Odette Roger

Two tourists in Provence meet an old naive peasant painter who tells them the extraordinary story that happened in the village in 1890: Amédée, the teacher, succeeded in stealing.

An off-beat, uneven tale about a man intent on suicide and the three people who try to talk him out of it, Pantalaskas stars American Carl Studer in the title role of the morose, would-be suicide. Set in Paris and taking place over an entire night, the story has a complication in that the trio who want to prevent the suicide do not speak the man's language -- he is Lithuanian and speaks no French. So the protagonists comb the underbelly of a nighttime Paris, looking high and low but mostly low for anyone who speaks Lithuanian. Depending mainly on dialogue for its impact, the verbose drama reveals how the protagonists undergo a transformation as the night wears on.

At Christmastime, the love affairs of five clothing models working for Pierre Roussel, a renowned Paris fashion designer. Marlène hesitates between two suitors. Blanche, who loves Jean, Roussel's son, wants him to talk to his father about their relationship. Catherine learns that her lover has a wife and two kids. Jeannette throws herself into the arms of an Oriental prince. In despair the fifth one attempts to commit suicide...

A doctor, leading an agreed life of the provincial petty bourgeoisie, falls in love with a young woman. As their relationship deepens, he becomes violently jealous and blames her for her dating and friendships.

Desiring to give his compatriots a taste for laughter, a comic Marseilles founds a club with friends whose joke is the reason for living and tries to breathe new life into the sleeping city.

Once their military service is over, the instrumentalists of a regimental orchestra find themselves in civilian life and decide to run a hotel themselves on the Côte d'Azur.

Em uma pequena cidade, um padeiro é abandonado pela esposa, que foge com um pastor, no dia em que faz seu primeiro pão. A vizinhança, que antes zombava do padeiro, decidiu encontrar a esposa fujona já que o padeiro não conseguia mais trabalhar sem ela.

Outwardly, Monsieur Victor would appear to be the model citizen. A respectable Toulon shopkeeper, he has a devoted wife and is courteous and considerate to all who know him. However, beneath this veneer of respectability hides a notorious receiver of stolen goods, who trades with hardened criminals. Victor manages to keep up his double life without any difficulty until the fateful day when one of his partners in crime threatens to expose him. Fearing a scandal, Victor kills the crook in a moment of panic, using a shoemaker's tool. Naturally, the murder is blamed on a local shoemaker, who is sentenced to ten years' hard labour. Seven years later, the former shoemaker reappears in Toulon, having escaped from prison. The first person to recognise him is Monsieur Victor...

A pompous grocer’s assistant in Marseille annoys a visiting film crew so much that they prank him with a phony acting contract; believing it to be real, the “schpountz” heads to Paris for his new career.

O último habitante de um vilarejo abandonado é salvo de se afogar por um amolador de facas itinerante e sua funcionária oprimida. Ele e a moça se apaixonam e passam a trabalhar arduamente para revitalizar o lugar.

Jofroi sells his orchard to Alphonse. Alphonse wants to use the land for crops, so he starts to cut down the trees. Jofroi is furious: how can someone cut down those trees? He threatens to commit suicide so that the small town will blame Alphonse and Alphonse’s life will be miserable. Alphonse, the curate, the teacher, and some of the townsfolk spend the rest of the movie trying to keep Jofroi from committing suicide…

Picking up moments after the end of Marius, this film follows Fanny’s grief after Marius’s departure—and her realization that she’s pregnant. Panisse continues courting her and embraces the baby’s impending arrival as a gift, so long as its paternity remains a secret. Fanny and Panisse wed, but after her baby’s birth, Marius returns unexpectedly and demands what he believes is still his.