The crazy comedy "City Day" tells about one day in the life of the inhabitants of the provincial Lyubyakino. Celebrating the City Day, people did not notice that the president himself had planned the working trip through the town. Sudden news plunges everyone into shock and creates chaos: the mayor, the district police officer, the priest and other heroes from this place, lost in the outback, forgotten by God and progress, must, in the shortest possible time, bring the city, actively celebrating, as the last time, into a decent look, in a hurry to mask the problems from the view from the guarded cortege and to depict that this is a place of high culture of everyday life.
Father
Teenage boy Misha attends hypnosis sessions with psychotherapist Volkov to recover from sleepwalking. As a result, Misha falls under the influence of a hypnologist to such an extent that he ceases to understand where reality is and where illusion is. After the mysterious death of one of Volkov’s patients, Misha decides to conduct an investigation to get to the bottom of the truth. But what if the dream and reality merged into one, and in the end he becomes the main suspect?
student
Rita é uma doce e ambiciosa jovem de um povoado do litoral que decide romper com a rotina e conquistar a capital para estudar teatro. Ela viverá as histórias mais malucas para tentar se dar bem na cidade grande.
Two classmates are trying to find a mysterious lake inhabited with a few feet long fishes.
Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.
Nikita Romashov
A funny fantasy about mangers, hobbits and other surprising people.
glitch
Five short love stories, which become a statement of the directors about love. A shoemaker, a reporter, a pavement hooker-in, a psychiatric patient and a young man released from prison are the main characters of the film, heroes in a time of no heroes. All of them have the important qualities of being openhearted and not afraid of loving.
Govyadinov
Andrey 'Monakh'
Before leaving Russia and moving to Western Europe, famous opera singer Lyuba travels to her hometown to say goodbye and show her teenage son around. But Andrey, Lyuba’s son, disappears and she must stay in the place she hates the most to search for him. A piercing exploration of identity and transformation, against the backdrop of a Russian hinterland, surrounded by Orthodox churches and snow.
"Gentlemen Golovlevs" is a social novel from the life of a noble family. The disintegration of bourgeois society, as in a mirror, was reflected in the disintegration of the family. The whole complex of moral relations that cement family ties and regulate moral norms of behavior is collapsing. The topic of family becomes topical. The attention of M. E. Saltykov-Shchedrin in this novel is entirely devoted to the analysis of deformities, the study of causes and the display of consequences.
Um jovem, Val (Yuriy Chursin) deixa a faculdade e entra na polícia. Ele não fez nada de errado, ele só quer um emprego. Um trabalho particular. Tendo o papel da vítima nas reconstruções de assassinatos. Talvez estar perto da morte pode vir a enganar o seu destino.
