Sylvie

Madame Bertini, a newly widowed 70-year-old miser, has lived a sheltered life in squalour. She determines to venture into the modern world and have as much fun as possible, and in doing so finds that she loves it. She blows her life savings, much to the disapproval of the young people around her.

An old castle in Sweden, inhabited by a family of 18th century dressing eccentrics, holds secrets, deception, and rumors of murder.

Enrico is a struggling journalist in the Rome of 1945. He receives a phone call informing him that his younger brother Lorenzo has died. Enrico recalls their long and difficult relationship; he was brought up by their poor but warm-hearted grandmother, Lorenzo was raised as a gentleman by a wealthy local aristocrat. Reunited in the Florence of the 1930s, Enrico becomes his spoilt brother's keeper, forever haunted by a sense of guilty responsibility towards a man he both hates and loves.

Jules is a shepherd who lives a humble and solitary life in rural Provence. From time to time, he is visited by a lonely widow, Fine, who longs to be his wife. One day, Jules comes across an unexploded bomb lying on the ground in open countryside. After a few foolhardy attempts to set the bomb off, Jules makes a surprising discovery. It is filled with thousands of bank notes…

A teacher runs an ad in the newspaper to find a wife. Afraid of beautiful ladies, he weds an ugly woman. After a car accident, he meets a doctor who offers to reveal his wife's beauty.

After the death of his wife and his son, Michael, an intrepid Russian imperial army officer, lost the joy of living. His family has been the victim of an attack by the commander Ogareff Tartar troops, operating in the eastern DRC. When Tsar commissioned him to cross the dangerous mission across Siberia to restore communications troops sabotaged by Ogareff, the young officer does not hesitate to accept.

"Thieves We Are" - In flashback, the audience learns why 104-year-old Amedee steals the watch belonging to the town mayor. The story develops into a history of the watch-thievery business, told in anecdotal fashion.

Esta obra cinematográfica é baseada no histórico documento narrativo “A Odisséia”, escrito por Homero. Aqui Ulysses (Kirk Douglas) realiza, após 10 anos de guerra na batalha por Tróia, a uma jornada por terra e mar para tentar voltar para casa, em Ítaca, e para sua esposa Penélope (Silvana Mangano), depois de ter perdido da frota de navios durante uma tempestade. Em sua Odisséia, ele percorre mares e caminhos desconhecidos, enfrentando batalhas contra o gigantesco ciclope Polifemo, soldados, encarando a fúria e as mentiras dos deuses na figura de Poseidon, e derramando seu sangue e suor para tentar permanecer vivo, mesmo já tendo perdido todos os seus companheiros. Até que finalmente, após 20 anos de luta, em sua terra natal, ele enfrente o último e mais perigoso desafio…

Star-crossed lovers Thérèse (Simone Signoret) and Laurent (Raf Vallone) think they've gotten away with murder after Thérèse's weakling husband "falls" from a speeding train. But when forced to contend with a blackmailer's demands and the mute accusations of Thérèse's mother-in-law (French stage and screen diva Sylvie, in a scene stealing performance), it's only a matter of time before the law, their passion or blind chance trips them up.

A doctor, leading an agreed life of the provincial petty bourgeoisie, falls in love with a young woman. As their relationship deepens, he becomes violently jealous and blames her for her dating and friendships.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

In a village of the Po valley where the earth is hard and life miserly, the priest and the communist mayor are always fighting to be the head of the community. If in secret, they admired and liked each other, politics still divided them as it is dividing the country. And when the mayor wants his "People's House"; the priest wants his "Garden City" for the poor. Division exist between the richest and the poorest, the pious and the atheists and even between lovers. But if the people are hard as the country, they are good in the bottom of there heart.

Fates of multiple otherwise disconnected characters intertwine miraculously under the sky of Paris. And it all happens in one day.

The inhabitants of a Scottish island in the 19th century follow their own religion without need for clergy, but as strangers arrive, their faith and beliefs face a deep crisis.

An eccentric man endangers himself when he makes advances toward the girlfriend of a saloon keeper.

Sylvain is the town clerk of the small Provençal village of Coursoul. He is the darling of all the girls in the country. His brother, Désiré, a disabled carpenter, secretly loves Toinette, the lumber merchant's daughter. She falls in love with Sylvain. This one, convinced by the director of a traveling circus of the excellence of his voice, is about to leave everything to follow his career. But Désiré learns from Toinette that she is expecting a child from Sylvain. He goes to inform his brother, who reconsiders his decision. But Désiré will leave in his place, not to sing, but with his bruised heart to play Paillasse.

A rich girl is in love with her father-in-law 's librarian. The wealthy man wants her to marry a military man but she's not prepared to accept it. She rebels and marries the poor guy. This young man has a cousin, who seems secretly in love with him but in fact we 'll never know what she feels. This mysterious sad woman, always dressed in black, gives her relative a strange box which seems to be a bad luck charm. The hand of fate seems on the newlyweds now:the husband involuntarily causes a car crash: his wife is killed.

Thérèse kills her lover during the very night of her wedding to the count of Vétheul. To gain a night with her, a modest local worker agrees to bury the body.

Portrait of a two-faced man. By day he is rich, brilliant and respectable financial officer Lussac; at night, he becomes "Mirror", a ruthless gang leader in Marseilles.

Marie Leroux, who is married to Charles, an honest, understanding country doctor, lives an uneventful, rather monotonous life.Her husband is a kind man but he does not give her any thrill or excitement. One day, Marie meets Olivier Dumas-Beaulieu, a handsome industrialist, who is in the process of leaving his fiancée Corinne, despite her being pregnant by him. It is easy for the confirmed womanizer he is, to seduce Marie, who very foolishly thinks she has found true love. Shortly afterward Charles is shot dead by Olivier while the two men were having a quarrel about Marie. The latter, who finds the corpse, believes her husband has committed suicide. Which is not the police's opinion and Marie is arrested and condemned to ten years in prison. Annihilated by such unfair treatment and, worse, by the separation from her beloved eight-year-old daughter, she still manages to survive and to serve her sentence.

In the studio where the famous director Eric Von Berg reigns, Pierre Vanier, the male star of the film and the lover of Berg's muse, dies while rehearsing a scene. Over the course of a tangled investigation, the culprit is unmasked. This honest dresser is the adoptive mother of Vanier's wife, too unhappy with such a husband. The inspector, moved, concludes a suicide.

Muichkine, a young Russian prince, returns home to St. Petersburg from a mental institution, determined to spread decency and kindness in the harsh and cruel world. He becomes betrothed to an innocent young girl while trying to save a less-innocent woman from her own travail, but jealousy and his own naivete conjoin to bring about unimaginable tragedy.

Simon's life is troubled by images of a crime which happened in his family a hundred years ago. While traveling in south France, he finds the landscape familiar. That's when he meets Catherine and falls in love. But her lover comes back and his strong personality attracts her again.

Paris, 1865. In a music-hall Manon accidentally kills her partner who was trying take sexual advantage of her. She is condemned to twenty years of hard labor first and then to be deported to marry a released convict. On the ship where she sails with her female fellow-sufferers she gets to know a young doctor and helps to suppress a revolt. Once arrived at her destination, Manon hesitates between her official fiancé and the doctor whose household she does not want to break...

An old merchant ruined by the dot its two ungrateful daughters, moved to the Vauquer pension in Paris. In after Balzac.

A Corsican fisherman is the victim of a vendetta, when he was wrong to date the niece of a businessman proposing to create a seaside resort, much to the anger of the islanders.

Having lost his memory due to serving in World War I, Gaston has spent the past 15 years in a psychiatric hospital. Due to his large disability pension fund, several families claim him as their missing son. Gaston is introduced to the Renaud family by the Duchess Dupont-Dufort and her lawyer. The Renaud family attempt to revive Gaston's memory with stories of his past, but he is apalled by some of the things he hears and dislikes the man he is supposed to be.

Remy Germain is a doctor in a French town who becomes the focus of a vicious smear campaign, as letters accusing him of having an affair and performing unlawful abortions are mailed to village leaders. The mysterious writer, who signs each letter as "Le Corbeau" (The Raven) soon targets the whole town, exposing everyone's dark secrets. This allegorical film was highly controversial at the time of its release, and was banned in France after the Liberation.

A well-off young woman decides to become a nun, joining a convent that rehabilitates female prisoners. Through their program, she meets a woman named Thérèse who refuses any help because she says she was innocent of the crime she was convicted for. After being released from prison, Thérèse murders the actual perpetrator of the crime and comes to seek sanctuary in the convent.

The novelist Loïc Limousin knew the turbulent past of Marie-Martine and he extracted the material for a novel from which the young girl risks paying the price. After the drama that had thrown her in prison, she met a brave boy ready to make his life with her. Will the scandal separate them?

Monsieur Vincent is the respected healer of a Basque village. But nobody knows that Vincent Berteaux used to be a surgeon in Paris. When Assomption, a young holidaymaker, arrives in the village in the company of her mother, little does Vincent know that the past returns to his life.

Maurice loves Juliet and Michael loves Lily. Romance blossoms on the hill. They are workers, artisans, and Lily has a real talent as a singer. But Claude's arrival brings trouble to their relationships. Maurice, jealous, approaches Lily. Singing in the streets, Lily quickly becomes a cabaret star.

Georges Gauthier is an electrician who lives with his mother and his sister Madeleine. He is the son of a womanizing singer who made his mother miserable. For all that, Georges is attracted to show business all the more as he falls in love with Jeanne, the daughter of singer Lormel. Georges is spotted by Cartier, the manager of the Folies Concert and makes his debut as a singer under the assumed name of Jean Papillon.

Monsieur Jourdain is a dangerous madman : he wants to share his fortune! His relatives do what any sensible fellow on earth would do: they have him committed to a mental hospital. But Jourdain manages to escape and decides to make everybody happy except... his heirs!

Aged penniless actors are living in a old people's home. They always talk about their past glory or failures. One day Raphael Saint-Clair comes; he has been a famous actor and had a lot of love affairs. Passions come back, and jealousies... A bitter film about aging, failure and the entertainment.

Mireille, a Frenchwoman, marries a westernized Turkish diplomat and, thinking that she will live a dream life in an Arabian Nights setting, follows him back to his native country, only to discover that, in a staunchly traditional society, she will not be a free woman there any longer.

Based on true facts, a news item which was widely talked about in the nineteenth century, this is the story of a wife who might have poisoned her husband .

At trial the prosecuting attorney makes a startling confession: the defendant is his son whose pitiful fate led him to murder. The attorney left the young man's pregnant mother, and the unwed poor thing had to fight against a hostile world.

Based on Emile Zola's novel, an uncompromisingly harsh and realistic story of a coalminers' strike in northern France in the 1860s.