Ester Krumbachová

An epic exploration of the Czechoslovak New Wave cinema of the 1960s and 70s, structured around a series of conversations with one of its most acclaimed exponents - Closely Observed Trains director Jiří Menzel.

Ester Krumbachová - a costume designer, screenwriter, director; one of the boldest personalities of the Czech New Wave. She worked in theatre, she was a writer and an illustrator. She co-created films such as O slavnosti a hostech (1966), Sedmikrásky (1966), Vsichni dobrí rodáci (1969), Pension pro svobodné pány (1968), Valerie a týden divu (1970), Slamený klobouk (1972) and many others. In the 1960s, she was a 'pivot' of the art scene in Prague, attracting artists who were on the threshold of their career, just setting out to find their own form of self-realization. Those who underwent her tutelage remember her forever. Director Vera Chytilová talks to those who knew Ester Krumbachová, who worked with her, befriended her, loved her. She sets off on a search that is to end by answering the question: Who was Ester?

Quite a few years have passed since November 1989. Czechoslovakia has been divided up and, in the Czech Republic, Václav Klaus’s right-wing government is in power. Karel Vachek follows on from his film New Hyperion, thus continuing his series of comprehensive film documentaries in which he maps out Czech society and its real and imagined elites in his own unique way.

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

While the humans are away, the shoes in a cobbler's workshop engage in a number of activities, including flirting, kidnapping and a gunfight.

The story means to develop through an uncovering of layers - strata. As writer Krumbachova stated: "With nature as a prison, an impassable barrier ... where every action is physically and psychically limited by the environment ... people are reduced to fragments of basic instinct and intelligence." Promoted as a psychological thriller, Strata provides little tension nor any real climax. The characters are ideas - not believably real.

A bachelor named Faun with a Don Juan complex, seized with a hypochondriac's fear of the ineluctable approach of death, enters a race against time's passage. Faun's sexual love is imbued with the narcissistic vanity of a self-satisfied bacchant who even towards old age can't manage to forgo his lifelong pose as an irresistable seducer of women. He desperately searches for meaning in superficial, fleeting sex.

The little mermaid rescues a prince from drowning and falls in love with him. To be with him, she makes a deal with the evil sorceress: her beautiful voice against a life on land. It seems to work at first, the prince is enchanted with her lovely appearance. But the memory of a foreign princess still haunts him: The one who found him on the beach where the mermaid had left him, and whom he (of course) believes to be his saviour. To resolve this mistake is too much for the mute little mermaid, and not even her father, king of all seas, can help her in the impending catastrophe.

This feature film based on the events of 1938 is a chronicle of the futile efforts of the Czechoslovak president Edvard Benes (Jirí Pleskot), politicians and ordinary citizens, to save the independence and the territorial integrity of the state from the advance of Hitler's Germany. On the 29th of March 1938 the leader of the Sudeten Germans Henlein (Werner Ehrlicher) has a meeting with Hitler (Gunnar Möller). Hitler orders him to intensify pressure on the Czechoslovak government. On the 24th of April in Carlsbad, the Sudetendeutsche Partei (Sudeten German Party) decides upon eight demands that are unacceptable to the Czechoslovak President, since they would ultimately lead to the break-up of the Republic. Benes still shows a certain willingness to negotiate, and Henlein resents this. The Germans are determined to make further negotiations impossible through incidents and violence.

The life of the famous French writer Alexander Dumas the Elder. Screenwriter Jaroslav Dietl did not hide his admiration for this literary giant, and in addition to the screenplay he also wrote a three-part TV play about Dumas (starring Vladimír Menšík). In Kachyn's film, Dumas played the father and son of the Štěpánková brothers, and it was a very difficult and difficult task for these young actors.

Slacker Maurice Fadinar wasted his whole inheritance and the only way out of this situation, as it seems, to marry Helen Nonankur - daughter of a wealthy farmer. At the last meeting with his mistress in a nearby forest Fadinar's horse eats straw hat which belongs to a married lady, spending time in the company of young and hot Lieutenant Emil. Emil literally puts a knife to Maurice throat - or the lady will get back the exact same hat immediately, or he will arrange such a scandal that no wedding will not happen ...

This Czechoslovakian children’s film takes place during the last days of the Austro-Hungarian empire. The young son of a horse trainer loves nothing more than riding his horse, until he is stricken by polio…

This Czechoslovakian children’s film takes place during the last days of the Austro-Hungarian empire. The young son of a horse trainer loves nothing more than riding his horse, until he is stricken by polio…

Valerie acaba de deixar a infância e, mergulhada em seu sombrio mundo de fantasia, inicia as descobertas da vida sexual dos adultos. Na verdade é duro explicar esse belo filme tcheco. Um filme de arte surreal e carregado de simbolismos que podem ter interpretações diferentes dependendo de quem assiste. Valerie vive em um mundo de bruxas e vampiros, e carrega para ele as pessoas de sua vida real. O difícil é distinguir o que é real do imaginado no mundo de Valerie, onde ela pinta tudo a sua volta com suas próprias cores.

Valerie acaba de deixar a infância e, mergulhada em seu sombrio mundo de fantasia, inicia as descobertas da vida sexual dos adultos. Na verdade é duro explicar esse belo filme tcheco. Um filme de arte surreal e carregado de simbolismos que podem ter interpretações diferentes dependendo de quem assiste. Valerie vive em um mundo de bruxas e vampiros, e carrega para ele as pessoas de sua vida real. O difícil é distinguir o que é real do imaginado no mundo de Valerie, onde ela pinta tudo a sua volta com suas próprias cores.

Comedy with fairy-tale touches, about Kate, who wants to marry, and Mr. Devil, who is not interested in the heart or soul of this passionate and aging lady, but is interested in her good cooking – for Mr. Devil is a glutton.

Comedy with fairy-tale touches, about Kate, who wants to marry, and Mr. Devil, who is not interested in the heart or soul of this passionate and aging lady, but is interested in her good cooking – for Mr. Devil is a glutton.

Comedy with fairy-tale touches, about Kate, who wants to marry, and Mr. Devil, who is not interested in the heart or soul of this passionate and aging lady, but is interested in her good cooking – for Mr. Devil is a glutton.

Comedy with fairy-tale touches, about Kate, who wants to marry, and Mr. Devil, who is not interested in the heart or soul of this passionate and aging lady, but is interested in her good cooking – for Mr. Devil is a glutton.

Comedy with fairy-tale touches, about Kate, who wants to marry, and Mr. Devil, who is not interested in the heart or soul of this passionate and aging lady, but is interested in her good cooking – for Mr. Devil is a glutton.

Comedy with fairy-tale touches, about Kate, who wants to marry, and Mr. Devil, who is not interested in the heart or soul of this passionate and aging lady, but is interested in her good cooking – for Mr. Devil is a glutton.

An experimental retelling of the story of Adam and Eve which then progresses into an allegorical depiction of the loss of innocence.

An experimental retelling of the story of Adam and Eve which then progresses into an allegorical depiction of the loss of innocence.

An experimental retelling of the story of Adam and Eve which then progresses into an allegorical depiction of the loss of innocence.

This film brings us back to show us the life of the famous ancient sage Aesop, who helped people with his wisdom in their struggle for freedom and happiness.

Marido (alto funcionário do ministério) e mulher encontram a sua casa repleta de dispositivos de escuta colocados lá pelo seu próprio ministério. Segue-se ma noite angustiante (uma reminiscência de 'Quem Tem Medo de Virginia Woolf'), e a resolução é pior do que serem levados para a prisão. (e 12 - Estimado 12 Anos)

Marido (alto funcionário do ministério) e mulher encontram a sua casa repleta de dispositivos de escuta colocados lá pelo seu próprio ministério. Segue-se ma noite angustiante (uma reminiscência de 'Quem Tem Medo de Virginia Woolf'), e a resolução é pior do que serem levados para a prisão. (e 12 - Estimado 12 Anos)

Um inquisidor implacável transforma as superstições dos camponeses locais em heresia religiosa, encontrando motivos para acusar dezenas de homens e mulheres inocentes de bruxaria. O inquisidor tem como alvo nobres e comerciantes, cujas propriedades e bens são confiscados. Depois de sofrer uma série de torturas medievais, a maioria dos acusados confessa - apenas para ser queimada viva na fogueira, enquanto os moradores desamparados observam. Com sua cinematografia arrojada e impressionante, o filme captura cenas de nudez ousada e tortura brutal. (e 16 - Estimado 16 Anos)

Um inquisidor implacável transforma as superstições dos camponeses locais em heresia religiosa, encontrando motivos para acusar dezenas de homens e mulheres inocentes de bruxaria. O inquisidor tem como alvo nobres e comerciantes, cujas propriedades e bens são confiscados. Depois de sofrer uma série de torturas medievais, a maioria dos acusados confessa - apenas para ser queimada viva na fogueira, enquanto os moradores desamparados observam. Com sua cinematografia arrojada e impressionante, o filme captura cenas de nudez ousada e tortura brutal. (e 16 - Estimado 16 Anos)

Um inquisidor implacável transforma as superstições dos camponeses locais em heresia religiosa, encontrando motivos para acusar dezenas de homens e mulheres inocentes de bruxaria. O inquisidor tem como alvo nobres e comerciantes, cujas propriedades e bens são confiscados. Depois de sofrer uma série de torturas medievais, a maioria dos acusados confessa - apenas para ser queimada viva na fogueira, enquanto os moradores desamparados observam. Com sua cinematografia arrojada e impressionante, o filme captura cenas de nudez ousada e tortura brutal. (e 16 - Estimado 16 Anos)

The title "All My Good Countrymen" is not without irony as this epic tale of Czech village life from shortly after the end of the Second World War concentrates on the activities of a group of friends who are not beyond reproach in siding with a politically corrupt regime for material advancement. Are these the "good countrymen" of the title or does it refer to the rest of the village who scorn these petty authority figure with silent contempt?

The title "All My Good Countrymen" is not without irony as this epic tale of Czech village life from shortly after the end of the Second World War concentrates on the activities of a group of friends who are not beyond reproach in siding with a politically corrupt regime for material advancement. Are these the "good countrymen" of the title or does it refer to the rest of the village who scorn these petty authority figure with silent contempt?

Twelve-year old Kosta, a little boy of an overactive imagination, makes friends with equally sensitive eleven-year old Blanka. Fantasy leads the two children to the forgotten attic in the house of Blanka's parents. For them, this is the forbidden "thirteenth chamber," and to Kosta, an old glass vase becomes a magic ball with the help of which he can play his favorite play "on fate". The children observe the adults and unconsciously sense that something has gone wrong in Blanka's family. Her dad is a physician and her mother is not happy with him, still recollecting her former wooer Petr who left for India upon his graduation.

Comedy based on short Sean O'Casey play. John Jo Mulligan finds himself in a situation with which his pious conscience cannot cope. He has spent a night with the cunning seductress Angela. Full of remorse and dreading the ruin of his reputation, he tries to get rid of her, fearing that his pal Halibut or his landlady Miss Mossie might get to know. Angela sees her chance, turns gold-digger and does not leave before relieving John of a considerable amount of money.

Comedy based on short Sean O'Casey play. John Jo Mulligan finds himself in a situation with which his pious conscience cannot cope. He has spent a night with the cunning seductress Angela. Full of remorse and dreading the ruin of his reputation, he tries to get rid of her, fearing that his pal Halibut or his landlady Miss Mossie might get to know. Angela sees her chance, turns gold-digger and does not leave before relieving John of a considerable amount of money.

Esta balada em três partes, que muitas vezes usa a música para substituir o diálogo, continua a ser a forma de realização mais perfeita da visão de Nemec de um mundo de filmes independentes da realidade. Montando uma defesa de indivíduos tímidos, inibidos, desajeitadas, e mal sucedidas, os três protagonistas são uma antítese completa dos heróis industriosos de estética socialista. Os Mártires do Amor consolidou a reputação de Nemec como o tipo desenfreado não-conformista do estabelecimento Comunista considerado o mais perigoso para a sua ideologia.

Esta balada em três partes, que muitas vezes usa a música para substituir o diálogo, continua a ser a forma de realização mais perfeita da visão de Nemec de um mundo de filmes independentes da realidade. Montando uma defesa de indivíduos tímidos, inibidos, desajeitadas, e mal sucedidas, os três protagonistas são uma antítese completa dos heróis industriosos de estética socialista. Os Mártires do Amor consolidou a reputação de Nemec como o tipo desenfreado não-conformista do estabelecimento Comunista considerado o mais perigoso para a sua ideologia.

Esta balada em três partes, que muitas vezes usa a música para substituir o diálogo, continua a ser a forma de realização mais perfeita da visão de Nemec de um mundo de filmes independentes da realidade. Montando uma defesa de indivíduos tímidos, inibidos, desajeitadas, e mal sucedidas, os três protagonistas são uma antítese completa dos heróis industriosos de estética socialista. Os Mártires do Amor consolidou a reputação de Nemec como o tipo desenfreado não-conformista do estabelecimento Comunista considerado o mais perigoso para a sua ideologia.

Esta balada em três partes, que muitas vezes usa a música para substituir o diálogo, continua a ser a forma de realização mais perfeita da visão de Nemec de um mundo de filmes independentes da realidade. Montando uma defesa de indivíduos tímidos, inibidos, desajeitadas, e mal sucedidas, os três protagonistas são uma antítese completa dos heróis industriosos de estética socialista. Os Mártires do Amor consolidou a reputação de Nemec como o tipo desenfreado não-conformista do estabelecimento Comunista considerado o mais perigoso para a sua ideologia.

Esta balada em três partes, que muitas vezes usa a música para substituir o diálogo, continua a ser a forma de realização mais perfeita da visão de Nemec de um mundo de filmes independentes da realidade. Montando uma defesa de indivíduos tímidos, inibidos, desajeitadas, e mal sucedidas, os três protagonistas são uma antítese completa dos heróis industriosos de estética socialista. Os Mártires do Amor consolidou a reputação de Nemec como o tipo desenfreado não-conformista do estabelecimento Comunista considerado o mais perigoso para a sua ideologia.

A gifted poet checks into a Gothic hotel in hopes of meeting the woman with whom he has long been enamored. He is surrounded by a variety of offbeat characters like the hefty homosexual cook, shadowy clerks, snooty waiters, and valets prone to violence. He finally meets the woman of his dreams only to lose her and ultimately meet with tragedy.

A gifted poet checks into a Gothic hotel in hopes of meeting the woman with whom he has long been enamored. He is surrounded by a variety of offbeat characters like the hefty homosexual cook, shadowy clerks, snooty waiters, and valets prone to violence. He finally meets the woman of his dreams only to lose her and ultimately meet with tragedy.

A lyrical story about first love, death and disappointment, based on a poem of the same title.

A lyrical story about first love, death and disappointment, based on a poem of the same title.

Shortish forty-year old Ludvík Podzimek, lute and flute player in a Prague orchestra, is far from being an attractive man. He is nevertheless generally considered a great 'Don Juan'. Women take up with him out of a certain motherly compassion and Ludvík's tender heart does not allow him to split with any of them. His lovers thus accumulate and cause him numerous troubles.

Utilizando-se de avançados efeitos especiais para a época, Vera Chytilová dirigiu esta obra surrealista que conta a história de duas garotas chamadas Marie, que decidem se adequar ao mundo como ele está: sendo depravadas. Portanto, ambas partem para uma série de encontros forjados e travessuras, desconstruindo o mundo ao seu redor.

Na fábula surreal de Jan Němec, um piquenique é grosseiramente transformado numa lição de hierarquia política quando um punhado de figuras de autoridade misteriosa aparecem. Esta alegoria sobre opressão e conformidade foi banida no país de origem, mas tornou-se um sucesso internacional depois de estrear no Festival de Cinema de Nova York.

Utilizando-se de avançados efeitos especiais para a época, Vera Chytilová dirigiu esta obra surrealista que conta a história de duas garotas chamadas Marie, que decidem se adequar ao mundo como ele está: sendo depravadas. Portanto, ambas partem para uma série de encontros forjados e travessuras, desconstruindo o mundo ao seu redor.

Na fábula surreal de Jan Němec, um piquenique é grosseiramente transformado numa lição de hierarquia política quando um punhado de figuras de autoridade misteriosa aparecem. Esta alegoria sobre opressão e conformidade foi banida no país de origem, mas tornou-se um sucesso internacional depois de estrear no Festival de Cinema de Nova York.

Utilizando-se de avançados efeitos especiais para a época, Vera Chytilová dirigiu esta obra surrealista que conta a história de duas garotas chamadas Marie, que decidem se adequar ao mundo como ele está: sendo depravadas. Portanto, ambas partem para uma série de encontros forjados e travessuras, desconstruindo o mundo ao seu redor.

Na fábula surreal de Jan Němec, um piquenique é grosseiramente transformado numa lição de hierarquia política quando um punhado de figuras de autoridade misteriosa aparecem. Esta alegoria sobre opressão e conformidade foi banida no país de origem, mas tornou-se um sucesso internacional depois de estrear no Festival de Cinema de Nova York.

Na fábula surreal de Jan Němec, um piquenique é grosseiramente transformado numa lição de hierarquia política quando um punhado de figuras de autoridade misteriosa aparecem. Esta alegoria sobre opressão e conformidade foi banida no país de origem, mas tornou-se um sucesso internacional depois de estrear no Festival de Cinema de Nova York.

A WW2 story of a young Austrian soldier running from the Russian army and a woman whom he forces to come along in order to save his wounded mate.

A successful art historian who has trouble telling people difficult truths, finds himself in an inescapable situation when a small lie quickly gets out of hand.

Oldrich is the runt of his village, beaten by his father, bullied by the other boys. But he has imagination of his side, and a wiry toughness they can’t defeat. The village is in turmoil, because the Nazi occupiers have just retreated and the Red Army is advancing. Oldrich dodges amid the mayhem and panic, taking his share of blows but always managing to stay one step ahead. Beautifully shot and darkly ironic, Karel Kachyna’s forgotten masterpiece jumbles reality, memory and fantasy to capture the intensity and confusion of childhood in a war zone.

A Jewish doctor helps a political fugitive during the Nazi occupation of Czechoslovakia.

A military base. An awkward soldier. A statue of Bach. And suddenly all guns in the area change into music instruments. Great mystery is immediately found by TV station. And soon the military base becomes a stage for huge TV show.

A military base. An awkward soldier. A statue of Bach. And suddenly all guns in the area change into music instruments. Great mystery is immediately found by TV station. And soon the military base becomes a stage for huge TV show.

A tense, brutal story of two Jewish boys who escape from a train transporting them from one concentration camp to another. Ultimately, they are hunted down by a group of old, armed home-guardists. The film goes beyond the themes of war and anti-Nazism and concerns itself with man's struggle to preserve human dignity.

No ano de 2163, um grupo de homens e mulheres deixa a Terra para cumprir uma missão: colonizar um planeta recém-descoberto. No entanto, eles encontrarão grandes problemas no meio do caminho. Encontros com seres alienígenas, pane de sua espaçonave e tensões entre os membros da expedição, situações que podem colocar tudo a perder.

During his work assignment in Tamani Kingdom, Czech worker Lojza saves a local man from dying in the desert. Two years later, it turns out the saved man was also the Taman king; and he has decided to name Lojza, a communist, his royal heir.

Czechoslovakian Zbynek Brynych directs this psychological drama set in World War II Terezin ghetto. A dark, visual portrayal of the trials and tribulations the Theresienstadt people faced on a daily basis presented in a series of memorable stories. Their hopes and dreams unfold against the perpetual threat of deportation (or worse) by the Nazis. Based on the novel "Night and Hope" by Arnost Lustig.

A group of jolly young people work in the Prague Tesla factory, also spending most of their leisure time together. One of them, guitar player Zdenek, begins to shun his friends' company. He has fallen in love with Vera, who does not belong to the group. The happy-go-lucky young man already has several acquaintances and has his own method to get a girl: to take his motorcycle, his guitar and a bottle of wine and take her to a rented houseboat. Vera, however, is different and gets angry at Zdenek. But she is fond of him and thus eventually spends a whole evening with him on the houseboat. At a preventative medical examination, the doctor tells Vera she is pregnant.

An upholsterer who is preparing a rocket for takeoff accidentally jettisons himself into space and returns to Earth 500 years later with an alien companion who wishes to learn more about the human race.