Marisa Borini

Marisa Borini

Nascimento : 1930-04-02, Turin, Italy

Perfil

Marisa Borini

Filmes

Celles qui restent
Suzanne
90 years old Suzanne, sharp and bright as a young woman, has just lost her lifelong mate. Her daughter and two granddaughters show up to comfort her. In this moment of grief, these four women let out their infinite tenderness and deep connections, in spite of unforgotten grudges.
A Casa de Veraneio
Louisa
Uma cineasta vai passar férias em uma propriedade em Côte d'Azur com familiares e amigos. Apesar da linda paisagem, ela precisa lidar com um término recente e com os desafios de seu novo filme, enquanto o isolamento das pessoas ao seu redor as leva a externalizar uma série de sentimentos até então reprimidos.
Loucas de Alegria
La signora Morandini Valdirana
Beatrice Morandini Valdirana tem transtorno de personalidade, gosta de fazer drama e se autodenomina condessa, além de conhecer Deus em sua intimidade. Donatella Morelli é uma jovem tímida e frágil que guarda um doloroso segredo. Ambas são internas de um hospital para mulheres com distúrbios mentais e são consideradas socialmente perigosas. Beatrice e Donatella desenvolvem uma improvável amizade, e fogem à procura de um pouco de felicidade no manicômio a céu aberto que é o mundo dos sãos.
Our Women
Madame Prévin
Max, Paul and Simon have been friends for 35 years. They take great pleasure in their one vacation a year together without their partners and meet-up regularly to spend evenings drinking or playing cards. Each has a successful career and they all appear to have perfect lives until the night Simon announces to his friends that he has just strangled his wife, Estelle after a blazing row. Max and Paul are horrified by Simon's confession, but worse is to come when Simon asks them to lie and provide him with an alibi for the time Estelle was killed. Both men are torn between lying or turning over their best friend to the police.
Um castelo na Itália
The Mother
Louise (Valeria Bruni Tedeschi) faz parte de uma grande família burguesa italiana, que vive um período de transformações: enquanto seu irmão está doente, e os conflitos com a mãe aumentam, eles são forçados a vender seu castelo na Itália. Em meio a todas essas confusões, Louise encontra Nathan (Louis Garrel), jovem que se declara apaixonado por ela.
Atrizes
The mother
Marcelline (Valeria Bruni Tedeschi), uma atriz quarentona e solteira, inicia os ensaios de uma nova montagem teatral, dirigida por Denis (Mathieu Amalric). Atormentada pela sombra de sua personagem, ela começa a reavaliar sua vida, especialmente com a chegada de Nathalie (Noémie Lvovsky), assistente do diretor. Ao se conhecerem, as duas descobrem o quanto são parecidas...
The Girl from the Chartreuse
Anna
Eight-year-old Eva and her mother have a very positive CHILD-TO-CHILD-RELATION. The mother is incapable of mature behaviour when problems arise. When the mother forgets to fetch Eva at school in her car, Eva does not know the way home. Panicking and crying she just runs and is overrun by a car. The driver is obviously innocent. He is a second-hand bookseller (Etienne) and a mountain climber and has a phenomenal memory. The hospital cannot tell whether Eva will ever wake up from her coma, or will speak or move.
It's Easier for a Camel...
Mother
As a little girl, Federica fantasized about having beautiful long hair that would grow back as soon as she cut it, about never-ending cones of cotton candy and about countless adventures that took her to the far side of the world. Now a charming thirty-something-single woman, Federica's fantasies have evolved, adding lovers, stardom, and motherhood to her waking dreams, where Federica continues to press for her everyday life to be as real as the fantasies that invade her. Unfortunately, Federica's daydreams can only provide a meager distraction from the reality she faces. Her career as a successful playwright is heading south, her boyfriend is pressuring her to start a family, a former lover wishes to rekindle an old affair, her sister is barely talking to her, her brother is self-centered and her loving father is terminally ill. And as if to make matters worse, Federica is rich, too rich, and the guilt that consumes her because of it is pushing her over the edge.