Frank Amann

Young Roman and his mother Oksana leave Ukraine and go to Germany, where she works illegally while they both live with Gert, an old widower who tries to befriend Roman, who struggles for his mother's attention and sees Gert as a rival.

A look back over nine years of the Syrian Civil War, an inextricable conflict, like a black box, due to the competing interests of the many factions in presence and those of the foreign powers.

A city, a cinema, and a reluctant farewell. In 2017, in the city of Constance on Lake Constance, Europe’s largest chain of drugstores opened the city’s fifth branch store: more diapers, more toothpaste and more toiletries for the local residents and the consumer tourists from Switzerland. Until the year 2016, the premises were reserved for film culture, this was the location of the former “Scala Film Palace”. When Douglas Wolfsperger returns to the magical site of his cinematic socialization, the public opposition to this pending closure is in full swing. The filmmaker becomes witness to the final rebellion of a dying art house cinema, speaks to passionate film enthusiasts and matter-of-fact city administrators about loss and expansion, the increase in pleasure and trade, intransparent vested interests and advantageous business situations. Inner cities and cultural concepts change – in Constance and everywhere else. But who decides how and for whom?

Anya and Seryozha, eighteen and nineteen years old, have been close friends since school. They live in Mariupol, an industrial city in southeastern Ukraine. The film shows snapshots from the life of young people searching for who they want to be and how they want to live. They move between autonomy and uncertainty, rebellion and melancholy. They are full of imagination and willpower.

Shot in the Dark is a documentary on three blind photographers: Pete Eckert, Sonia Soberats and Bruce Hall. A documentary on three blind people who devote their lives to creating images. What do they see in their mind's eyes? Do they sense that which we sighted miss, overlook, or don't take into consideration? Their images, as we sighted can see, are extraordinary. "Even with no input the brain keeps creating images," says Pete Eckert. Sonia Soberats states, "I only understood how powerful light is after I went blind." Shot in the Dark is a journey into an unfamiliar yet fascinating realm. "My camera is like a bridge," claims Bruce Hall. All these photographers embrace fantasy, chance, and contingency at a fundamental level. Shot in the Dark enriches our understanding of perception and creation. We all close our eyes in sleep, the sighted and blind alike, and in our dreams - we see.

Shot in the Dark is a documentary on three blind photographers: Pete Eckert, Sonia Soberats and Bruce Hall. A documentary on three blind people who devote their lives to creating images. What do they see in their mind's eyes? Do they sense that which we sighted miss, overlook, or don't take into consideration? Their images, as we sighted can see, are extraordinary. "Even with no input the brain keeps creating images," says Pete Eckert. Sonia Soberats states, "I only understood how powerful light is after I went blind." Shot in the Dark is a journey into an unfamiliar yet fascinating realm. "My camera is like a bridge," claims Bruce Hall. All these photographers embrace fantasy, chance, and contingency at a fundamental level. Shot in the Dark enriches our understanding of perception and creation. We all close our eyes in sleep, the sighted and blind alike, and in our dreams - we see.

Germany, 1967. Ruby & Martin, a young couple, are rehearsing their uprising. The price is high: expulsion from school, parental violence, and ultimately institutionalization. But they are ready to take on the cause of love.

Documentary about two heroin addicts living in Moscow.

As a 25-year-old legal trainee Sebastian Haffner experienced the assumption of power of Hitler in Berlin in 1933. He became a witness of a dramatic upheaval which changed also his life fundamentally. His best friend had to emigrate hastily, the love to a young Jewish woman broke up. Haffner himself could avoid the whirlpool from terror and seduction less and less. His life became a dangerous tightrope walk between adaptation and refusal. He emigrated to England in 1938. Decades after the war he was one of the most famous journalists of the Bonn republic.

After her release from prison Alex, who has lost her faith in love, tries to reclaim her psychic balance through a retreat into loneliness. A man and a child interrupt her plan and force her to reengage. Alex dares to emerge from her shell and learns again how thin the ice is and how fragile happiness is, small though it may be.

In the middle of the road on Potsdamer Platz, Berlin's heaviest tourist attraction and as close to Times Square as Germany will ever get. How they manage to "do it" there is Zarah's idea, a postmodern creative artist, who likes doing it with Anton in the most quaint and daring of public places - right where and when the traffic is the heaviest. This time, to heighten the fun, Zarah hits upon a special object of desire . . .