Shiota Taizo

Filmes

Summer Cityに寄らず
After spending his company's money, Ichita dreams of a "treasure hunt". One day, Ichita receives a small gun. One day, Ichita receives a small pistol in the mail, and the two set off on a random journey in a stolen car. On the way, they pick up a couple, a blonde woman and a quiet motorcyclist, who have no idea where they are going or why. These two are also living their own lives, far from reality. The car with the four people in it goes on a long way... The dialogue is casual but stylish. The light oldies pop music is in the background. It's a cool road movie with an unrealistic setting and a mood that mixes speed and weariness. The film was shot on location in Hokkaido, where the road is straight and endless. The filming in the vast landscape brings the characters into sharp focus. The journey of these outlaws, who can only live halfway, is shown in a dashing, unconventional and freestyle.
Dusky Blue
Script
Koich is asked by Izumi to take her to Kujira Town. She says it's to meet someone she likes. Koichi is reluctant to go, but he has no choice but to borrow a car from his friend. This is how their journey begins. A love story in an off-the-map town, with a light touch on the relationships between men and women of the time, such as Assi-kun and Keep-kun. With the addition of stylish props such as Koichi's room, his friend's car, and the breakwater in Kujira-cho, a bit of whimsical dialogue, and background music that shows a thorough attention to music selection, the film is a road movie with an experiential beat.
Dusky Blue
Director
Koich is asked by Izumi to take her to Kujira Town. She says it's to meet someone she likes. Koichi is reluctant to go, but he has no choice but to borrow a car from his friend. This is how their journey begins. A love story in an off-the-map town, with a light touch on the relationships between men and women of the time, such as Assi-kun and Keep-kun. With the addition of stylish props such as Koichi's room, his friend's car, and the breakwater in Kujira-cho, a bit of whimsical dialogue, and background music that shows a thorough attention to music selection, the film is a road movie with an experiential beat.