Petr Schulhoff

Nascimento : 1922-07-10, Berlin, German Empire [now Germany]

Morte : 1986-05-04

Filmes

Příliš velká šance
Script
Příště budeme chytřejší, staroušku!
Writer
Příště budeme chytřejší, staroušku!
Director
Výhra admirála Kotrby
Director
Co je doma to se počítá, pánové...
Screenplay
Czech comedy from the 70ties.
Co je doma to se počítá, pánové...
Director
Czech comedy from the 70ties.
Diagnóza smrti
Writer
Two seriously injured patients are brought to the hospital at almost the same time: truck driver Honza Linhart, who had an accident, and a young woman found unconscious in a forest by a man picking mushrooms. The woman is identified as Katerina Marková, the divorced mother of a young girl. Major Kalas (Rudolf Hrusínský) suspects that she is a victim of mugging since a bloodstained small ax has been found near the site of the crime and, according to witnesses, Ms Marková was missing her watch and a bracelet, from which a gemstone has also been discovered. Linhart has lost his only kidney in the accident; in order to live a normal life again, he will need a kidney transplant from the mugged woman if she dies.
Diagnóza smrti
Director
Two seriously injured patients are brought to the hospital at almost the same time: truck driver Honza Linhart, who had an accident, and a young woman found unconscious in a forest by a man picking mushrooms. The woman is identified as Katerina Marková, the divorced mother of a young girl. Major Kalas (Rudolf Hrusínský) suspects that she is a victim of mugging since a bloodstained small ax has been found near the site of the crime and, according to witnesses, Ms Marková was missing her watch and a bracelet, from which a gemstone has also been discovered. Linhart has lost his only kidney in the accident; in order to live a normal life again, he will need a kidney transplant from the mugged woman if she dies.
I'll Be Good, Old Man!
Story
To the intolerant and bloody-minded Prague actor Bergner (Milos Kopecký) is the lead in Moliere's Misanthrope which he is studying now as tailor-made. On top of that he is malicious and he advises to the new actress Helenka (Dagmar Havlová) in such a way that she upsets the theatre director. If Bergner accuses somebody of a mischief and he is wrong, he never apologizes. When he almost crashes an older elegant lady by his car on the zebra crossing, instead of an apology he calls her an old ballet dancer... But in Brno's TV he takes part in a discussion on manners and he gives himself as an example of good manners and grace. In the train he meets a magic old man (Ladislav Pesek) who warns him and admonishes him to change his behavior. After he arrives to Prague the old man's threat comes true.
I'll Be Good, Old Man!
Screenplay
To the intolerant and bloody-minded Prague actor Bergner (Milos Kopecký) is the lead in Moliere's Misanthrope which he is studying now as tailor-made. On top of that he is malicious and he advises to the new actress Helenka (Dagmar Havlová) in such a way that she upsets the theatre director. If Bergner accuses somebody of a mischief and he is wrong, he never apologizes. When he almost crashes an older elegant lady by his car on the zebra crossing, instead of an apology he calls her an old ballet dancer... But in Brno's TV he takes part in a discussion on manners and he gives himself as an example of good manners and grace. In the train he meets a magic old man (Ladislav Pesek) who warns him and admonishes him to change his behavior. After he arrives to Prague the old man's threat comes true.
I'll Be Good, Old Man!
Director
To the intolerant and bloody-minded Prague actor Bergner (Milos Kopecký) is the lead in Moliere's Misanthrope which he is studying now as tailor-made. On top of that he is malicious and he advises to the new actress Helenka (Dagmar Havlová) in such a way that she upsets the theatre director. If Bergner accuses somebody of a mischief and he is wrong, he never apologizes. When he almost crashes an older elegant lady by his car on the zebra crossing, instead of an apology he calls her an old ballet dancer... But in Brno's TV he takes part in a discussion on manners and he gives himself as an example of good manners and grace. In the train he meets a magic old man (Ladislav Pesek) who warns him and admonishes him to change his behavior. After he arrives to Prague the old man's threat comes true.
'Okay, Boss...!'
Writer
Láda Pitras (Ludek Sobota) and Oto Vacák (Petr Nározný) founded in the company Pragokov a Research department of recruitment of labor. For recruitment of workers in professions sought after both recruiters worked out an effective, often almost illegal methods. They followed secretly for instance the welder Niederle and managed to record his lovesick courting to his colleague Anicka. The fear of his jealous wife made him to join Pragokov.
'Okay, Boss...!'
Director
Láda Pitras (Ludek Sobota) and Oto Vacák (Petr Nározný) founded in the company Pragokov a Research department of recruitment of labor. For recruitment of workers in professions sought after both recruiters worked out an effective, often almost illegal methods. They followed secretly for instance the welder Niederle and managed to record his lovesick courting to his colleague Anicka. The fear of his jealous wife made him to join Pragokov.
We'll Kick Up a Fuss Tomorrow, Darling...
Screenplay
Mr. Novak tells a lie to his neighbor Mrs. Bartackova that her husband is unfaithful to her and that is how it all started.
We'll Kick Up a Fuss Tomorrow, Darling...
Story
Mr. Novak tells a lie to his neighbor Mrs. Bartackova that her husband is unfaithful to her and that is how it all started.
We'll Kick Up a Fuss Tomorrow, Darling...
Director
Mr. Novak tells a lie to his neighbor Mrs. Bartackova that her husband is unfaithful to her and that is how it all started.
Do We Match Each Other, Darling?
Screenplay
Marta (Jana Brejchová) and Viktor (Vlastimil Brodský) celebrate the tenth anniversary of their wedding half-heartedly. They both think they don't suit together. While visiting Marta's friend Alena (Iva Janzurová), who just got married for the third time, they learn an interesting thing. It was a computer which selected a husband for Alena and she claims she is happy. The couple gets off after certain hesitation to a cybernetic institute, where the computer tells them that living together is a risk for them. At the same time the computer selects them ideal partners - Mrs Tuchlová, a doctor for Viktor, and Petr Karát, a music composer for Marta. By a coincidence Viktor and Marta meet wrong people.
Do We Match Each Other, Darling?
Story
Marta (Jana Brejchová) and Viktor (Vlastimil Brodský) celebrate the tenth anniversary of their wedding half-heartedly. They both think they don't suit together. While visiting Marta's friend Alena (Iva Janzurová), who just got married for the third time, they learn an interesting thing. It was a computer which selected a husband for Alena and she claims she is happy. The couple gets off after certain hesitation to a cybernetic institute, where the computer tells them that living together is a risk for them. At the same time the computer selects them ideal partners - Mrs Tuchlová, a doctor for Viktor, and Petr Karát, a music composer for Marta. By a coincidence Viktor and Marta meet wrong people.
Do We Match Each Other, Darling?
Director
Marta (Jana Brejchová) and Viktor (Vlastimil Brodský) celebrate the tenth anniversary of their wedding half-heartedly. They both think they don't suit together. While visiting Marta's friend Alena (Iva Janzurová), who just got married for the third time, they learn an interesting thing. It was a computer which selected a husband for Alena and she claims she is happy. The couple gets off after certain hesitation to a cybernetic institute, where the computer tells them that living together is a risk for them. At the same time the computer selects them ideal partners - Mrs Tuchlová, a doctor for Viktor, and Petr Karát, a music composer for Marta. By a coincidence Viktor and Marta meet wrong people.
Osud jménem Kamila
Screenplay
Osud jménem Kamila
Director
Kufr čili Silvestrovské kousky Miloše Kopeckého a Františka Filipovského
Director
Kufr čili Silvestrovské kousky Miloše Kopeckého a Františka Filipovského
Screenplay
Kufr čili Silvestrovské kousky Miloše Kopeckého a Františka Filipovského
Music Director
Kufr čili Silvestrovské kousky Miloše Kopeckého a Františka Filipovského
Story
Tetička za všechny peníze
Story
Tetička za všechny peníze
Screenplay
Tetička za všechny peníze
Director
Přehlídka ztracených peněz čili Jak se zachovat?
Screenplay
Přehlídka ztracených peněz čili Jak se zachovat?
Story
Přehlídka ztracených peněz čili Jak se zachovat?
Director
Vím, že jsi vrah...
Screenplay
Vím, že jsi vrah...
Story
Vím, že jsi vrah...
Director
Silvestrovské kousky Františka Housky
Story
Trapasy II
Writer
Trapasy II
Director
Silvestrovské kousky Františka Housky
Screenplay
Silvestrovské kousky Františka Housky
Director
Vražedný týden
Screenplay
Vražedný týden
Story
Vražedný týden
Director
Trapasy
Director
Trapasy
Screenplay
Trapasy
Story
On the Trail of Blood
Screenplay
Major Kalas from the Prague criminal intelligence service has been sent to a small town of Dubá in North Bohemia to help with the investigation of the puzzling death of a child. A gypsy boy has been killed three weeks ago and his body found under a rock. As the investigation continues, another dead boy is found. The boy has bled to death after someone cut his artery with a handsaw. Both deaths are obviously the work of a murderer - a perverted pedophile, sadist who gets sexual satisfaction from the sight of a young boy's blood.
On the Trail of Blood
Story
Major Kalas from the Prague criminal intelligence service has been sent to a small town of Dubá in North Bohemia to help with the investigation of the puzzling death of a child. A gypsy boy has been killed three weeks ago and his body found under a rock. As the investigation continues, another dead boy is found. The boy has bled to death after someone cut his artery with a handsaw. Both deaths are obviously the work of a murderer - a perverted pedophile, sadist who gets sexual satisfaction from the sight of a young boy's blood.
On the Trail of Blood
Director
Major Kalas from the Prague criminal intelligence service has been sent to a small town of Dubá in North Bohemia to help with the investigation of the puzzling death of a child. A gypsy boy has been killed three weeks ago and his body found under a rock. As the investigation continues, another dead boy is found. The boy has bled to death after someone cut his artery with a handsaw. Both deaths are obviously the work of a murderer - a perverted pedophile, sadist who gets sexual satisfaction from the sight of a young boy's blood.
Silvestrovský trapas
Story
Silvestrovský trapas
Screenplay
Silvestrovský trapas
Director
Bohous
Director
Zločin a trik II.
Screenplay
Zločin a trik II.
Director
Láska a chléb
Director
The Murderer Hides His Face
Screenplay
In the forest near the village of Drahovice, a nurse from the local health center is found murdered. Three months ago, another young woman died nearby and a sexual motive was proved in the case of her murder. In the case of the nurse, the motives are not so clear. Two criminologists from Prague - Major Kalas (Rudolf Hrusínský) and Lieutenant Varga (Radoslav Brzobohatý) - patiently collect all available leads and question the villagers.
The Murderer Hides His Face
Story
In the forest near the village of Drahovice, a nurse from the local health center is found murdered. Three months ago, another young woman died nearby and a sexual motive was proved in the case of her murder. In the case of the nurse, the motives are not so clear. Two criminologists from Prague - Major Kalas (Rudolf Hrusínský) and Lieutenant Varga (Radoslav Brzobohatý) - patiently collect all available leads and question the villagers.
The Murderer Hides His Face
Director
In the forest near the village of Drahovice, a nurse from the local health center is found murdered. Three months ago, another young woman died nearby and a sexual motive was proved in the case of her murder. In the case of the nurse, the motives are not so clear. Two criminologists from Prague - Major Kalas (Rudolf Hrusínský) and Lieutenant Varga (Radoslav Brzobohatý) - patiently collect all available leads and question the villagers.
Vajshoblhák a státní tajemství
Screenplay
Vajshoblhák a státní tajemství
Story
Vajshoblhák a státní tajemství
Director
Fear
Screenplay
A car deliberately runs down a young man on a road by a small border town. The locals recognize the dead man as one of the students who were there on volunteer work some time before. The police detectives, Major Kalas (Rudolf Hrusínský) and Lieutenant Varga (Radoslav Brzobohatý) can then get on the trail of the people with whom the victim was involved, especially at the photographic studio headed by Bohuslav Pacer (Bohus Záhorský).
Fear
Director
A car deliberately runs down a young man on a road by a small border town. The locals recognize the dead man as one of the students who were there on volunteer work some time before. The police detectives, Major Kalas (Rudolf Hrusínský) and Lieutenant Varga (Radoslav Brzobohatý) can then get on the trail of the people with whom the victim was involved, especially at the photographic studio headed by Bohuslav Pacer (Bohus Záhorský).
Vidím město veliké...
Screenplay
Vidím město veliké...
Director
Láska nebeská
Screenplay
Láska nebeská
Story
Láska nebeská
Director
Hrozné dítě
Screenplay
Hrozné dítě
Director
Zlepšovák
Screenplay
Zlepšovák
Director
Postavy mimo hru
Screenplay
Postavy mimo hru
Story
Postavy mimo hru
Director
Proč lže...
Screenplay
Proč lže...
Story
Proč lže...
Director
O lidech před pultem a za ním III.
Screenplay
O lidech před pultem a za ním II.
Screenplay
O lidech před pultem a za ním II.
Director
O lidech okolo stolu
Story
O lidech okolo stolu
Screenplay
O lidech okolo stolu
Director
O lidech před pultem a za ním I.
Screenplay
O lidech před pultem a za ním I.
Director
Píseň česká
Director
Píseň česká
Screenplay
Píseň česká
Idea
Státní ústřední archiv
Screenplay
Státní ústřední archiv
Idea
Státní ústřední archiv
Director
Na věky přátelé
Idea
Poselství míru
Director
Poselství míru
Screenplay
Poselství míru
Idea
Alšův rok
Screenplay
Alšův rok
Director
On the Sunnyside
A story of two story of two children tossed between their indifferent parents and a progressive boarding school.
Potíže s kulturou
Screenplay
Potíže s kulturou
Story
Potíže s kulturou
Director