Filip Remunda

A prominent Czech journalist Saša Uhlová leaves her family and joins “cheap labour force” in Western Europe. Undercover, she works at an asparagus farm in Germany, tries her hand as a maid at a hotel in Ireland and takes care of the elderly in France. She experiences first-hand the struggles of Eastern European low-wage workers whose sacrifice and hard work allow for the Western society’s comfort. What is the real price that Europe pays for exploiting its own citizens? How do the lives of economic migrants, who have been forced to leave their children and elderly parents, look like? And why are privileged Europeans looking the other way?

On February 24, 2022, Yevhen, together with his friends, volunteered to join the first aid squad on the front line. They provided life-saving support and evacuation of the wounded. This film reveals the experiences of these young men for six months full of drama, despair, fear, hatred, bitterness, love, and, most importantly, faith in victory.

An immersion into the intimacy of Mikhail Gorbachev, the last leader of the USSR. The architect of perestroika and glasnost, who was praised in the West but reviled in his own country, still combative despite his advanced age, loneliness and illness, offers his personal and political testament.

Lesya has committed a crime of passion which brings her a seven-year sentence in one of Odessa’s women’s correctional facilities. She has just given birth to her first child, and now she is entering a world populated only by women: inmates, nurses and wardens, women of all ages, wives and widows, daughters, sisters, pregnant women, and women with children too. If not for the color of the uniform, it would sometimes be hard to tell who is who.

The memory of World War II is the only thing that makes a small Russian town alive. Like a great treasure this memory is preserved here in every home and is passed on from generation to generation. Yet exactly this memory prevents people from understanding that despite their own will they are getting involved in a new war.

Everyone knows something like this is happening. But this is the only experiment to fully demonstrate what excessive openness on the internet means. The filmmaking couple hired youthful-looking (but over 18) actresses to pretend to be prepubescent girls and communicate with strangers who approached them based on their fake accounts. They attracted dozens of men in the first ten days, then hundreds, and finally thousands...

Em 2000, quando Vladmir Putin foi o presidente em exercício da Rússia com a saída repentina de Boris Yeltsin, candidatos tiveram três meses de campanha para uma nova eleição da presidência. Ao invés das táticas de campanha comuns, ele contratou o cineasta Vitaly Mansky para acompanhá-lo para um documentário para TV. Anos depois, Mansky retorna às imagens que ele captou naquele ano e constrói uma nova perspectiva sobre uma figura que se tornou tão decisiva para a política internacional, refletindo sobre o que permitiu que Putin consolidasse seu poder.

Dalibor K. is an industrial painter, amateur horror maker, the composer of angry songs, painter and a radical neo-Nazi. He is approaching 40, but he is still living with his mother Vera, Aged 63, and is yet to experience the real relationship with a woman. He hates his job, gypsies, Jews, refugees, homosexuals, Merkel, spiders and dentists. He hates his life, but he doesn’t know how to change it.

Zin-mi é uma menina de oito anos de idade que está em fase de preparação para a celebração do aniversário do ditador norte-coreano, o "líder supremo" Kim Jong-il. No entanto, isto não passa de uma programa do governo, uma representação criada pelo Estado para vender a imagem do suposto regime democrático da Coréia do Norte e mascarar o que realmente acontece dentro do país.

Director Vitaly Manskiy sets off on the trail of the Trans-Siberian gas pipeline to find out what it’s like for ordinary people living in its vicinity. This visually refined road movie, eloquently illustrating the absurd banality of modern Russia, is also an unsettling portrait of a gas line on which most of Europe is reliant.

Part documentary, part mockumentary and part stranger-than-fiction lesson in guerilla tactics, Velvet Terrorists is a quirky profile of three very different men and their former attempts to take down the communist regime of Czechoslovakia – by blowing the hell out of it. Having all spent time in prison for their crimes, one-time bombers Stanislav, Frantisek and Vladimir muse on their personal histories, the fall of the regime and their journey into middle age.

In 2006, Milan and Tomas electrified a school campus and a hospital in a detached Zambian village. After four years, they return for the last time to find out about their system's failures, repair it and hand it over at last. The film follows them through chaotic days as well as pitch black nights and provides a fresh insight into the pitfalls of humanitarian development projects. Short circuits of all sorts, blending and dissolving of different worlds, rituals of gratitude and concepts of solutions. With no attempts to declare or evaluate anything, Solar Eclipse becomes a situation probe examining various forms of light and darkness. Will the two Czech linkboys succeed in lighting up the Zambian bushland?

An original portrayal of a small Czech village where – as the locals put it – an UFO has landed in the form of a kilometre-long silverish factory: a Korean Hyundai automobile plant. The village, hitherto famous mostly for its sauerkraut and the “Radegast” beer was thus turned into an industrial zone – the largest greenfield investment project in the Czech Republic’s history. Nonetheless, for a long time many farmers resisted selling the land upon which the factory was now standing. Eventually, they all succumbed under the pressure from the neighbours, and even the anonymous death threats. The filmmakers returned to Nošovice two years after the dramatic property buyouts, at the time when the factory has just started churning out cheap cars. Combining the perspectives of seven characters, they have composed a portrayal of a place suddenly changed beyond recognition that is playful and chilling at the same time: a politically engaged absurd flick about a field that yields cars.

From the makers of legendary CZECH DREAM, a hilarious documentary about a hoax hypermarket, comes CZECH PEACE, a new playfully explosive flm about the mayor of a small Czech village and his attempts to foil the American plan to build its 762nd military base right on his doorstep. The players in this story are everyone from villagers to George W. Bush, Condoleezza Rice, Barack Obama, peace activists and lobbyists representing American arms manufacturers. Can the Mayor of Trokavec (population 80) take the US on? CZECH PEACE shows the workings of geopolitics and the way they affect the little people. The personal clashes with the impersonal, the specifc with the universal, and an individual with the so-called great history.

From the makers of legendary CZECH DREAM, a hilarious documentary about a hoax hypermarket, comes CZECH PEACE, a new playfully explosive flm about the mayor of a small Czech village and his attempts to foil the American plan to build its 762nd military base right on his doorstep. The players in this story are everyone from villagers to George W. Bush, Condoleezza Rice, Barack Obama, peace activists and lobbyists representing American arms manufacturers. Can the Mayor of Trokavec (population 80) take the US on? CZECH PEACE shows the workings of geopolitics and the way they affect the little people. The personal clashes with the impersonal, the specifc with the universal, and an individual with the so-called great history.

The mayor of OSADNE, Mr. Ladislav Mikulasko, is a political record-holder. He has held the position of the village boss for a respectful thirty-six years. His spiritual counterpart, the Orthodox priest, Peter Soroka, has buried fifty people and christened two children over the past five years. The mayor and priest have decided to fight for the survival of the village, together with their wives who are their important shadow advisers.

Two students from the Czech Film Academy commission a leading advertising agency to organize a huge campaign for the opening of a new supermarket named Czech Dream. The supermarket however does not exist and is not meant to. The advertising campaign includes radio and television ads, posters, flyers with photos of fake Czech Dream products, a promotional song, an internet site, and ads in newspapers and magazines. Will people believe in it and show up for the grand opening?

Two students from the Czech Film Academy commission a leading advertising agency to organize a huge campaign for the opening of a new supermarket named Czech Dream. The supermarket however does not exist and is not meant to. The advertising campaign includes radio and television ads, posters, flyers with photos of fake Czech Dream products, a promotional song, an internet site, and ads in newspapers and magazines. Will people believe in it and show up for the grand opening?

This documentary about the people of Blšany is seen through the eyes of Mr. Tříska, the local one-room school principal and an amateur filmmaker, creator of a movie about “the smallest community in the world with a first league soccer team.” He guides us through an eerie village marked by Communism, a hamlet awakened from its lethargy once every two weeks by a first league soccer match. “Meetings were also held in the country,” claims Tříska, “but executions and trials took place in town. A person had to be careful in the country if he didn’t want to be denounced, but when he went to the doctor he knew he wouldn’t pay for prescriptions; and the bus cost a crown fifty, not ten like today.”

This documentary about the people of Blšany is seen through the eyes of Mr. Tříska, the local one-room school principal and an amateur filmmaker, creator of a movie about “the smallest community in the world with a first league soccer team.” He guides us through an eerie village marked by Communism, a hamlet awakened from its lethargy once every two weeks by a first league soccer match. “Meetings were also held in the country,” claims Tříska, “but executions and trials took place in town. A person had to be careful in the country if he didn’t want to be denounced, but when he went to the doctor he knew he wouldn’t pay for prescriptions; and the bus cost a crown fifty, not ten like today.”