Lotte Brackebusch

Nascimento : 1898-02-19, Berlin, Germany

Morte : 1978-01-01

Filmes

Mother Hulda
Frau Holle
Short film bases on German fairy tale.
Einer muß der Dumme sein
Coco Pinchard
Trauer muß Elektra tragen
Louisa
Eine dumme Sache
Frau Pietsch
The Last Chapter
Martha
The Blue Moth
Alte Frau Martens
Julia Martens is a wrongly convicted murderess who is released from prison after thirteen years. She begins a new career as a chanson singer and her now grown-up son, who has been told that his mother is dead, has no idea who Julia Martens really is. One day he is suspected of murder and Julia intervenes.
Die Abwerbung
Maria Fellner
Herz ohne Gnade
All Roads Lead Home
Marie
Witwer mit fünf Töchtern
Meta Sengstake
Romeo und Julia von Berlin
Frau Kniebel
Die Gangster von Valence
Madame Lapin
Rosen im Herbst
Roswitha
Eternal Love
Uwe's Mother
A romantic drama directed by Hans Deppe.
Roses Bloom on the Moorland
Sophie Amelung
In a small German village in the middle of large moors, there is an old legend of a young woman having sunk in the wetland after being raped by a Swedish intruder of the Thirty Years' war. Now young Dorothee, falling in love with the architect Ludwig, is harassed by an obnoxious, rich farmer Eschmann. The brutal man is ready to do anything to get the maiden. The history is repeating itself, as Eschmann follows Dorothee to the moors after his crime.
Toxi
Frau Berstel
This German slice-of-life drama is based on a very real postwar dilemma. At the time the film was made, there were over 3000 children living in Germany who'd been fathered by African American GIs. Referred to as "mischlings," these children were often treated as outcasts because of their illegitimacy and skin color. One such mischling is Toxi (played by herself), who is sent to live with her American father when her mother dies. At first, Toxi is welcomed with opened arms, but the father, who already has two children, has neither the time nor the money to care for the girl. Toxi is then bundled off to an orphanage, sparking a serious rift in her father's family. By concentrating on a highly fictionalized plotline, Toxi tends to ignore the thousands of other mischlings whose lives are far more complex and tragic than that of the film's central character.
Das Fräulein und der Vagabund
Frau Renken