Erwin Kohlund

Andreas, who is ten, has been brought up by his grandmother. When she dies, he removes a putto from the crucifix placed upon her, puts it in his mouth and does not speak again. The attempts by adults to make a normal child out of him only cause him to flee deeper into his fantasy world - a village of snow. At its center is a snowman with whom Andreas converses.

In this interesting World War I drama, Bruno Ganz gives a compelling performance as Jakob, an obsessive inventor who lives in a Swiss village. He receives unconditional support from his friend Otti (Walo Luond), but that is about all; the other villagers do not tolerate Jakob's eccentricities very well, and regard him as a crackpot. He perserveres in spite of this obstacle and finally invents a viable carriage that does not run on wheels but on a tread. Unfortunately for Jakob, the military have already come up with the same invention: the tank. The discovery finally breaks him, and he is quickly shuttled off to an asylum.

A tramp tries to trick the community into paying for the funeral of his fellow tramp who was found frozen to death.

Martin é um ator suíço que foi condenado a cumprir pena por ter se envolvido sexualmente com um rapaz ainda menor de idade. Já dentro da prisão, Martin se ocupa de produzir uma pequena peça teatral para os detentos e as suas famílias, e durante os ensaios conhece Thomas, o filho de um carcereiro da prisão. Os dois se apaixonam, mas trata-se de um amor impossível e sujeito à consequências.

Throughout the late 19th century and in the early part of the 20th, Russians of a wide variety of political persuasions contemplated various forms of revolution. Throughout the same period, they often had to seek asylum in other countries. This movie concerns Sergei (Roger Jendly), a revolutionary who kills a student in Russia and flees to Switzerland. Though he has the gifts and abilities to unify various revolutionary groups within Russia, once he has been forced to flee, they have no interest in him. When his presence in Switzerland threatens a trade agreement with the Tsar, he is tracked down and expelled.

Karl Tellenbach, called "Dällebach Kari", was one of Bern’s legendary characters at the beginning of the 20th century. Born with a strong hare lip which left him disfigured and gave his voice a peculiarl nasal tone, he devoted his entire life trying to get people to laugh with him instead of at him. Ultimately, his despairing at ever becoming accepted as a fellow man coupled with unrequited love made his life tragic, culminating in his suicide at age 54. His jokes are still well known today.

The further trials of the wealthy Emmentaler farming family Jowäger and their neighbors, adapted from the second volume of the 19th century novel by Jeremias Gotthelf (pen-name of Albert Bitzius).

The trials of the wealthy Emmentaler farming family Jowäger, adapted from the 19th century novel of the same name by Jeremias Gotthelf (pen-name of Albert Bitzius), which was also published in two parts.

A "milieustudie" about a girl going to the famous Cafe Odeon and trying to make ends meet.

The farmers of a village decide to postpone the construction of a new school in profit of a concentration to cheese production. From a novel by Jeremias Gotthelf.

Uli has been the tenant of the "Glunggen-farm" for two years. His wife Vreneli gave him two children and the couple is happy. But this year, the harvest looks bad and his landlord calls in the rent, as the old man urgently needs money to satisfy the demands of his son and stepson. Desperate to make ends meet, Uli fraudulently sells a cow knowing that she does not produce any milk. He is pursued in court but is acquitted. But then, the buyer curses him... and disaster promptly strikes.

The film traces Uli's progress from his humble peasant surroundings to the homes of the wealthy and prominent. The characterizations are convincing, and the comic interludes surprisingly subtle and believable for a Swiss film. The no-star cast doomed Uli Der Knecht from the start so far as American distribution was concerned. It was another matter in Switzerland, where the film was one of the year's top moneymakers. Uli der Knecht was based on a novel by Jeremias Gottbelf.

Gilberte Montavon was a legend in her own lifetime. As a young woman, she was confidante to hundreds of thousands of Swiss-German speaking soldiers during the First World War, and remembered most of their names. She was still a teenager when the war began, and was immortalised by a song written during the war years by the Swiss-German bard and lute player, Hans Inn der Gand.