A middle-aged woman observes a young man who spends a good deal of his life in the window on the other side of the street. Sara Kadefors reflects on youth and love in a film, which in all its simplicity, succeeds at portraying so much of life’s great emotions.
Ida lives hard and fast with too much drinking and a string of boyfriends, Sandor has very few friends and his mother insists that he practices ballet. They meet in a chat room and despite appearances they discover they have much in common. Sandor and Ida lives in different cities and when Sandor unexpectedly visits her it ends with disaster.
Moa is in her early 20s, works at a factory and lives by herself in a cottage in the forest. She is a vegan and follows her friends and demonstrations, mostly to fit in. But at home, by herself, she listens to pop music and use make-up.
