Ingrid Burkhard

Elli é uma androide e mora com um homem a quem chama de pai. Durante o dia, os dois nadam na piscina e à noite ele a coloca na cama. Ela compartilha suas memórias e qualquer outra coisa que o homem a programe para lembrar. Memórias que significam tudo para ele, mas que não dizem nada para ela. No entanto, durante uma noite, Elli sai rumo à floresta seguindo um eco que se desvanece. Essa é a história de uma máquina e os fantasmas que todos carregamos dentro de nós.

Albert (Andreas Lust) cresceu isolado em uma fazendo nas montanhas dos Alpes. Mesmo com 30 anos, sua mãe ainda controla as rédeas da sua vida. Por pressão dela, ele deixa a fazenda e passa a morar em um vale próximo e a trabalhar em uma mina de mármore. O desejo de Marianne (Ingrid Burkhard) é proteger o filho de levar uma vida solitária e pobre nas montanhas, estando disposta a romper com as tradições da fazenda. Quando o pai de Alvbert morre acidentalmente, Marianne teme que o filho passe a assumir o pai dele na fazenda. Ao invés de avisá-lo, ela enterra o corpo nas montanhas e decide esconder a verdade de Albert.

Winfried (Peter Simonischek) é um senhor que gosta de levar a vida com bom humor, fazendo brincadeiras que proporcionem o riso nas pessoas. Seu jeito extrovertido fez com que se afastasse de sua filha, Ines (Sandra Hüller), sempre sisuda e extremamente dedicada ao trabalho. Percebendo o afastameto, Winfried decide visitar a filha na cidade em que ela mora, Budapeste. A iniciativa não dá certo, resultando em vários enfrentamentos entre pai e filha, o que faz com que ele volte para casa. Tempos depois, Winfried ressurge na vida de Ines sob o alter-ego de Toni Erdmann, especialista em contar mentiras bem-intencionadas a todos que ela conhece.

According to an African fairy tale, every child receives a song from their parents that they carry with them throughout their lives. Richard, an orphaned Tanzanian immigrant, has never had his own song. How he got one before his unexpected death and the significant, though unintended, roles played by the dark-tourism entrepreneur Drakuhl, the gray-haired hair model Barney and the heavy-drinking music teacher Kiesel won't be revealed here. Merely that the song Dead Man Play becomes an international hit.

Blond, half-long hair floats in a seepage pond. A well-to-do lady calls the police, and departmental inspector Franzi fishes out a scalp.

A tragicomic story about an old woman, who, to the horror of her son, is cooking up a meal in the middle of the night for her long-deceased friends. Fantasy, dream or reality? What is the difference? When people get old...

For months, the corrupt Viennese policeman Albert Schuh unsuccessfully investigates the murder case of his former friend and colleague. Then he gets a young, overambitious partner. The German colleague Thorsten Richter is a set of correctness and ambition, and thus the exact opposite of the Viennese, the "benefits" from the criminal scene is quite open. Since the two can not stand, the dispute does not stay out. The Austrian stops the German an unnecessary undercover job on an erotic chat line and determined alone on.

The Berghotel Edelweiss, located amidst a picture-book landscape, is a traditional family business. To meet growing demands, Max Höllerer takes out a loan to expand the property. Unfortunately, he has speculated. The bank sells the house, but secretly plans to make a large spa hotel out of it. The attractive Sarah Sand is scheduled on Höllerer to make him the post of managing director tasty.

A young woman is found raped and bludgeoned to death. Her father can’t reconcile himself with her death, and even less with the fact that the murderer was never found. Half of his life he continues the search. Finally, after more than 20 years, as DNA-analysis becomes a factor in forensic medicine, new perspectives open.

It's 30 years later and the Sackbauers have estranged themselves from everyone; only mother "Toni" tries to re-establish the old happy family.

German TV movie.

The Seebergs are a happy family - until Melanie's mother moves in. The old lady's malice plunges the once sweet home into chaos and discord. When the "sugar granny" even puts her tolerant son-in-law to flight, Melanie resorts to extreme measures to get her perfect world back.

The film is based on the figure of the police inspector Simon Polt of the Austrian author Alfred Komarek.

Ex-detetive Brenner quer manter-se longe de problemas, mas vários casos de assassinato e sua ex-namorada Klara finalmente acabam por envolvê-lo. Mas a tomada de decisões não é um de seus pontos fortes.

A faithful family has gathered around "Mundl": his wife Toni, who says little but always has the last word; his son Karli, who marries Irmi, a woman from "higher circles", and his parents-in-law, the Werners, who have some difficulty in getting accustomed to the coarse tones of the Sackbauer family. Then Mundl's daughter Hanni brings home a bespectacled intellectual, of all people, and altogether, everyday life in Vienna can be rather exciting.

Henriette, the buoyant wife of a politician leaves her ambitious husband in the middle of an election campaign and begins a new life. The fact that, as the still legally married wife of a public figure, she takes a job as a model for lingerie just can't go well.

The film presents the political events surrounding the Anschluss in March of 1938 through the lives of Carola Hell, a popular young actress at the prestigious Theater in der Josefstadt, and Martin Hofmann, the Jewish journalist she plans to marry. When we encounter the couple in the lovely springtime weather their future is full of promise. They are determined to stay clear of politics. Yet in the climate of the time, nobody of her prominence or his religion can remain apolitical. Although Martin's journalist friend, Drechsler, calls to inform them that the Nazis plan to take over Austria soon, they concentrate on their work and their private happiness and dismiss the warnings.

A misunderstood youth is incorrectly placed in a mental hospital.

A historical drama about the revolution of 1848/1849 in the Austrian empire.

This two-part drama examines the fate of Haneke’s own generation which came of age after World War II. The first part depicts the generational gap between 1950s teenagers and their parents while the second shows this same group of characters twenty years later as they have grown up to be dysfunctional and suicidal adults. Regarded as the most significant of Haneke’s early works, Lemmings contains incipient treatments of many of the themes he would later elaborate on in his theatrical features.