Ahmed Rachedi

The film relates the career of Colonel Lotfi, whose real name is Benali Boudghene, since his beginnings as an activist in Tlemcen where, with his classmates from high school, he posted the call of 1 November 1954, addressed by National Liberation Front (FLN) to the Algerian people.

The story of the heroic path of Krim Belkacem, one of the leading figures of the Algerian revolution.

The story of the heroic path of Krim Belkacem, one of the leading figures of the Algerian revolution.

The film revolves around the life of the martyr Mustapha Ben Bouleid (1917-1956), who was a member of the Algerian National Movement, who worked with his comrades to explain the idea of the armed revolution in which he led in Aures region in 1954. The film depicts how Ben Bouleid traveled to a number of Arab countries Disguised to bring arms to Algeria for the revolution and how the French colonial forces arrested him in the Tunisian-Libyan border, and from there to Algeria to be sentenced to death.

Directed by Maurice Failevic and Ahmed Rachedi

Directed by Ahmed Rachedi.

Directed by Ahmed Rachedi.

Ali, an Algerian crane operator, takes with philosophy the bullying suffered by immigrants like him. His existence changes radically the day he wins the lottery.

Ali, an Algerian crane operator, takes with philosophy the bullying suffered by immigrants like him. His existence changes radically the day he wins the lottery.

Directed by Ahmed Rachedi.

Collectively made Algerian film.

Set shortly before and during the Six Day War in June of 1967, The Sparrow follows a young police officer stationed in a small village in Upper Egypt whose inhabitants suffer from the harassment of a corrupt businessman.

Directed by Sid Ali Mazif.

An Algerian doctor decides to leave the troubles in Algiers and goes back to his hometown, a small village lost in the mountains. There, however, the situation is explosive as well, as the guerilla is active and the French military has to keep a close watch on the locals...

An Algerian doctor decides to leave the troubles in Algiers and goes back to his hometown, a small village lost in the mountains. There, however, the situation is explosive as well, as the guerilla is active and the French military has to keep a close watch on the locals...

Conheça o caso Lambrakis, onde a morte de um político foi encoberta vergonhosamente por políticos e policiais, na Grécia dos anos 60. Vencedor dos Oscar de Melhor Filme Estrangeiro e Edição, foi o primeiro filme a ser indicado também na categoria Melhor Filme. (e 14 - Estimado 14 Anos)

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

In 1962, René Vautier, together with some Algerian friends, organised the audio-visual formation centre Ben Aknoun to encourage a "dialogue in images" between the two factions. Together with his students he made a film that shows the history of the Algerian War and of the ALN (National Liberation Army), and life during the reconstruction.