Heinrich Giskes

Mimi has her hands full. Her son Felix is hyperactive, her ex-husband Johnny is a mess, her father is a chronic gambler. Then Felix signs her up for a Swiss casting show, because Mimi wanted to be a musician originally. So Mimi decides to head for Switzerland, since it could pay all their debts. But then the whole family wants to come...

For Cologne newspaper journalist Michael Heinrich, a year-long posting as Itally correspondent is a dream coming true. His lawyer wife Susanne agrees to take her long-postponed sabbatical year there, but janitor Filippo and his hunky cousin Toni still hasn't finished the apartment in Principe Ercole's 'palazzo'. Angelic son Tobias and pubescent brat Caroline object being torn away from their world, but soon take to welcoming Romans. Roman utilities and Vatican bureaucracy test Michael's patience as well as Ercole's frisky niece Maria and Susanne's visiting parents. Controversial archaeology professor Neri offers Michael a 'steal' scoop on the missing main Etruscan sanctuary. Written by KGF Vissers

Summer is the time to travel, enjoy life, and do or leave what you want. A motor home with two occupants makes its way south. But the two travelers do not travel voluntarily, and certainly not together.

Three not-so-cool school friends decide to try a old voodoo ritual. Later, they die in a car accident, but live on as zombies. But being a zombie has advantages, too...

STEFFEN VOGT, aged around 25, is helping out at a German archeological excavation in Israel when he finds a 2,000-year-old skeleton holding the instructions for a video camera dating from the year 2003. The bones also show traces of the present day. His theory of a time-traveler who made a video of Jesus is laughed at by everyone, however, including SHARON, an attractive Israeli woman he adores. Although no one appears to believe him, his find certainly seems to have generated interest: Steffen is attacked shortly afterwards in his hotel room by strange men; then he discovers that the German embassy and the secret service are after him; and when his friend DAN is murdered, he goes into hiding.

A small village high up in the mountains of Ketama, Northern Morocco. The life of the people here has been shaped by the drug hashish for centuries. Hashish as daily work, hash as exchange currency, hashish as business, hashish as basis and philosophy of a social system, hashish as medium for dreams and hashish as reason for stagnation.

Frustrated with their lazy new intern, a trio of offbeat builders decide to teach him a lesson with a series of escalating pranks.

Durante a Segunda Guerra Mundial, o soldado alemão Clemens Forell (Bernhard Bettermann) é capturado e mantido prisioneiro em um campo de concentração na Sibéria. Após quatro anos de trabalho escravo nas minas, ele consegue finalmente escapar. Mas para retornar para sua família, Forell, no entanto, precisa atravessar um percurso de 14 mil quilômetros a pé. Por três longos anos ele tenta se manter vivo, enfrentando os perigos e as surpresas da natureza. Porém, seu maior desafio será escapar da trilha de seu perseguidor implacável, Kamenev (Anatoly Kotenyov), que tem a missão de levar o fugitivo de volta à prisão. Vivo ou morto.

After the partner of a policeman is killed he is drawn into a mysterious plot of conspiracy and terrorists.

Bank robber Kalle Grabowski escapes from prison while his unemployed smalltime crook buddy is sitting around doing nothing after he just lost all their money. A fast paced comedy from German director Peter Thorwarth.

The British parliament has decided to get rid of the royal family. All of them have to leave the county and so they move to Germany, where they want to live by their distant relatives, the Bettenberg family. But these are not amused about their snobbish visitors, which all want to reside in their little house without doing any work to earn their living.

Die Brüder Kipp (Joachim Król) und Most (Horst Krause) machen sich auf den Weg, um das Gut ihrer Oma zu erben. Auf diesem Weg begegnen sie Viktor (Konstantin Kotljarov), einem desertierten russischen Soldaten, der die beiden kidnappt und Nadine (Sophie Rois), die sich ihnen freiwillig anschließt. Zwischendurch gibt es noch einen Zusammenstoß mit Straßenrowdies, was diesen allerdings nicht gerade gut bekommt. Auf ihrem Weg zum Erbe (oder was davon übrig bleibt) geraten die Protagonisten in manche scheinbar ausweglose Situation.

Every year, many Germans are preparing to spend their vacations in the sunny south. And they all have to use the same highways. And every year everything ends in a big traffic jam.

On the run from her criminal Italian husband, a young French woman meets a German lover in West Berlin who offers her shelter but who also gets entangled in her threatened life ever deeper.

Oskar Panizza’s The Council of Love (1895) is a blasphemous play set in 1495, during the first recorded outbreak of syphilis, which Panizza satirically presents as the punishment from Satan for sexually active humans. As a result, Panizza was imprisoned for obscenity. Schroeter alternates scenes from the Panizza’s work with a dramatization of his trial, presenting the play as an expressionist spectacle performed by actors wearing exaggerated makeup who gesture and grimace grotesquely. The film thus forms a bridge between Schroeter’s use of tableaux in his early experiments with the political urgency of his 1980s films. On the eve of the AIDS crisis, Schroeter is presciently worried about disease as an excuse for governmental repression and the oppression of sexuality. - Harvard Film Archive

An abstract look at the changes in a woman's inner self. Married to a down-and-out writer, she is forced into a liaison with a book thief.

A notorious gang of robbers threaten the Ruhr region of Germany in the 1920s.

The life and struggles of the German writer Heinrich von Kleist.

A schizophrenic patient is is wasting away in a mental institution, until a young doctor encourages him to write poetry. The resulting masterpieces are however not able to stop the man from suicide.

Grischa e Heinrich são dois atores que, após um ensaio, acabam trancados no camarim e acabam se interessando um pelo outro, começando um relacionamento. Heinrich quer ter um filho com Grischa, porém ela não sabe como é conciliar a vida familiar com a profissional, fazendo com que ela comece a entrevistar mulheres trabalhadoras, ouvindo seus depoimentos sobre as dificuldades que encontraram e encontram por serem mulheres.

Grischa e Heinrich são dois atores que, após um ensaio, acabam trancados no camarim e acabam se interessando um pelo outro, começando um relacionamento. Heinrich quer ter um filho com Grischa, porém ela não sabe como é conciliar a vida familiar com a profissional, fazendo com que ela comece a entrevistar mulheres trabalhadoras, ouvindo seus depoimentos sobre as dificuldades que encontraram e encontram por serem mulheres.

A German serial killer preys on boys and young men during the so-called years of crisis between the wars. Based on the true story of Fritz Haarmann, aka the Butcher of Hanover and the Vampire of Hanover.

This German language film is said to be loosely based on a story by Edgar Allen Poe. It is difficult to say, as there is no story to be discerned in this non-stop pastiche, heavy with symbolism but with no other distinguishing features. It was, however, a German entry in the 1971 Cannes Film Festival.

I’m an Elephant, Madame ( Ich bin ein Elefant, Madame) follows a class of high school students in 1968 Bremen during their last year at school, their lessons, their protests, their private life. Focuses in particular on the troublemaker & provocateur Rull who in his apolitical chaotic way takes on both the authoritarian school administration and the leftist protesters.