Tanya Boyd

When rumors start circling that average guy Dre has come into money, everyone starts coming to get their's.

On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy. Featuring: The Gift, directed by Tanya Boyd; Hip-Hop: The New World Order, directed by Muhammida El Muhaijr; Kings, directed by Niva Dorell; Breakfast at Ben's, directed by Chuck Wilson; A Gut Feeling, directed by Lee Davis; Breakdown, directed by Jeff Byrd; true., directed by Charles Stone III

A comedian falls in love with his psychologist's wife, which is no laughing matter for the psychologist.

After her picture perfect husband is murdered in a prostitute's apartment, Beverly Hills homemaker Catherine is devastated. But she doesn't spend too long mourning, because she's soon on a mission to put her husband's killer behind bars. To do so, she forms an unlikely partnership with Marla, the Hollywood hooker who serviced the deceased. Under Marla's guidance, the pair navigate the seedier side of Los Angeles to put this mystery to rest.

Da pobreza de Illinois ao glamour de Hollywood. Do abandono da mãe ao reconhecimento do mundo. A vida de Richard Pryor é um relato de dramas, tragédias, excessos e muita glória. Biografia do melhor comediante stand-up de todos os tempos.

Harvey and Zoey, two tourists in Israel, discover an ancient scroll about Herschel, the man who was almost Moses. Herschel receives the command from God to free his people from slavery, but Moses keeps getting all the credit.

Xaviera Hollander has to navigate some sleazy studio politics to see the production of the film version of her memoirs.

A private eye spoof that sends up assorted TV detectives from Ironside, Columbo and Kojak to Baretta, McCloud and Starsky and Hutch, as eight bumbling super-sleuths band together in a battle of wits against the devilishly clever Master Criminal.

A young wife discovers that she has Hodgkin's Disease. It can be treated, but complicating the situation is the fact that she is pregnant, and the treatment can endanger the life of her unborn baby, as well as herself.

Kicks Carter is a streetwise policeman whose beat is Las Vegas. A crime gang is running guns, selling drugs, loan-sharking, and running a prostitution ring out of an upscale hotel in the city and Kicks is trying to put them out of business. But the interference of a woman reporter is making his job more difficult.

A black hairdresser's sexual escapades with married customers lead to a confrontation with a jealous mobster.

Este segundo filme da série teve direção e produção de Don Edmonds e roteiro de Langston Stafford para o Estúdio Mount Everest Enterprises Ltd. No primeiro filme Ilsa era uma nazista sádica e depravada que conduzia experiências bizarras em um campo de concentração. Neste segundo filme a personagem se desloca para um pequeno país árabe onde serve de guardiã do harém do excêntrico e cruel sheik El Sharif (Jerry Delony) que trafica armas e mulheres , além de vender petróleo para Deus e o Diabo. Ilsa, como de praxe, gosta de tortura, sexo e violência, agindo de forma fria em relação as suas vítimas. A chegada do comandante Adam (Max Thayer), entretanto, vai amolecer o coração da dominatrix e tal fraqueza lhe custará muito caro. O filme tem uma receita que mistura, em doses mais ou menos iguais, ação, erotismo e violência. A série é uma espécie de referência obrigatória do gênero Sexploitation/Naziploitation da década de 70 e fez relativo sucesso junto ao público.

CIA trained detective Solomon King has to use all of his dirty tricks and experiences to get revenge on the person responsible for the murder of his girlfriend. A trail leads him to a desert in the Middle East.