Kok Rui Lau

Filmes

The Sunny Side of the Street
Screenplay
Hassan is a Hong Kong-born Pakistani kid waiting for refugee status to Canada. His father died in a car accident that Yat is involved in, who himself was a refugee from China in the 1970s. When Hassan joins a refugees' gang and gets entangled with the police, Yat decides to help him flee, but Hassan finds out the truth about his father's death. Can their journey continue?
The Sunny Side of the Street
Director
Hassan is a Hong Kong-born Pakistani kid waiting for refugee status to Canada. His father died in a car accident that Yat is involved in, who himself was a refugee from China in the 1970s. When Hassan joins a refugees' gang and gets entangled with the police, Yat decides to help him flee, but Hassan finds out the truth about his father's death. Can their journey continue?
How High the Moon
Director
Have A Nice Day
Director
A jobless Pakistani immigrant who wants to salvage his marriage by driving for riding apps, which is targeted by the Hong Kong police.
Let's Get Lost
Director
Ka-long, a wanderlust graduated from the University of Hong Kong, always dreams of backpacking to many countries with his guitar. While he believes he is trapped in Hong Kong, his family thinks that he is simply wasting his life and not settling down for a better future. He is getting more uplifted after he meets Wen-wen, a girl speaks with a Taiwanese accent. While they are dating, Wen-wen makes an effort to hide her true identity from Ka-long. Can they finally resolve the undercurrent of their relationship? Let’s Get Lost ultilises the thematic motif of road movie genre – both protagonists have to embark on a journey of revealing their true identity. As a result, the film widens its scope to the geo-political differences between Hong Kong, Taiwan and China.