Govind Nihalani
Nascimento : 1940-12-19, Karachi, British India
História
Govind Nihalani is an Indian film director, cinematographer, screenwriter and producer, known for his works in Hindi cinema. He has been the recipient of six National Film Awards, and five Bollywood Filmfare Awards. In 1996, his script for Drohkaal was adapted by Kamal Hassan for its Tamil remake, Kuruthipunal, which subsequently became India's official entry for the 68th Academy Awards Best Foreign Language Film category.
Screenplay
Director
Director
Anirudh Godbole and Naina are a contemporary upwardly mobile middle-class Maharashtrian couple. They stay with their 2 daughters in a comfortable flat in suburban Mumbai. Anirudh has a well-paid job in a corporate firm and Naina is a rising singer. They invite few of their close friends over dinner to celebrate the release of Naina's music album. The evening begins on a very pleasant and relaxed note. Soon they witness the crime being committed in the neighbouring building and the evening turns into a moral hell for all.
Cinematography
Joint Commissioner of Police Dev Pratap Singh, a duty-bound, self-righteous officer, and Special Commissioner Tejinder Khosla, the balancing force between the political interests of Chief Minister Bhandarker and Dev's commitment to the law, are lifelong friends, each with his own ideals. Farhaan, a law graduate, was brought up with ideals of non-violence and patriotism. Dev unwittingly gives Farhaan the wound that plunges him into rage and violence after witnessing the death of his father during a peace demonstration. Taking advantage of the situation, corrupt politician Latif sets the vulnerable young man on a path of violence and destruction that threatens to ignite the city. Aalyn is the light in Farhaan's life. Beautiful and innocent, the young woman also gets caught in extraordinary circumstances that transform her life and she dares to stand up for the truth.
Writer
Joint Commissioner of Police Dev Pratap Singh, a duty-bound, self-righteous officer, and Special Commissioner Tejinder Khosla, the balancing force between the political interests of Chief Minister Bhandarker and Dev's commitment to the law, are lifelong friends, each with his own ideals. Farhaan, a law graduate, was brought up with ideals of non-violence and patriotism. Dev unwittingly gives Farhaan the wound that plunges him into rage and violence after witnessing the death of his father during a peace demonstration. Taking advantage of the situation, corrupt politician Latif sets the vulnerable young man on a path of violence and destruction that threatens to ignite the city. Aalyn is the light in Farhaan's life. Beautiful and innocent, the young woman also gets caught in extraordinary circumstances that transform her life and she dares to stand up for the truth.
Producer
Joint Commissioner of Police Dev Pratap Singh, a duty-bound, self-righteous officer, and Special Commissioner Tejinder Khosla, the balancing force between the political interests of Chief Minister Bhandarker and Dev's commitment to the law, are lifelong friends, each with his own ideals. Farhaan, a law graduate, was brought up with ideals of non-violence and patriotism. Dev unwittingly gives Farhaan the wound that plunges him into rage and violence after witnessing the death of his father during a peace demonstration. Taking advantage of the situation, corrupt politician Latif sets the vulnerable young man on a path of violence and destruction that threatens to ignite the city. Aalyn is the light in Farhaan's life. Beautiful and innocent, the young woman also gets caught in extraordinary circumstances that transform her life and she dares to stand up for the truth.
Director
Joint Commissioner of Police Dev Pratap Singh, a duty-bound, self-righteous officer, and Special Commissioner Tejinder Khosla, the balancing force between the political interests of Chief Minister Bhandarker and Dev's commitment to the law, are lifelong friends, each with his own ideals. Farhaan, a law graduate, was brought up with ideals of non-violence and patriotism. Dev unwittingly gives Farhaan the wound that plunges him into rage and violence after witnessing the death of his father during a peace demonstration. Taking advantage of the situation, corrupt politician Latif sets the vulnerable young man on a path of violence and destruction that threatens to ignite the city. Aalyn is the light in Farhaan's life. Beautiful and innocent, the young woman also gets caught in extraordinary circumstances that transform her life and she dares to stand up for the truth.
Producer
A jobless married man falls for a multinational company's offer to provide his family a life of luxury for the rest of their lives in exchange for body organs
Director
A jobless married man falls for a multinational company's offer to provide his family a life of luxury for the rest of their lives in exchange for body organs
Director
Nahar Singh's (Amrish Puri) fore-fathers and he have sworn to protect the family and heirs of powerful underworld don, Jodhabhai and his heirs for generations. Nahar would like his son, Ishaan (Ajay Devgan) to continue this tradition, to which he is willing as he friendly with Jodhabhai's son, Sunny (Rahul Bose). Ishaan's vow begins to falter when he falls in love with Suman Dev (Tabu). Things gets even more complicated when Suman comes forward to testify that she witnessed Sunny's car being driven from the scene of a multiple homicide. Sunny finds this out and asks Ishaan to chose between him and Suman, and Ishaan choses Suman. Things escalate out of control when Nahar is killed; and Ishaan becomes a prime suspect in the multiple-family homicide.
Cinematography
Dibyanath Chatterji, his bank-employed wife, Sujata, and only child, a son, Brati, live a middle-class existence in Calcutta, West Bengal, India, circa early 1970s. Sujata is a quiet, devout Hindu, religious, and compassionate woman, and Brati has finished his school and is now attending college. His parents are proud of him, and keep track of his progress. Then their world is shattered during the early hours, when they are informed by the police that Brati has been killed.
Screenplay
Dibyanath Chatterji, his bank-employed wife, Sujata, and only child, a son, Brati, live a middle-class existence in Calcutta, West Bengal, India, circa early 1970s. Sujata is a quiet, devout Hindu, religious, and compassionate woman, and Brati has finished his school and is now attending college. His parents are proud of him, and keep track of his progress. Then their world is shattered during the early hours, when they are informed by the police that Brati has been killed.
Producer
Dibyanath Chatterji, his bank-employed wife, Sujata, and only child, a son, Brati, live a middle-class existence in Calcutta, West Bengal, India, circa early 1970s. Sujata is a quiet, devout Hindu, religious, and compassionate woman, and Brati has finished his school and is now attending college. His parents are proud of him, and keep track of his progress. Then their world is shattered during the early hours, when they are informed by the police that Brati has been killed.
Director
Dibyanath Chatterji, his bank-employed wife, Sujata, and only child, a son, Brati, live a middle-class existence in Calcutta, West Bengal, India, circa early 1970s. Sujata is a quiet, devout Hindu, religious, and compassionate woman, and Brati has finished his school and is now attending college. His parents are proud of him, and keep track of his progress. Then their world is shattered during the early hours, when they are informed by the police that Brati has been killed.
Director
The amendment in the law, making it compulsory for one-third of the Gram Panchayat representatives to be women, is not received favourably by the ruling Sarpanch of the village, Thakur Ratan Singh. Although he puts up a front of being in favour of the idea, along with his son Inder Singh, he conspires to field wives of friends, whom he hopes he can control through their husbands and through the caste network. Vidya, wife of Bhanwar Singh who is indebted to the Thakur, is one of the newly elected women Panchayat members. Vidya, who is educated, notices that the political empowerment of women is only on paper and in reality decision-making still continues to be with the manipulative old guard. Vidya decides it is time for a change.
Original Story
Adhi, a policeman, plans Operation Dhanush to catch a dreaded terrorist, Badri, and save innocent lives. However, when Badri, threatens his family, he must choose between his duty and his loved ones.
Cinematography
Drohkaal (Times of Betrayal) deals with India's fight against terrorism. The film examines the mental and psychological trauma that honest police officers go through in their fight against a group of ruthless terrorists.
Writer
Drohkaal (Times of Betrayal) deals with India's fight against terrorism. The film examines the mental and psychological trauma that honest police officers go through in their fight against a group of ruthless terrorists.
Director
Drohkaal (Times of Betrayal) deals with India's fight against terrorism. The film examines the mental and psychological trauma that honest police officers go through in their fight against a group of ruthless terrorists.
Director of Photography
Federico Garcia Lorca's Spanish play The House of Bernarda Alba Indianised in it's setting and treatment of the story.
Screenplay
Federico Garcia Lorca's Spanish play The House of Bernarda Alba Indianised in it's setting and treatment of the story.
Director
Federico Garcia Lorca's Spanish play The House of Bernarda Alba Indianised in it's setting and treatment of the story.
Director of Photography
The story depicts the vulnerability of a man who is victimized by his wife who plots to prove his husband mentally insane. She is in disagreement with his husband on how her daughter should be raised and what she should become. She thinks that if she declares his husband insane she would be able to decide for her daughters future. She knowingly creates confusion and tells his husband that he cannot be sure that he is the father of their daughter. Captian starts to believe that the daughter who was everything for him may not be his daughter and becomes insane and his wife gets the custody of her daughter as she wished.
Screenplay
The story depicts the vulnerability of a man who is victimized by his wife who plots to prove his husband mentally insane. She is in disagreement with his husband on how her daughter should be raised and what she should become. She thinks that if she declares his husband insane she would be able to decide for her daughters future. She knowingly creates confusion and tells his husband that he cannot be sure that he is the father of their daughter. Captian starts to believe that the daughter who was everything for him may not be his daughter and becomes insane and his wife gets the custody of her daughter as she wished.
Director
The story depicts the vulnerability of a man who is victimized by his wife who plots to prove his husband mentally insane. She is in disagreement with his husband on how her daughter should be raised and what she should become. She thinks that if she declares his husband insane she would be able to decide for her daughters future. She knowingly creates confusion and tells his husband that he cannot be sure that he is the father of their daughter. Captian starts to believe that the daughter who was everything for him may not be his daughter and becomes insane and his wife gets the custody of her daughter as she wished.
Director
Sandhya and Nikhil have been married for eight years and live a wealthy lifestyle in Bombay, along with a daughter, Rashmi. However, their lives change when Nikhil has an affair with his assistant Vrinda and divorces Sandhya.
Director
Madhav Verma is an honest and straight-forward union representative at Shivalik Engineering Works. His position and effectiveness is challenged when Chhotelal is injured. Rustom Patel is the rival union leader whose methods are completely opposite to Madhav's ideals. The two unions clash on the Chhotelal's compensation issue. The climax shows Madhav Verma using the same exact tactics of his rival against them.
Director of Photography
Uma festa é realizada em homenagem ao vencedor de um prêmio literário, atraindo a elite cultural da cidade. Só falta Amrit, um escritor que deixou uma promissora carreira literária para se tornar ativista. A determinação que ele tem em transformar as palavras em ação assombra os convidados.
Director
Uma festa é realizada em homenagem ao vencedor de um prêmio literário, atraindo a elite cultural da cidade. Só falta Amrit, um escritor que deixou uma promissora carreira literária para se tornar ativista. A determinação que ele tem em transformar as palavras em ação assombra os convidados.
Cinematography
Documentary on director Satyajit Ray, featuring an extensive interview and clips from his films, and location shooting of his film "The Home and the World."
Director
A newly appointed police rookie deals with corruption, romance, and brutality.
Second Unit Director of Photography
África do Sul, início do século XX. Após ser expulso da 1ª classe de um trem, o jovem e idealista advogado indiano inicia um processo de auto-avaliação da condição da Índia, que na época era uma colônia britânica, e seus súditos ao redor do planeta. Já na Índia, através de manifestações enérgicas, mas não-violentas, atraiu para si a atenção do mundo ao se colocar como líder espiritual de hindus e muçulmanos.
Second Unit Director
África do Sul, início do século XX. Após ser expulso da 1ª classe de um trem, o jovem e idealista advogado indiano inicia um processo de auto-avaliação da condição da Índia, que na época era uma colônia britânica, e seus súditos ao redor do planeta. Já na Índia, através de manifestações enérgicas, mas não-violentas, atraiu para si a atenção do mundo ao se colocar como líder espiritual de hindus e muçulmanos.
Director of Photography
Vijeta (The Victor) is the coming of age story of Angad (Kunal Kapoor). Confused like any other teenager trying to find himself and caught in between the marital problems of his mother Neelima (Rekha) and father Nihal (Shashi Kapoor). It is time for him to decide what he wants to do with his life. To select a profession and be someone, Angad chooses to become a fighter pilot with the Indian Air Force. What follows is his struggle to become a victor both with his self and the outer world.
Director
Vijeta (The Victor) is the coming of age story of Angad (Kunal Kapoor). Confused like any other teenager trying to find himself and caught in between the marital problems of his mother Neelima (Rekha) and father Nihal (Shashi Kapoor). It is time for him to decide what he wants to do with his life. To select a profession and be someone, Angad chooses to become a fighter pilot with the Indian Air Force. What follows is his struggle to become a victor both with his self and the outer world.
Writer
Vijeta (The Victor) is the coming of age story of Angad (Kunal Kapoor). Confused like any other teenager trying to find himself and caught in between the marital problems of his mother Neelima (Rekha) and father Nihal (Shashi Kapoor). It is time for him to decide what he wants to do with his life. To select a profession and be someone, Angad chooses to become a fighter pilot with the Indian Air Force. What follows is his struggle to become a victor both with his self and the outer world.
Cinematography
Allegedly based on a true incident reported on page 7 of a local newspaper, the film was a scathing satire on the corruption in the judicial system and the victimization of the underprivileged by the able and the powerful.
Director
Allegedly based on a true incident reported on page 7 of a local newspaper, the film was a scathing satire on the corruption in the judicial system and the victimization of the underprivileged by the able and the powerful.
Director of Photography
The film involves the life of a young man who comes to believe that he has been bestowed supernatural powers. As the story unfolds, this boon eventually leads to a tragedy.
Cinematography
A girl learns music from her courtesan grandmother and breaks into the burgeoning show business industry of 1930s Bombay, which eventually leads to decades of superstardom as well as romantic entanglements.
Cinematography
A veterinarian, Dr. Rao, makes a visit to a village, where he intends to commence a co-operative society dairy for the betterment of the rural people. The film is set against the backdrop of the White Revolution of India (Operation Flood) which started in 1970. It was entirely crowdfunded by 500,000 farmers who donated Rs. 2 each.
Cinematography
A man whose wife is abducted seeks to have the culprits prosecuted for their crime, but no one will help him. Meanwhile, the wife—abused and berated by her abductors—cannot bring herself to face her husband.
Director of Photography
No primeiro longa narrativo de Shyam Benegal, o filho imprestável de um senhorio ausente é enviado para supervisionar as terras do pai. Lá, ele e a pobre governanta Lakshmi viram amantes, iniciando uma série de complicações devastadoras.
Cinematography
A rural drama about the rivalry between two villages as seen through the eyes of a young boy, Kitti.
Assistant Director
A political and social satire on middle-class society's hypocrisy. A group of teachers plan to stage a play in a village. When a cast-member does not show up, a local stagehand is asked to replace him. An improvised, free-flowing 'rehearsal' is arranged and a mock trial is staged to help the novice understand court procedures. A (mock) charge of infanticide is levelled against Miss Benare, another cast-member. Suddenly the pretend-play turns into an accusatory game when it emerges from the trial that Miss Benare is carrying an out-of-wedlock child from her failed illicit relationship with Professor Damle, the missing cast-member.
Producer
A political and social satire on middle-class society's hypocrisy. A group of teachers plan to stage a play in a village. When a cast-member does not show up, a local stagehand is asked to replace him. An improvised, free-flowing 'rehearsal' is arranged and a mock trial is staged to help the novice understand court procedures. A (mock) charge of infanticide is levelled against Miss Benare, another cast-member. Suddenly the pretend-play turns into an accusatory game when it emerges from the trial that Miss Benare is carrying an out-of-wedlock child from her failed illicit relationship with Professor Damle, the missing cast-member.