Henry S. Rosenthal

“We are as gods and might as well get good at it.” This is the audacious opening line of the Whole Earth Catalog, a compendium of wonderful tools compiled by counterculture legend Stewart Brand. A psychedelic experimenter, cyberspace pioneer, and environmentalist, he is now urging humanity to use our god-like powers to reframe our relationship with time and life itself. Today, Stewart is using biotech to resurrect extinct species. He and a team of scientists travel to Siberia to collect ancient DNA in an effort to make a hybrid Woolly Mammoth. Former allies in the environmental movement vow to stand in his way, but Stewart forges ahead in his life-long mission to conserve the whole earth.

Famosa personalidade da TV, Bill Nye está se aposentando do seu show infantil para se tornar alguém mais parecido com seu professor Carl Sagan, astrônomo que sonhava em lançar uma espaçonave que revolucionaria a exploração interplanetária. No caminho de cumprir a missão de Sagan, ele muda de caminho e tenta mostrar pro mundo porque a ciência importa ao se defrontar com pessoas contrárias a evolução e as mudanças climáticas.

In 1987, Eddie Lee Sausage and Mitch Deprey recorded the nightly squabbles of their over-the-top neighbors, homophobic Raymond Huffman and proudly gay Peter Haskett, and the chronicle of the pair's bizarre existence soon took on a life of its own. This darkly funny documentary checks in with former punks Eddie and Mitch, who detail their late-'80s Lower Haight surroundings, and surveys the tapes' influence on an array of underground artists.

Daniel Johnston é um artista lo-fi, maníaco-depressivo, cantor e compositor cult cujo trabalho tem inspirado legiões de fãs e músicos ao longo de sua carreira. Este filme revela sua loucura e gênio criativo através de filmagens de arquivo acompanhadas pela suas músicas e desenhos.

Like a warped fun-house mirror, the song-poem industry has run parallel to the mainstream music business for close to a century; it's estimated that over 200,000 song-poems have been recorded since 1900. The genre's durability can be traced to three of our deepest American desires - to be in show business, to get rich quick, and to share and express our deepest feelings. We meet several of the "songwriters" - from an elderly woman to a young African-American man to a small-town Iowan with big-time dreams - each of whom has been in the "business" for awhile, churning out odd compositions that cover the waterfront of American obsessions, from Jesus to genitalia, from politics to Elvis. We also meet the producers (often known as song-sharks) who hold out the tantalizing promise of fame to their eager customers, and the has-been musicians who sit in studios, day after day and year after year...

Emmy Coer, a computer genius, devises a method of communicating with the past by tapping into undying information waves. She manages to reach the world of Ada Lovelace, founder of the idea of a computer language and proponent of the possibilities of the "difference engine." Ada's ideas were stifled and unfulfilled because of the reality of life as a woman in the nineteenth century. Emmy has a plan to defeat death and the past using her own DNA as a communicative agent to the past, bringing Ada to the present. But what are the possible ramifications?

A lonely Russian man is trying to see his daughter, who lives with her mother far away in the USA.

West Side Story meets Rumble in the Bronx meets A Clockwork Orange. Bizarre tale of London, a lonely teen yearning for affection and a leather jacket who lives in a dysfunctional family home where the mother keeps popping and sexually playing with her other child, X-Ray, a member of a gang of Mods who are constantly at war with a gang of Asian Bikers. Amidst this turmoil, London and her soul mate M16 search for meaning in a phantasmagoria without it.

West Side Story meets Rumble in the Bronx meets A Clockwork Orange. Bizarre tale of London, a lonely teen yearning for affection and a leather jacket who lives in a dysfunctional family home where the mother keeps popping and sexually playing with her other child, X-Ray, a member of a gang of Mods who are constantly at war with a gang of Asian Bikers. Amidst this turmoil, London and her soul mate M16 search for meaning in a phantasmagoria without it.

Times are hard for Northwestern lumber-mill operators like Ray and his wife Jean. Ray and Jean's lives are thrown into chaos when their daughter writes home from college, claiming to have a horrifying revelation.

Ricky, a dim-witted ex-con, meets Beth, a dim-witted waitress, in an Idaho diner. They take off in his car to Washington and begin an affair. Beth, a lonely romance-novel addict, is hopelessly enamored; Ricky is just in it for the (constant) sex. Beth's longing to visit California and Ricky's longing for quick cash leads them into a desperate situation. Director Jost uses a variety of avant-garde visual and narrative techniques, such as montage, collages, split screens and lengthy, tongue-in-cheek monologues to tell the tragicomic story of two complete losers in love.

Jon, escritor freelancer que mora em Los Angeles, fica totalmente abalado quando descobre ser portador do vírus HIV. Ao se envolver com o gigolô Luke, homem sem raízes que também possui a doença, embarca com ele num tórrido romance, que logo se transforma em dependência mútua. Quando Luke mata um policial homofóbico, os dois são obrigados a fugir, pegando a estrada do deserto californiano adentro. Sem terem para onde ir e sem nada a perder, Jon e Luke aproveitam a viagem ao máximo, onde o lema é “Foda-se tudo”.

Na sala de Vermeer em uma galeria de Nova Iorque, o corretor financeiro Gordon aborda a atriz francesa Anna. No entanto, o romance entre eles não floresce.

Set in the quasi-Biblical splendor of the Mormon Dixie of central Utah, Sure Fire follows the trajectory of an American archetype, the small town entrepreneur seized by visions of fortune. Wes, eager to sell out the local grandeur to the wealthy hordes of Southern California, wheels and deals in real-estate, but more fundamentally he hones in directly to the get-rich-quick schemes for which America is famed. Sweeping up family and friends into his monomania, Wes' zealotry leads inevitably to tragedy.

This film is a portrait of the passage of one year in the lives of some San Francisco friends, circa 1988 (before the dot.coming of the city), a slow marijuana hazed story which drifts like the fabled fog, encompassing the quirks and habits of a generation that made the city theirs, if only for a while. Very obliquely Rembrandt Laughing sketches the time and place, encompassing the AIDS epidemic, the casual sexual revolution, the debris of '68 lingering in the air. A quiet, very San Francisco comedy of life among a small group of friends. Rembrandt Laughing was improvised over the period of about a month by Jost and his friends, mostly acting non-professionals.

This film is a portrait of the passage of one year in the lives of some San Francisco friends, circa 1988 (before the dot.coming of the city), a slow marijuana hazed story which drifts like the fabled fog, encompassing the quirks and habits of a generation that made the city theirs, if only for a while. Very obliquely Rembrandt Laughing sketches the time and place, encompassing the AIDS epidemic, the casual sexual revolution, the debris of '68 lingering in the air. A quiet, very San Francisco comedy of life among a small group of friends. Rembrandt Laughing was improvised over the period of about a month by Jost and his friends, mostly acting non-professionals.

A gang of women wreak havoc in the city, killing various men who have treated women poorly. And sometimes they do it just for fun.