The love story of the son of Imam Shamil Jamalutdin and Lisa Olenina against the backdrop of the dramatic events of the military history of Russia in the first half of the 19th century. Jamalutdin went down in history as a "great hostage", and the film is an attempt to answer the question: a hostage of big politics or big love. The historical context of the decline of the Nikolaev era, against which the story of love and betrayal, honor and duty, service to the motherland and loyalty to this word unfolds, will become the key to the film.
The love story of the son of Imam Shamil Jamalutdin and Lisa Olenina against the backdrop of the dramatic events of the military history of Russia in the first half of the 19th century. Jamalutdin went down in history as a "great hostage", and the film is an attempt to answer the question: a hostage of big politics or big love. The historical context of the decline of the Nikolaev era, against which the story of love and betrayal, honor and duty, service to the motherland and loyalty to this word unfolds, will become the key to the film.
Vasilisa não é uma narrativa histórica, mas sim uma reflexão da lenda sobre a paixão e o amor que surgiram em vida no meio de batalhas e do frio inverno russo. Em agosto de 1812, uma unidade militar francesa invade a aldeia de Vasilisa e acidentalmente mata seu marido, o prefeito da aldeia. Vasilisa, louca de dor joga-se contra os infratores. É assim que ela conhece o oficial francês Blier. Os franceses batem em retirada, mas Blier não pode esquecer o rosto da camponesa russa. Tendo perdido os seus entes queridos, Vasilisa monta uma unidade guerrilheira na floresta. Em uma das batalhas, ela salva Rokotov, um oficial russo gravemente ferido, que se apaixona profundamente por ela. Vasilisa termina dividida entre dois homens, dois guerreiros apaixonados por ela: entre Blier, um francês capturado pela sua unidade e Rokotov. O que será mais forte, amor ou o ódio? Quem era aquela extraordinária camponesa russa, uma guerreira enfurecida ou uma mulher apaixonada?
Returning to the city on a wet night highway, Sasha fails to control and makes a run over a lone pedestrian. Yielding to the entreaties of his wife Tamara, he leaves the wounded man near the village hospital and returns home.
Potseluy babochki (Russian: Поцелуй бабочки, meaning Butterfly Kiss) is a 2006 Russian film directed by Anton Sivers. The world premiere of the film was held July 21, 2006. He (Nikolai Orlanov) is the genius of industrial espionage. She (Li) is a Chinese. She has nothing, she does not even have a name. They love each other madly, but they belong to the system. Go away from the system can only be to the madhouse, or to the grave.
