Femme du premier métro
Théo e Hugo se encontram em um clube de sexo. Eles conversam, as coisas se confundem com a obscuridade do desejo desenfreado e, em seguida, tomam forma por um momento quando seu olhar se encontra antes de retomarem a exploração e se perderem novamente. Alguns momentos depois, os dois homens sentem a necessidade de sair. Juntos, eles vagam pelas ruas desertas da noite Paris. De repente, eles se vêem confrontados com um senso de realidade que acaba com sua liberdade e falta de objetivo e empresta a cada passo um desamparo existencial. Eles querem saber mais um sobre o outro? Sua confiança será recompensada? Quais são as expectativas deles?
la mère de Daniel
Set in a forlorn mining town near Valencienne in the north of France, the story is about one man's struggle to bring life to his once prosperous village and its inhabitants. Philippe Torreton, who won a César for Best Actor with his title role in Capitaine Conan, plays Daniel, the head teacher of a nursery school in a town demoralized by unemployment. Daniel is determined against all odds to bring life to the community. When a parent who has come to pick up her children collapses at the school grounds due to alcohol abuse, and social services turns a deaf ear to all pleas for help, Daniel decides to take the law into his own hands. Despite resistance from the townspeople, in the long run his efforts are not fruitless.
An aristocrat
The name of painter Jean-Honore Fragonard (1732-1806) is synonymous for a kind of painting style which celebrates carefree romantic life, indoors and out. He was a painter during the final decades of the French monarchy. In this story, he and his brother Cyprien (Robin Renucci), who is an early pioneer in medical anatomy (he dissected corpses and made drawings of what he found in them), have fallen in love with the same woman, Marianne (Philippine Leroy-Beaulieu), a laundress. This attraction has not escaped the notice of Salmon d'Anglas (Sami Frey), a conniving nobleman, who has his heart set on getting revenge on Jean-Honore (Joachim de Almeida) for refusing his patronage and becoming the darling of the French court.
