Stanislav Fišer

During his routine work, Martin Urmann, employee of an advertising agency, discovers a series of cryptic messages inscribed by the architect into his structures, and sets out to decipher them. His way is lined with mysterious murders which are obviously connected with his search. The fascinating power of the world into which he is gradually descending makes it impossible for him to give up his intention. He has to reach the end, where he anticipates a revelation which will totally change his entrenched view of the world.

Hynek Michánek wants to study medicine but fails his entrance exams five times. He starts a job as an orderly in a district hospital where one of the doctors on the examining board works as well. He feels no-one takes him seriously and he loathes the doctors, who treat him with disdain. When an old man begs him to end his pain and suffering by helping him to die, Hynek gives him a "liberating" injection. But now he has done it once, he finds he can't stop. He continues killing other patients, even though he knows he can't get away with it for long.

The musical version of the successful play of Oldřich Daněk was transferred to the screen by director Jiří Sequens in 1986. It takes place in the 14th century in Bohemia during the reign of King Wenceslas IV. Heroes of the story are three mercenaries who always fight on the wrong side and are always beaten, but they are moral winners of all conflicts and skirmishes.

The picture, unlike the other film adaptations of the story, focuses much more on Crusoe’s life before and after his stay on the island. Following the principle of setting the novel right, it describes Crusoe’s experiences with delicate irony and understanding.

A group of children are investigating a chain of mysterious events during the seventies.

Two kind but foolish sisters live together in their villa in a small town in South Bohemia. Fany (Natasa Gollová) has never married and Andelka (Eva Svobodová) is a widow. In the morning, the two sisters go into town. They need to buy fuel oil, put money in the bank and give plums to the teller. In the meantime an smallish orange Skoda MB car parks at their house, with Hermínka (Iva Janzurová), the old ladies' niece, and her fiancé Michal (Jirí Hrzán) in it. Michal has forgotten to bring flowers and has to go into town to fetch them. At the bank, Fany wants to deposit money but the minute the teller opens the safe, a thief arrives. He knocks the teller and Fany unconscious and runs away with the money. When Fany comes to her senses again, she sees Michal and accuses him of being the thief.

In the morning twilight of Prague, the dead body of the safe-breaker Toufar is found floating on the river Vltava with a knife in his back. Police inspectors visit Toufar's lover, the prostitute Anna Kulatá (Jirina Bohdalová), nicknamed Umbrella, and it is apparent that the moment before she opened the door of her flat, someone fled through the window. Umbrella is summoned for examination to the head of the criminal police - Police Councilman Vacátko Jaroslav Marvan, but although shocked by the photograph of the dead man, she does not confess to anything. Before Toufar, Umbrella lived with the safe-breaker Penicka (Radoslav Brzobohatý), who loved her very much and made her quit her street trade. But when he was sentenced to three years' imprisonment, Umbrella began to live with the brute Toufar, who chased her to street again. In the case of the murder, Penicka is therefore the prime suspect.

The assassination of Heydrich in Prague during WWII.

Working on the hops fields gathering hops for beer, Filip catches a glimpse of fellow worker/comrade Hanka and falls for her. Trying to keep their love secret from the field owners,fellow worker Honza becomes jealous of Filip having a romance with Hanka, which leads to Honza deciding that he will feed the hop field owners Hanka and Filip's secret romantic hops.

A young boy from Prague is trying to find a Soviet soldier from the old 1945 picture.

On the state stud-farm, Tomás (Rudolf Jelínek) is preparing to become a jockey together with other boys. He loves to read cowboy stories and Western pulp magazines and his passion makes him...

Film by Václav Gajer.

Lost Children (Czech: Ztracenci) is a Czechoslovak war film directed by Miloš Makovec. It was entered into the 1957 Cannes Film Festival.

A military film of marital infidelity in which furloughs pose danger not only to the army but also to a soldier's family.

Based on a true story

Cold War Spy FIlm