Romano Musumarra

Working together with his friend Leo as a waiter in a dining car, Simone discovers that Silvia, a girl with whom he had a casual relationship, is pregnant and wants to keep the baby.

Evocation of the life of the journalist Jean Galmot, adventurer, who established himself as a gold digger in Guyana in 1906. Madly in love with this country, he will die for having wanted to give dignity and freedom to the Guyanese people.

This drama attempts to be a film within a film. In the outer story, Andre Dussolier stars as a film director working with drama students at the Paris Conservatory, making a film (the inner story) about a woman's obsession with a foreign desert. Wallowing in maudlin sentimentality, this feature fails to live up to the promise of its probable inspiration, Fame (1980), and was not well-received at the 1988 Cannes Film Festival. However, as a medium for instructing director Francis Girod's actual students at the Paris Conservatory about the art and perils of filmmaking, it was undoubtedly a good deal more successful.

Uma modelo chamada Barbara Hallen desapareceu e seu pai leva o detetive particular Sam Morgan para ir a Paris para encontrar sua filha. A trilha de Barbara leva Morgan a uma clínica de cirurgia plástica de propriedade do Dr. Flamand. A investigação de Morgan revela o segredo horrível por trás das curas milagrosas do médico, que é o sangue e os órgãos retirados de mulheres jovens sequestradas. À medida que a investigação de Morgan fecha, as testemunhas são eliminadas uma a uma, cada uma de uma maneira mais horrível.

Mathieu is called on by the French government to investigate murders in the Asian community of Paris. With Chinese and Vietnamese engaged in a bloody slaughterfest, the key to the mystery lies with the orphan girl who Mathieu helped to escape during the fall of Saigon in 1975. Now a beautiful young woman, Mathieu is reunited ten years later with the refugee, and together they attempt to solve the case. He uncovers a CIA plot that has carried over from the last days of the Vietnam War and that is related to the Paris murders.

Two physicians, one old and one young, fall in love with the same woman, Juliette, a quixotic hairdresser. First, she is with Raoul, the older one; then passion for Clément, the younger doctor, takes over. Raoul fights back, playing on Clément's guilt and Juliette's lack of self-assurance; then, Clément makes his case to Juliette, abandons his fiancée, and takes her to the provinces where he sets up practice and asks her to have a baby. She panics and abruptly leaves Clément, taking up with Raoul again. When she contracts Hodgkin's disease and the treatment does no good, Raoul believes she has the malady of love. Is there a cure?

An intensive, eager adore tie together two very separate individuals. Catherine, a young celebrity, is very severe about her aspiring career. But she is overloaded by Patrick's aggressive sexuality. This idol of the slums gambles his lifetime not even close to the theater community of Catherine. They each maintain going furthering their love, not able to manage the circumstance.

Simon, a famous violinist, sinks into alcoholism. He finds support from his lover, who is also the manager of the orchestra in which he plays. But is she really helping him or is she exploiting his dependence on her? A man who has been through the same experience as Simon, offers to help him...