Producer
A musical based on the life and music of Johann Strauss, Jr.
Director
A musical based on the life and music of Johann Strauss, Jr.
Writer
A musical based on the life and music of Johann Strauss, Jr.
Producer
Like the play from which it derived, the film tells of the early struggles of composer Edvard Grieg and his attempts to develop an authentic Norwegian national music. It stars Toralv Maurstad as Grieg and features an international cast including Florence Henderson, Christina Schollin, Robert Morley, Harry Secombe, Oskar Homolka, Edward G. Robinson and Frank Porretta (as Rikard Nordraak). Filmed in Super Panavision 70 by Davis Boulton and presented in single-camera Cinerama in some countries, it was an attempt to capitalise on the success of The Sound of Music.
Story
Like the play from which it derived, the film tells of the early struggles of composer Edvard Grieg and his attempts to develop an authentic Norwegian national music. It stars Toralv Maurstad as Grieg and features an international cast including Florence Henderson, Christina Schollin, Robert Morley, Harry Secombe, Oskar Homolka, Edward G. Robinson and Frank Porretta (as Rikard Nordraak). Filmed in Super Panavision 70 by Davis Boulton and presented in single-camera Cinerama in some countries, it was an attempt to capitalise on the success of The Sound of Music.
Screenplay
Like the play from which it derived, the film tells of the early struggles of composer Edvard Grieg and his attempts to develop an authentic Norwegian national music. It stars Toralv Maurstad as Grieg and features an international cast including Florence Henderson, Christina Schollin, Robert Morley, Harry Secombe, Oskar Homolka, Edward G. Robinson and Frank Porretta (as Rikard Nordraak). Filmed in Super Panavision 70 by Davis Boulton and presented in single-camera Cinerama in some countries, it was an attempt to capitalise on the success of The Sound of Music.
Director
Like the play from which it derived, the film tells of the early struggles of composer Edvard Grieg and his attempts to develop an authentic Norwegian national music. It stars Toralv Maurstad as Grieg and features an international cast including Florence Henderson, Christina Schollin, Robert Morley, Harry Secombe, Oskar Homolka, Edward G. Robinson and Frank Porretta (as Rikard Nordraak). Filmed in Super Panavision 70 by Davis Boulton and presented in single-camera Cinerama in some countries, it was an attempt to capitalise on the success of The Sound of Music.
Producer
Arthur Tate alcançou fama, riqueza e respeitabilidade rapidamente desde o início como um policial ingênuo. Sua ascensão também foi devida a 3 mulheres: a costureira Violet Lawson, Lily, a Baronesa von Lukenberg e o produtor de cinema Marigold Marado. Sua ascensão também foi devido à Sra. Tate, que sempre parecia ter uma informação extra que a faria sugerir ao povo que seu filho Arthur recebesse um cargo onde pudesse fazer mais bem. Talvez a Sra. Tate tivesse um plano maior para si mesma.
Writer
Arthur Tate alcançou fama, riqueza e respeitabilidade rapidamente desde o início como um policial ingênuo. Sua ascensão também foi devida a 3 mulheres: a costureira Violet Lawson, Lily, a Baronesa von Lukenberg e o produtor de cinema Marigold Marado. Sua ascensão também foi devido à Sra. Tate, que sempre parecia ter uma informação extra que a faria sugerir ao povo que seu filho Arthur recebesse um cargo onde pudesse fazer mais bem. Talvez a Sra. Tate tivesse um plano maior para si mesma.
Director
Arthur Tate alcançou fama, riqueza e respeitabilidade rapidamente desde o início como um policial ingênuo. Sua ascensão também foi devida a 3 mulheres: a costureira Violet Lawson, Lily, a Baronesa von Lukenberg e o produtor de cinema Marigold Marado. Sua ascensão também foi devido à Sra. Tate, que sempre parecia ter uma informação extra que a faria sugerir ao povo que seu filho Arthur recebesse um cargo onde pudesse fazer mais bem. Talvez a Sra. Tate tivesse um plano maior para si mesma.
Producer
Writer
Director
Producer
Sergeant-Major Charles Coward, a brave British soldier is captured by German forces during World War II. When he's thrown into a prisoner of war camp, he immediately plans his escape. Masquerading as a wounded German soldier, he makes it as far as the medical tent, where the deceived enemy forces award him the Iron Cross. Though he is ultimately discovered, he goes on to courageously pursue his freedom with a whimsical and undying audacity.
Screenplay
Sergeant-Major Charles Coward, a brave British soldier is captured by German forces during World War II. When he's thrown into a prisoner of war camp, he immediately plans his escape. Masquerading as a wounded German soldier, he makes it as far as the medical tent, where the deceived enemy forces award him the Iron Cross. Though he is ultimately discovered, he goes on to courageously pursue his freedom with a whimsical and undying audacity.
Director
Sergeant-Major Charles Coward, a brave British soldier is captured by German forces during World War II. When he's thrown into a prisoner of war camp, he immediately plans his escape. Masquerading as a wounded German soldier, he makes it as far as the medical tent, where the deceived enemy forces award him the Iron Cross. Though he is ultimately discovered, he goes on to courageously pursue his freedom with a whimsical and undying audacity.
Writer
Frank Gorshin and his girlfriend, Joyce Taylor, are on the run from the law when apprehended and arrested by the Sherriff..
Director
Frank Gorshin and his girlfriend, Joyce Taylor, are on the run from the law when apprehended and arrested by the Sherriff..
Producer
Cliff Henderson e sua família estão viajando a bordo do SS Claridon rota para o Japão. A Claridon é um navio velho, em sua última viagem antes de ir para a pilha de sucata. Uma explosão na casa das máquinas enfraquece o casco e o navio está agora a tomar mais água que as bombas de esgoto podem tratar. O capitão parece ter dificuldade em aceitar que o seu navio vai afundar. Esposa de Henderson Laurie é gravemente ferida e preso sob uma viga caída. Enquanto os homens na casa das máquinas trabalham freneticamente para escorar o casco, Henderson tenta libertar sua esposa dos destroços com a ajuda de um dos tripulantes, Hank Lawson.
Original Music Composer
Cliff Henderson e sua família estão viajando a bordo do SS Claridon rota para o Japão. A Claridon é um navio velho, em sua última viagem antes de ir para a pilha de sucata. Uma explosão na casa das máquinas enfraquece o casco e o navio está agora a tomar mais água que as bombas de esgoto podem tratar. O capitão parece ter dificuldade em aceitar que o seu navio vai afundar. Esposa de Henderson Laurie é gravemente ferida e preso sob uma viga caída. Enquanto os homens na casa das máquinas trabalham freneticamente para escorar o casco, Henderson tenta libertar sua esposa dos destroços com a ajuda de um dos tripulantes, Hank Lawson.
Screenplay
Cliff Henderson e sua família estão viajando a bordo do SS Claridon rota para o Japão. A Claridon é um navio velho, em sua última viagem antes de ir para a pilha de sucata. Uma explosão na casa das máquinas enfraquece o casco e o navio está agora a tomar mais água que as bombas de esgoto podem tratar. O capitão parece ter dificuldade em aceitar que o seu navio vai afundar. Esposa de Henderson Laurie é gravemente ferida e preso sob uma viga caída. Enquanto os homens na casa das máquinas trabalham freneticamente para escorar o casco, Henderson tenta libertar sua esposa dos destroços com a ajuda de um dos tripulantes, Hank Lawson.
Director
Cliff Henderson e sua família estão viajando a bordo do SS Claridon rota para o Japão. A Claridon é um navio velho, em sua última viagem antes de ir para a pilha de sucata. Uma explosão na casa das máquinas enfraquece o casco e o navio está agora a tomar mais água que as bombas de esgoto podem tratar. O capitão parece ter dificuldade em aceitar que o seu navio vai afundar. Esposa de Henderson Laurie é gravemente ferida e preso sob uma viga caída. Enquanto os homens na casa das máquinas trabalham freneticamente para escorar o casco, Henderson tenta libertar sua esposa dos destroços com a ajuda de um dos tripulantes, Hank Lawson.
Producer
A band of dishonest seamen plans a murderous mutiny aboard the S.S. Berwind.
Screenplay
A band of dishonest seamen plans a murderous mutiny aboard the S.S. Berwind.
Director
A band of dishonest seamen plans a murderous mutiny aboard the S.S. Berwind.
Producer
A mad bomber holds an innocent family hostage.
Director
A mad bomber holds an innocent family hostage.
Author
A mad bomber holds an innocent family hostage.
Writer
O comportamento de seu novo marido convence Julie Benton que seu ciúme é perigoso, e quando ele admite que matou seu primeiro marido ela percebe que tem que fugir. Um amigo de longa data ajuda tudo o que pode, mas mesmo em uma cidade do tamanho de San Francisco, Benton parece capaz de rastreá-los. A polícia não pode fazer nada, apesar de uma ameaça de morte, de modo que o próximo passo depende de Julie.
Director
O comportamento de seu novo marido convence Julie Benton que seu ciúme é perigoso, e quando ele admite que matou seu primeiro marido ela percebe que tem que fugir. Um amigo de longa data ajuda tudo o que pode, mas mesmo em uma cidade do tamanho de San Francisco, Benton parece capaz de rastreá-los. A polícia não pode fazer nada, apesar de uma ameaça de morte, de modo que o próximo passo depende de Julie.
Producer
A group of escaped convicts holds a household prisoner as the police close in.
Director
A group of escaped convicts holds a household prisoner as the police close in.
Writer
A group of escaped convicts holds a household prisoner as the police close in.
Screenplay
Whitney Cameron is in a quandary: he's attracted to his beautiful sister-in-law, Lynn, but also harbors serious suspicions about her. Her husband, Cameron's brother, died under mysterious circumstances, and now that the death of her stepchild, Polly, has been attributed to poisoning, he suspects that Lynn is after his late brother's estate, and killing everyone in her way.
Director
Whitney Cameron is in a quandary: he's attracted to his beautiful sister-in-law, Lynn, but also harbors serious suspicions about her. Her husband, Cameron's brother, died under mysterious circumstances, and now that the death of her stepchild, Polly, has been attributed to poisoning, he suspects that Lynn is after his late brother's estate, and killing everyone in her way.
Director
Joseph Cotten plays an assistant bank manager who steals $1,000,000 from the safe late on a Friday and then plans to flee to Brazil over the weekend.
Screenplay
Joseph Cotten plays an assistant bank manager who steals $1,000,000 from the safe late on a Friday and then plans to flee to Brazil over the weekend.
Screenplay
After successfully swindling thousands of dollars from hapless victims, conflicted con artist Mary (Hillary Brooke) decides to go straight, but her greedy boyfriend and partner, Roger (Tom Conway), convinces her to pull off one final scam before they get married. Written and directed by Andrew L. Stone, this classic crime film finds the police struggling to keep up with the deceptive duo's exceedingly complicated schemes.
Director
After successfully swindling thousands of dollars from hapless victims, conflicted con artist Mary (Hillary Brooke) decides to go straight, but her greedy boyfriend and partner, Roger (Tom Conway), convinces her to pull off one final scam before they get married. Written and directed by Andrew L. Stone, this classic crime film finds the police struggling to keep up with the deceptive duo's exceedingly complicated schemes.
Screenplay
The "Tri-State" gang goes on a successful bank robbing streak causing local authorities to turn up the heat on the daring career criminals.
Director
The "Tri-State" gang goes on a successful bank robbing streak causing local authorities to turn up the heat on the daring career criminals.
Screenplay
Shy, destitute Peter Porter meets equally impoverished Nancy Crane at a Florida beach. Inspired by Peter's belief that a person can acquire wealth simply by creating an aura of success, the outgoing Nancy convinces Peter to join her in impersonating a confident and eccentric wealthy couple. The experiment works, and the couple secure a stunning wardrobe and a lavish room at a resort. Peter panics, however, when he gets a fantastic job offer.
Producer
Shy, destitute Peter Porter meets equally impoverished Nancy Crane at a Florida beach. Inspired by Peter's belief that a person can acquire wealth simply by creating an aura of success, the outgoing Nancy convinces Peter to join her in impersonating a confident and eccentric wealthy couple. The experiment works, and the couple secure a stunning wardrobe and a lavish room at a resort. Peter panics, however, when he gets a fantastic job offer.
Director
Shy, destitute Peter Porter meets equally impoverished Nancy Crane at a Florida beach. Inspired by Peter's belief that a person can acquire wealth simply by creating an aura of success, the outgoing Nancy convinces Peter to join her in impersonating a confident and eccentric wealthy couple. The experiment works, and the couple secure a stunning wardrobe and a lavish room at a resort. Peter panics, however, when he gets a fantastic job offer.
Producer
A department store floor walker is persuaded by four husband-seeking salesgirls to pose as their father in a Long Island mansion which they have rented by pooling resources and pretending to be wealthy themselves.
Screenplay
A department store floor walker is persuaded by four husband-seeking salesgirls to pose as their father in a Long Island mansion which they have rented by pooling resources and pretending to be wealthy themselves.
Director
A department store floor walker is persuaded by four husband-seeking salesgirls to pose as their father in a Long Island mansion which they have rented by pooling resources and pretending to be wealthy themselves.
Producer
A beautiful female doctor visits her small hometown on her way back to Chicago. Her overworked uncle, who is the town's doctor, wants her to stay and help him, and he and a macho test pilot who's fallen for her come up with a plan that involves the pilot faking an illness and being treated by her, with her uncle's "help".
Director
A beautiful female doctor visits her small hometown on her way back to Chicago. Her overworked uncle, who is the town's doctor, wants her to stay and help him, and he and a macho test pilot who's fallen for her come up with a plan that involves the pilot faking an illness and being treated by her, with her uncle's "help".
Writer
As dancer Ginny Walker performs on stage, a veiled woman in the audience stands up, accuses Ginny of stealing her husband and then fires a gun at her. After Ginny collapses and is taken to her dressing room, the woman, Julia Westcolt, a friend of Ginny's, dashes backstage, discards her veil, and then congratulates her friend on their successful publicity stunt. When Ginny's press agents, Gus Crane and his son Junior, visit their client backstage, she brags about her feat and chides them for not being more creative in promoting her. Horrified at Ginny's brashness, Junior, a conservative Harvard graduate, chastises her and leaves the room.
Director
As dancer Ginny Walker performs on stage, a veiled woman in the audience stands up, accuses Ginny of stealing her husband and then fires a gun at her. After Ginny collapses and is taken to her dressing room, the woman, Julia Westcolt, a friend of Ginny's, dashes backstage, discards her veil, and then congratulates her friend on their successful publicity stunt. When Ginny's press agents, Gus Crane and his son Junior, visit their client backstage, she brags about her feat and chides them for not being more creative in promoting her. Horrified at Ginny's brashness, Junior, a conservative Harvard graduate, chastises her and leaves the room.
Producer
When the bride's mother is supposedly swindled out of her money by a spurned suitor, the groom's father orchestrates a scheme of his own to set things right. He is aided by a cabaret singer, while placating a jealous wife.
Director
When the bride's mother is supposedly swindled out of her money by a spurned suitor, the groom's father orchestrates a scheme of his own to set things right. He is aided by a cabaret singer, while placating a jealous wife.
Director
Em sua casa, Bill conta a seus sobrinhos como começou sua carreira como bailarino. Assim, retorna aos anos nos quais licenciou-se como soldado da banda de seu regimento, no final da Primeira Guerra, de seus trabalhos humildes como garçom, e seus primeiros êxitos em números musicais. Filme integramente interpretado por atores negros, rodado durante a Segunda Guerra. A leve trama serve como uma perfeita armação para integrar luxuosos números musicais, como o do bolo, o número africano com sapateados sobre os tambores com guerreiros zulus; brilha especialmente o último, que dá título ao filme. Há um magnífico sentido de humor, que interveem famosos personagens do mundo do espetáculo interpretando a si mesmos, como Cab Calloway. Foi o último filme de Bill Robinson. Números de sapateados inimagináveis. Obra-prima musical inigualável.
Writer
A young girl fresh out of reform school who is singing in a burlesque show is offered a scholarship to a famous music camp by the camp's owner. She must overcome the suspicions of the other students in order to prove herself.
Director
A young girl fresh out of reform school who is singing in a burlesque show is offered a scholarship to a famous music camp by the camp's owner. She must overcome the suspicions of the other students in order to prove herself.
Producer
In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.
Story
In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.
Director
In his last film assignment, portly Walter Connolly fills the title role (in more ways than one) in The Great Victor Herbert. Very little of Herbert's life story is incorporated in the screenplay (a closing title actually apologizes for the film's paucity of cold hard facts); instead, the writers allow the famed composer's works to speak for themselves. In the tradition of one of his own operettas, Herbert spends most of his time patching up the shaky marriage between tenor John Ramsey (Allan Jones) and Louise Hall (Mary Martin). Many of Herbert's most famous compositions are well in evidence, including "Ah! Sweet Mystery of Life", "March of the Toys" and "Kiss Me Again", the latter performed con brio by teenaged coloratura Susanna Foster. Evidently, the producers were able to secure the film rights for the Herbert songs, but not for the stage productions in which they appeared, which may explain such bizarre interpolations as having a song from Naughty Marietta.
Producer
An American golf pro falls in love with a woman while visiting France; before long they are married and in the US. Upon their arrival, they are dismayed to discover that the golfer's parents have arranged for him to marry a wealthy socialite so they can use her money to support their business....
Director
An American golf pro falls in love with a woman while visiting France; before long they are married and in the US. Upon their arrival, they are dismayed to discover that the golfer's parents have arranged for him to marry a wealthy socialite so they can use her money to support their business....
Screenplay
Two attractive jewel thieves, one female (Olympe Bradna), one male (Gene Raymond) escape together after their latest escapade and hide out in the home of an aged concert pianist (Lewis Stone). To cover their tracks and keep the old man from turning them in, the thieves pretend to arrange his comeback concert. The artifice becomes reality, the pianist makes a triumphant return, and the thieves reform. This 1938 film is not a remake of 1932's Stolen Heaven, which wove an entirely different story about a suicide pact.
Director
Two attractive jewel thieves, one female (Olympe Bradna), one male (Gene Raymond) escape together after their latest escapade and hide out in the home of an aged concert pianist (Lewis Stone). To cover their tracks and keep the old man from turning them in, the thieves pretend to arrange his comeback concert. The artifice becomes reality, the pianist makes a triumphant return, and the thieves reform. This 1938 film is not a remake of 1932's Stolen Heaven, which wove an entirely different story about a suicide pact.
Director
Jimmie Allen, a shady bookie, is in love with Pearl Proctor, a greedy dance hall girl. He schemes to get her back after she rejects him; and along the way, he revives a failing Gilbert and Sullivan troupe.
Director
Doctor Smith and his wife, Mary,depart a riverboat and are met by Phil Talbot. Phil informs Dr. Smith that Jessup, the only other white man in the village, has died while the doctor and his wife were off on a two-day holiday. Unknown to Smith, Jessup and his partner, Ross King, had a large cache of ivory tusks in the jungle, and he had told Phil about it. Meanwhile, Mary Smith has decided to steam-boat down the Congo River to Capetown for an extended holiday. Kuba, King's gun-bearer, asks Smith to write a letter to King, currently residing at a New York City Explorer's Club, and advise him that his partner has died. Talbot sends a letter to his stateside sweetheart, Diane Cameron, and her father, asking them to come to Africa and join him on an ivory-treasure expedition, and replenish their family-fortune lost in the recent stock-market crash. What Mr. Cameron and Diane don't know about Talbot is that his years in Africa have unhinged him...