du drame de Salvatore Di Giacomo et codirigé et interprété par lui avec Gustavo Serena. Ensuite elle interpréta à l'écran des grands personnages littéraires et théâtraux, comme Fedora, Tosca et la « Dame aux Camélias ». Sa beauté extraordinaire et sa présence sur la scène, surtout dans les moments tragiques. La Fox lui fit une offre alléchante pour jouer dans quelques films américains, mais la Bertini refusa : elle venait de faire connaissance du banquier suisse Paul Cartier qu'elle épousa en 1921. Après son mariage, ses apparitions se firent beaucoup plus rares, mais il est vraisemblable qu'avec l'arrivée du cinéma parlant, comme bien d'autres acteurs, elle ne sut s'adapter aux nouvelles techniques d'interprétation. En 1976 Bernardo Bertolucci la convainquit de sortir de sa retraite et de paraître dans un bref caméo, en vêtements de religieuse, dans 1900 (Novecento).
Archival footage
Documentary consisting of archival footage that depicts the evolving conditions of Italian women during the first half of the 20th century.
In this mesmerizing collage of silent Italian melodrama, found-footage filmmaker Peter Delpeut (Lyrical Nitrate) affectionately captures the spirit of the World War One-era cinema diva. In all-but-lost gems such as La donna nuda (1914), and Tigre reale (1916), superstars such as Lyda Borelli and Pina Menichelli portrayed heroines teetering dangerously between defiant indulgence in sexual passion and hysterical remorse at their own cruelties. Delpeut’s inventive celebration of Black Romanticism is both striking and heartbreaking in its composition—a beautifully woven narrative of tempted fate and self-torment, elegantly guided by Loek Dikker’s original score. Zeitgeist Films is proud to present Delpeut’s stunningly experimental work in all its heaving bosomed, luridly tinted glory.
Documentary in which 94 year-old Francesca Bertini recalls her life and career while attending a screening of Assunta Spina.
Sister Desolata
Uma retrospectiva histórica da Itália do início do século XX até o fim da Segunda Guerra Mundial a partir das vidas de Olmo, filho bastardo de camponeses, e Alfredo, herdeiro de uma rica família de latifundiários. O pano de fundo é o intenso cenário político da época, com o fortalecimento do fascismo e, em oposição, as lutas trabalhistas ligadas ao socialismo.
In the movie La valigia dei sogni (The Suitcase of Dreams, Italy, 1953) directed by Luigi Comencini, some sequences from Cenere are inserted. The protagonist is a former silent film actor who has saved old movies of his time from destruction, and uses them to set up recreational performances at schools. After an accidental fire and the risk of prison, he meets a rich producer who helps him to build a film museum.
La principessa
Odette
Princess Lystrie
A lieutenant of the French navy, ready to kill himself in despair, renounced his project after spending a night with a beautiful stranger. He ends up finding her, the heiress princess Lystrie. The German version (Königin einer Nacht) was an operetta, the Italian version (La donna di una notte) was a comedy, while the French version (La Femme d'une nuit) was a dramatic film.
Jessie Cordier
La Possession is a 1929 French film directed by Léonce Perret.
Lolette
Maddalena Ferat
Producer
The dramatic events of the composer Mario Sirchi, falsely accused of murder, and his girlfriend Adonella who is revealed to have a secret sister, Nayda.
Nayda
The dramatic events of the composer Mario Sirchi, falsely accused of murder, and his girlfriend Adonella who is revealed to have a secret sister, Nayda.
It tells the story of Dante Alighieri's love to Beatrice Portinari, loosely based on Dante's poetry.
Maria Lorini
Maria and Luigi love each other in spite of their poverty, while she resists her many wealthy suitors. But their mutual enemies figure out a lie that will separate them. Maria will become temporarily rich but then she will commit a crime and will divert into the slums. There Luigi will meet her again.
Producer
This is the account of a typical day of the diva Francesca Bertini in contrast to the story of Mariute, a single Friulian peasant girl with three children whose husband is at war. The poor woman suffers violence from three Austrian soldiers and is avenged by her father-in-law. The dramatic story, learned on set from an actor who has just returned from the front, leaves the actress so upset that she is induced to a surge of patriotic solidarity.
This is the account of a typical day of the diva Francesca Bertini in contrast to the story of Mariute, a single Friulian peasant girl with three children whose husband is at war. The poor woman suffers violence from three Austrian soldiers and is avenged by her father-in-law. The dramatic story, learned on set from an actor who has just returned from the front, leaves the actress so upset that she is induced to a surge of patriotic solidarity.
Film version of the play.
A menaced politic leaves his child with another family who will raise her unaware of her true origin. When she grows up the son of a duchess falls in love with her, but the mother rejects her based on her supposed non-aristocratic origin. Little does she suspect what truth will unveil. Written by BSK (IMDB)
Elena and Zefor are brothers. They live with their mother in a wild country where smuggling reigns. At their modest home, Zefor plays the violin while she dances to entertain the bandits. Arturo, one of them, has conquered Elena's heart. (IMDB)
Producer
Elena and Zefor are brothers. They live with their mother in a wild country where smuggling reigns. At their modest home, Zefor plays the violin while she dances to entertain the bandits. Arturo, one of them, has conquered Elena's heart. (IMDB)
Iza
The Clemenceau Affair (Italian: Il processo Clémenceau) is a 1917 silent Italian adventure film directed by Alfredo De Antoni. The film features the first onscreen performance from Vittorio De Sica.
Producer
An Italian melodrama. Only the final reel survives.
Fedora
An Italian melodrama. Only the final reel survives.
Margherita Gauthier
La Signora delle Camelie narra a trágica história de amor da cortesã Marguerite Gautier e do burguês provinciano Armand Duval. O pai de Armand desaprova o relacionamento e convence Marguerite a deixar Armand, fazendo-o acreditar que ela o trocou por outro homem.
Diana
Diana is assigned to find out the details of the enemy's war tactics. Together with her partner in crime, Robertson, she manages to get in touch with Captain Argo and retrieves secret information. All is proceeding according to plan until Diana slowly gets torn by on the one hand her duty as a spy, and on the other her passionate feelings for Captain Argo.
Assunta Spina
Assunta and Michele are in love, but others come between them and jealousy arises. Assunta Spina stands out as an early landmark of naturalistic acting and a blueprint for the Italian Neorealist films to come.
Writer
Assunta and Michele are in love, but others come between them and jealousy arises. Assunta Spina stands out as an early landmark of naturalistic acting and a blueprint for the Italian Neorealist films to come.
Director
Assunta and Michele are in love, but others come between them and jealousy arises. Assunta Spina stands out as an early landmark of naturalistic acting and a blueprint for the Italian Neorealist films to come.
Ivonne/Edith
Ivonne is a vulgar, loose, promiscuous and a passionate danseuse at the tavern. Countess Edith is an angelic creature, exquisitely elegant, a finite and aristocratic heiress. Two sides of a woman with a split personality.
Directed by Emilio Ghione. Lost film.
The Princess of Monte Cabello is divorced and is granted custody of her beloved daughter. Her ex-husband's mistress hires private detectives who take seemingly incriminating photographs of the Princess with the actor Jacques Wilson. The Princess is devastated when these cause her daughter to be taken from her, and the Princess then falls into the clutches of Wilson. In order to pay his gambling debts, Wilson forces her to humiliate herself by appearing in a play. The Princess sends a note to the Prince of Monte Cabello saying that after the first performance she will not compromise his name again.
Franca
Silent adventure film in which a horse riding woman has to save her husband from prison in a enemy country.
Pierrot
A example of female fantasy is L'Histoire d'un Pierrot (1913), based on a musical pantomime by Mario Costa with Francesca Bertini in the role of Pierrot and Leda Gys as Louisette. The young and naive Pierrot is led astray by the evil wine merchant Pochinet (Emilio Ghione). He hopes to distract Pierrot with drinking and gambling while he tries to seduce Louisette.
Italian short drama from Baldassarre Negroni.
Charles Raleigh is a cousin of Miss Clara Burton, and is secretly in love with her. She returns his affection in secret also. Time parses and George Conway makes love to Clara. She considers his proposal of marriage long and seriously and makes entry of it in her diary. About this time Charles is called to America to look after his mining interests. He arrives in time to find himself a pauper as the result of a terrific conflagration that has swept his property. He decides to make a new start, but finds the battle difficult.
"Idolo infranto is a fantastic way to appreciate Francesca Bertini in the mood for cruelty. From a tender shepherdess who inspires sublimely artistic acts, she becomes a vampire who drains souls and bank accounts with equal efficiency." - Andrea Meneghelli
Short film.
Giulietta
The 1912 Italian version of Shakespeare's Romeo & Juliet.
Beatrice d' Este
Jessica
With a friend desperate for money, a merchant takes out a loan from a ruthless money-lender. Confident that his ships will soon be bringing him great wealth, the merchant willingly agrees to conditions of the loan that put him at great personal risk.
Cordelia
Hand-tinted Italian verison of the Shakespeare Classic King Lear.
Isolda
Film adaptation of the Celtic legend of Tristan and Iseult.