Cleo Kretschmer

A spirit of optimism, structural change, emancipation: by showing excerpts from his films such as LIEBE, SO SCHÖN WIEBE (1971), SYLVIE (1973), IDOLE (1976) and AMORE (1978), Klaus Lemke tells his story of the decade, now half a century ago, that was so formative for Munich, with sentences such as: "Back then, we all thought life was eating out of our hands, then in the '80s we became fodder ourselves."

Ever had an idea for a film? Ever actually visualised this film in your mind? Or even sketched out scenes and camera angles? Plenty of film buffs have. Michael Glawogger invited 12 people to talk about their ideas for a film and then shot short fragments for them. The result is a crime-story-erotic-lyrical-experimental-vampire-fantasy-horror-soap-opera-splatter-trash-road-movie-melodrama posing as a documentary!

An estranged couple meets up years later. Chaos ensues.

The immature young ruler of the Austro-Hungarian Empire, Franz Joseph, was extremely shy around women but (according to this film) was constantly being propositioned, lewdly or otherwise, by ambitious courtesans. When he was finally married to his Empress, the teen-aged Bavarian princess Sisi (Elizabeth), it seems that his relief knew no bounds, for he was now sure that he would never have to think about sex ever again. According to the filmmakers, this is the true history of that marriage. This story is a complete reversal of the romantic legend depicted in the popular 1955 film Sissi, which helped brighten the emerging stardom of Romy Schneider.

Teenage girl idolises television game show host, and gets a chance to be his assistant

A movie about little Marianne's life in a little German village 1943-1950. The peace comes in the shape of an American soldier who brings chewing gum to all the children, a soldier they call Mr. Frieden. Marianne's head is filled with fear of war and belief that the war will come back.

A man moves to Berlin after relationship trouble.

Karin, a gas station manager, is in a bad mood: her business is going badly as the price of gasoline continues to rise, and her meager profits are regularly swallowed up by her friend Wolfgang's passion for motor racing.

A young man travels to Munich to become a priest and save the sinners. Then he meets a prostitute.

The inconspicuous greengrocer's daughter Maria had to watch as the adored Italian Pietro broke her best friend's heart. Dressed up as a vamp, the vengeful Maria now sets a cunning trap for the attractive Papagallo. Maria is the daughter of a small German fruit and vegetable dealer, Pietro is the son of a large Italian fruit and vegetable dealer. Both live in Munich and both meet every morning at six o'clock in the Grossmarkthalle. Maria looks inconspicuous, while Pietro looks extremely attractive. Maria is hardly interested in men, whereas Pietro is interested in all girls. Maria doesn't care until Pietro first seduces Maria's best friend and then leaves her unhappy. Now Maria starts a campaign of revenge against the light-footed Casanova, in the name of her best friend and in the name of all the girls who have been seduced by Pietro. Maria lures Pietro, who is now madly in love with her, to his native Italy, where Pietro, blinded by love and jealousy, proposes to Maria.

Four quarrelsome girlfriends with no discernible vocal skills form an a capella group.

Small town waitress Annerl pines for the captain of the local soccer team. When he falls for a travelling dancer, Annerl jealously follows her to Munich and embarks on an adventure involving a famous pop singer.

Seven more first-hand accounts of sexual awakening amongst school girls in the early Seventies.