Miyoko Asada

Luca lost her family in the Great East Japan Earthquake causing her not to be able to speak. However, her singing voice shakes the hearts of those who listen to her. It is a hymn of compassion played by Luca and the people.

A woman who has not seen her father for several years and does not have a good relationship with him. An unsociable man who lives near her father's house. Slowly the relationship between the woman, her father, and the man changes.

A socially-distanced college reunion, an unusual rapport struck between a food delivery man and a patron, a bus-stop encounter, and a blind woman scammed into thinking her brother is sick constitute the stories of Mayu Nakamura’s COVID-era quadriptych—a work that encapsulates the newfound anxieties of loneliness, insecurity and the struggle for connection within the depths of the pandemic lockdown. Tied together by the remarkable performances of actress Nahana, who embodies the various female characters across the film’s differing narratives, Nakamura’s episodic feature delves into the lives of women in COVID-era Japan, finding profundity and human connection amid the unlikely encounters of strangers.

Tamura Yujiro and Hiyori have been married for four years. They look like a happily married couple, but, Hiyori secretly badmouths her husband on social media page "Husband Death Note."

Adapted from the novel "Yu-san no Nyobo ~ Mou Hitori no Ishihara Yujiro" by Muramatsu Tomomi, this NHK / BS4K one -shot drama tells a love story of a woman who continues to be the "wife" of superstar Ishihara Yujiro.

Kiyokazu Kurihara e Satoko são um casal que, no desejo de ter um filho, adota um bebê. Seis anos depois, enquanto vivem um feliz casamento, eles recebem uma ligação de uma mulher chamada Hikari Katakura, alegando ser a mãe biológica de Asato, o filho adotado do casal. Hikari diz querer seu filho de volta, chantageando a família com a pedida de uma alta quantia de dinheiro.

Ryota Tanaka, a young man who was struggling to become a manga artist in Tokyo, came back to his hometown in Fukuoka, feeling the limits of his dream. It was a part-time job at the local life extension zoo that introduced Ryota, who was in the old friend's room, without relying on his parents' home. While working with the director Noda and veterinarian Aya Ishii, Ryota knew that this is a rare zoo in the world that puts emphasis on “animal welfare” that puts animal health and happiness first. However, the management of the garden is in a critical situation due to the budget reduction, and Ryota decides to draw a comic again to convey this effort with her own picture...

Satoko Watabe, who calls herself Erica was organizing business support meetings, and collecting a fortune with a fictional investment story, under the order of her lover Ikuo Hirasawa. But she finds out that Hirasawa was actually dating multiple women and was betraying her. Once she cuts contact with Hirasawa, she seduces a rich old man, and obtains a luxurious house. She invites her mother who is in a care home to come live with her, and starts her own fictional “business support” sessions to defraud people. During her visit to Thailand, she meets a young man Porche. Erica falls in love, and enjoys her honeymoon. But the police were looming right around the corner...

Sentaro gere uma pequena pastelaria de dorayakis – uma especialidade japonesa que consiste em duas panquecas recheadas com doce de feijão (“an”, no original). Quando Tokue, uma senhora com cerca de 70 anos, se oferece para trabalhar na pastelaria, ele aceita com relutância. No entanto, Tokue rapidamente prova que a sua receita de “an” é mágica. Graças à sua receita secreta, o negócio de Sentaro floresce rapidamente. Com o tempo, Sentaro e Tokue abrem os seus corações, e desenvolvem uma relação de amizade que vai revelando também algumas feridas do passado.

Sawa, a home helper for a middle class family with an elderly infirm grandfather, is forced to stretch her morals to keep her job. As a result, she finds herself broke and out on the street. She survives her first night by striking up an ambiguous friendship with a kindly old man, gaining access to a portion of the immense wealth held by Japan's aging population. She continues with similar encounters, and while these begin as scams or revenge on rampant sexism, they ultimately become vulnerable intergenerational exchanges.

Set at the edge of the Noto Peninsula in Ishikawa Prefecture, Japan, with its beautiful scenic views, the film revolves around two women from different backgrounds who develop a friendship, and how they begin to influence and change each other’s lives.

Ayane is the daughter of a karaage (fried food) store owner, but she never liked karaage. Eventually, she left home, only to return 5 years later. Her family lives in the city of Usa in Oita Prefecture, Japan. She brings with her a young girl named Shirley, who is her step-daughter from her ex-husband.

High school student Ayumi is trained by his grandmother to act as a "tsunagu," an intermediary for people who want to reach the dead.

10 years ago Hide, a college student, meets Yuki Gakuko, an older woman, through work. They become lovers with Hide falling hard for Yuki Gakuko. The following year, Yuki abruptly announces one day that she is going to marry another man. This devastates Hide. Hide eventually finishes college and finds a job, but his yearning for Yuki leads him into depression and alcoholism. Meanwhile, Yuki is involved in a car accident and suffers a life altering injury. Now, 10 years later the two former lovers come across each other once again. They are both shells of their former selves ...

Masaki Tezuka‘s live-action adaptation of “Rescue Wings” deviates from the original by centering around a female rookie pilot played by 16-year-old actress (only 15 at the time of filming) Yuko Takayama. After her mother is saved, Haruka Kawashima joins an elite air rescue team and decides she wants to become the first female pilot of a UH－60J (Japanese version of the Black Hawk) rescue helicopter. She goes through harsh, rigorous training and must overcome her emotions for the serious job of saving lives. After several mistakes she’s bluntly told she’s not good enough to be a rescue pilot, but the conflict only makes her more determined. One day, an F-15J fighter plane goes missing from radar and Kawashima receives the distress call. On reserve fuel and the struggling against all odds, she must accomplish her mission at any cost.

Chief Iizuka, who works at the Cultural Center, misunderstands two chorus groups with similar names and double-books the concert hall on New Year's Eve. Although they talk to each other, neither of them gives up a step and develops into a big problem. Iizuka, who has lived his life with a "no-nonsense" attitude, finds himself in the middle of two groups and at a loss for words.

Hama-chan goes to Okayama to look for Su-san when he goes missing a few days after freezing up during his inaugural speech as the company chairman.

15-year-old Hatsuko (Higashi Ayu) lives with her elder brother in a humble town house. Their mother died when they were young, and the father disappeared. The brother (Shioya Shun) left high school before graduation to work at a factory, but spends their meager house-keeping money on adult entertainment. Hatsuko, who is poor and has no friends, finds emotional support in Mishima (Sano Kazuma), a boy in her class, who helps her with her study to go to a high school together. However, Hatsuko's brother causes trouble at the factory and gets the sack. Hatsuko gives up her dream of going to high school. In spring, the modest relationship continues between Mishima, now a high school student, and Hatsuko who works at a biscuit factory. One day, Hatsuko's long-gone father reappears. In a drunken frenzy, he sets fire to the house to go and rejoin the mother, leaving Hatsuko without a place to live. Hatsuko leaves the town on her own, drawing strength from the promise of marriage with Mishima.

Ichiko and Eri are two beautiful Japanese university students who are in a lesbian relationship. Ichiko comes out to her father who tells her he is also gay and her mother was a lesbian. Her best friend is gay too, though he has a female who is after him. Their liaison is very intense, but Eri suggests a temporary separation so she can concentrate on her law studies. The break from their affair is difficult for Ichiko to deal with. But Eri soon sorts out her priorities.

On her way to Chikura to live with her son, Yasue Amami gets off at the Tateyama train station. She wants to see her old house. The a new owner, Mitsuko Kawahara, intends to demolish the place and replace it with a modern new house. With Mitsuko's permission, Yasue enters her old home. Her family had rented it during World War II to escape air raids over the city, and they stayed on for a few years after the war. As Yasue visits the grounds, memories come flooding back.

Yumiko returns to work in Hama-chan's department. She had once left the company after getting married, but a dark shadow now seems to loom over her.

On her way to school, high school girl Nana sees a train accident. Then Nana and her friend Kanae start to come across various bizarre phenomena, including red fingerprints and a female spirit who 'lives' on the station platform. One day, Nana's younger sister is lost, and the only possibility seems to be that she had been taken by these spirits. The missing tracks. The predictions that a mysterious woman makes.

Gabai Granny is based on the bestseller Saga No Gabai Baachan (Gabai Granny from Saga), which is penned by comedian Shimada Yoshichi as he recounts his childhood memories of growing up under the care of his grandmother.

Hama-chan meets a friendly US soldier on a trip to Nagasaki with Su-san. Su-san returns to Tokyo and is informed that Hama-chan has gone missing.

Hama-chan takes a vacation to go fishing in Akita despite warnings from Su-san as his company faces a restructuring process.

Mr. Takano, a company employee, announces plans to take an early retirement so he can return to his home town and spend his days fishing. Su-san and Hama-chan envy his decision, and Hama-chan conspires to visit Takano, even though he has no vacation time left.

Various individuals named Ichiro undergo life-changing events while being inspired by the baseball player Ichiro. A heartwarming movie about the people who root for the baseball player Ichiro, and their struggles to make their own dreams come true.

Hama-chan accompanies Su-san on a business trip to Okinawa in the middle of the recession, but Su-san remains in low spirits over business matters.

Su-san resigns after getting fed up with corporate life, but he finds himself back in familiar surroundings on his first assignment at a new job.

Hama-chan’s sales department gets a new supervisor, a hard-working taskmaster that’s the very opposite of carefree, irresponsible Hama-chan. The veteran employee decides to find his boss, a divorced father, a new wife. The supervisor loves a bar hostess “mama-san,” but is unable to confess his true feelings until Hama-chan comes to his rescue.

When Su-san invites his late friend's daughter to come along on a fishing trip, she falls in love with Hama-chan's fishing protégé.

Based on novel 1962 "Kyukei no Koya" by Seicho Matsumoto. A serial murder occurs around the heroine Kumiko because she finds evidence that her father, who should have died, was "alive." Set in 1945, near the end of WW II, Kenichiro Nogami is reported to have died in a Swiss hospital. In fact, he is working behind the scenes to save Japan from destruction. For this cause, Kenichiro Nogami has left behind his wife and nation to work in hiding.

Tetsuo is a young man living in Tokyo, who falls in love with a deaf-mute factory girl. He has always felt jealous of his college-educated brother, but ultimately wins both the girl and his father's acceptance and support in a touching and refreshing way.

A youth movie starring Miyoko Asada that depicts a cute and lovely 16 years old girl who lives a bright and refreshing life with her purity. She helps at a boarding house in Kamakura where she met Hideki Saijo. Script is written by Shiro Ishimori and directed by Shigeyuki Yamane.