Elit İşcan

Haluk, an incompetent factory owner, competes with his wife and skillful operations manager Güler. As the power crisis between the husband and wife escalates, someone unexpected will suffer from it in a most tragic way.

Famoso, prestigiado e rico, Max Baumbacher é o apresentador do talk show noturno de maior sucesso da Alemanha. Até que um dia, de repente, ele acorda com uma voz extraordinariamente profunda, quase mágica. Quando a notícia de seu caso peculiar ganha fama no mundo inteiro, ele decide se esconder na casa de veraneio de seu empresário, onde conhece a jovem e louca Fida. Mas quando o filho deprimido de Max com sua ex-mulher o visita inesperadamente, o apresentador é obrigado a enfrentar o seu passado.

In this stylish and ruthless satire, a famous performance artist faces an unexpected crisis when real-world political matters complicate her latest impeccably provocative and eminently bankable piece.

25-year-old Sibel lives with her father and sister in a secluded village in the mountains of Turkey’s Black Sea region. Sibel is a mute, but she communicates by using the ancestral whistled language of the area.

The already complex connections of a group of artists living in İstanbul’s Cihangir district are becoming bizarre because of a camcorder entering their lives. A narcissistic director in which all the women are in love, two roommates connected by cable, a theater scene that can turn into a morgue concurrently, a nurse who resurrects the dead people, and a drug dealer who has no arms, sometimes the right, sometimes the left, sometimes both arms; these are protagonists of the experimental narrative that Onur Ünlü plays with time and space.

This 2015 documentary by Amine Mestari delves deep into Deniz Gamze Ergüven’s film MUSTANG, featuring extensive interviews with the director and cast, as well as exploring the film in the context of the politically volatile situation in Turkey.

In a summer town, two best friends wake up to their last day together as one of them is moving abroad.

A reclusive woman in her thirties leads a life frozen in time in a cave-like room. In her rare trips to the city, she chats with an oarswoman haunted by the devils. She searches for her twin sister in unfrequented corners of the city. In this journey in which time and space are out of joint, a same dream is recounted time after time.

No início do verão em um vilarejo turco, Lale e suas 4 irmãs brincam de forma debochada com os meninos, o que acarreta em um escândalo de consequências muito fortes: a casa delas se torna praticamente uma prisão, elas aprendem a limpar ao invés de ir para a escola e seus casamentos começam a ser arranjados. As cinco não deixam de desejar a liberdade, e tentam resistir aos limites que lhes são impostos.

Basri, 55 year old, every day walks for miles along the tracks working as a railroad watchman. His nagging thought is finding his son. Eighteen years ago, while the boy was studying at the university in Istanbul, the police took him into custody for antigovernment activities. Then, he mysteriously disappeared.

Symbolizing the turning point occurred in the Battle of Sakarya in Turkish-Greek War, tells one of the most moving stories.

Hayat, her father and bedridden grandfather live in a riverside shack near the dangerously dark but breathtakingly beautiful waters of the Bosphorus. Hayat's father owns a small boat that secures the family's survival through a miscellany of not always lawful ventures. Beyond the motion and romance of the water, Hayat's life is harsh and unrelenting. But Hayat has an instinct for survival. Her capacity for courage, endurance and hope in the face of these trials suggest that there is Life despite the manifold injustices of an unjust world.

Numa pequena e pobre aldeia sobranceira às altas montanhas rochosas, os aldeões são pessoas simples e diligentes que lutam para lidar com uma natureza dura. Ganham o sustento da terra e alguns animais que criam. Os pais sempre preferem um de seus filhos. As mães comandam impiedosamente as suas filhas. Ömer, o filho do imã, deseja irremediavelmente a morte de seu pai. Quando ele entende que o pensamento ilusório não tem resultados concretos, começa a procurar maneiras infantis de matar o seu pai. O Yakup está apaixonado pela sua professora, e um dia depois de ver seu pai espiando a professora, ele também sonha, como Ömer, em matar o seu pai. Yıldız estuda e tenta administrar as tarefas domésticas impostas por sua mãe. Ela aprende com irritação sobre os segredos da relação entre homens e mulheres.