Siu Chi-yan

Filmes

My Pen Is Blue,
Writer
Four years have passed since the event. Lost and changed, Ling returns to the society, uncertain about her future. People around her avoid talking about what has transpired, their meaningful whispers echoing in the void. One night, Ling meets her younger self from four years ago. They try but know not how to talk to each other. With the scar still throbbing, should the older express regret or encouragement for the younger? Would the younger question the older, can she sympathise with what she is yet to learn? An extraordinary time travel story about the melancholic self-reflection of one’s whereabouts, in the past and in the future.
My Pen Is Blue,
Director
Four years have passed since the event. Lost and changed, Ling returns to the society, uncertain about her future. People around her avoid talking about what has transpired, their meaningful whispers echoing in the void. One night, Ling meets her younger self from four years ago. They try but know not how to talk to each other. With the scar still throbbing, should the older express regret or encouragement for the younger? Would the younger question the older, can she sympathise with what she is yet to learn? An extraordinary time travel story about the melancholic self-reflection of one’s whereabouts, in the past and in the future.
Wandering
Director
On a rainy night, Fen encounters teenaged runaway Yunyun at the gas station she works at. Fen is unsettled by the discovery that she is with child while Yunyun is distressed by her mom's behaviour at home. Their meeting, though brief, offers them both a moment of escape.
Simon Says, Simon Says
Director
Amid changing times, as friends and relatives are leaving the city one after the other, our once familiar neighbourhood is becoming foreign. Yeung Por Por has her luggage packed for the one-way flight out of the city with her son. During her final hours in Hong Kong, she goes to the Wan Chai seaside and is shocked to find a barricaded construction site. Following Rhea, her domestic helper to the latter’s Filipino community, Yeung Por Por realises what it means to be uprooted from one’s homeland. Subtly and wistfully, the film relates the difficulties and dilemmas of migration, closing with ‘You Said We’d Be Back’ by the folk-rock duo My Little Airport.