Edéa Darcque

A father is arrested for murder and a kidnap attempt three years ago. Through the police station's one-way mirror, 16-year-old Claire is sure she recognizes Gustavo as the man who tried to kidnap her and killed her father while fleeing.

Emergency medicine intern Margaux can no longer stand it. During another very hectic and patient-filled shift, she forgets a homeless woman on a stretcher who then dies. Shocked Margaux has no choice but to continue working. But suddenly, her body starts sweating blood uncontrollably.

Sandra (Adèle Exarchopoulos) é uma jovem se mudando para Paris, e que tem um leve toque para o desastre. Karine (Solène Rigot) é uma adolescente que passa por infinitas sucessões de fugas, homens e percalços, porque qualquer coisa é melhor que sua família. Kiki (Vega Cuzytek) é uma criança que vive uma tragédia após ser pega em um jogo de esconde-esconde. Renée (Adèle Haenel) é uma mulher estabelecida, que pensava estar livre do seu passado. Aos poucos, entendemos que essas quatro mulheres representam diferentes lados da mesma pessoa.

Daniel Muller é um homem de meia-idade que se sente atraído por Marek, um jovem garoto de programa que passa seus dias com um grupo de imigrantes do leste-europeu na Gare du nord, em Paris. Daniel cria coragem e convida Marek para um programa em sua casa, mas ele não aparece sozinho. Um jogo de sedução e intimidação se segue, mas os encontros se tornam constantes e cada vez mais íntimos. Uma relação é cultivada entre Daniel e Marek, mas o caráter destrutivo do mundo de Marek não ficará dormente por muito tempo.

Nesse verão, os Pic não conseguem o lugar de sempre. A mulher de Patrick Chirac demora para chegar. E um pai e sua filha improvisam suas férias no camping.

Quand Yves-Marie, 9 ans, demande à Jacqueline, qui a son âge : "Epouse-moi", elle répond par une pirouette : "Le jour où tu vas dans les étoiles, je te donne ma main."

After seven years of marriage, a couple of professional workers (he, a doctor and she, a banker) try to refresh their sex life.

Because they could no longer stand the xenophobic comments and behavior of their neighbors, Véronique and Sylvain Marchand, parents of a little girl and members of the Stop Racism organization, went into exile in a quiet suburban town, where they bought a house, the villa "Mon rêve". Soon after, the Dialo family, friendly Africans, moved into the adjoining house. At first, the two families get along perfectly. The only problem was that the Dialos organized many parties, which often ended late at night. The patience and understanding of the Marchands only delay the inevitable conflict.

Although barely 30, Claire believes she is showing the first symptoms of Alzheimer's disease, a condition from which her mother has recently died. Her sister, Nathalie, is certain that her memory loss, caused by a lightning strike, is temporary. In the clinic where she is being treated, Claire is attracted to Philippe, a man who is still traumatized after a car accident in which his wife and child were both killed. In spite of their personal tragedies, Claire and Philippe fall in love. When Philippe recovers, Claire moves into his home. Then Claire's condition takes a turn for the worse.

Clélia is a very attractive photographer starting a new job for a sensationalist newspaper. She soon becomes involved with three very different men: Cléve, a middle aged books editor, Nemo, a mysterious photographer and Rupert McRoi, the owner of the broadcasting and tabloid company where she works.

This is an important day for Marc Chanois, an insurance advisor heading toward middle age: it's his fiancée Sabine's birthday, her parents arrive in Paris and Marc will meet them for dinner to announce the engagement (her father can't stand him), he's bought Sabine a Spitfire, and his most important client is to sign a policy. But, as the day wears on, he's vexed by an incompetent secretary, the unexpected return of a girlfriend he hasn't seen in five years, squatters who use his office at night, the jealous former lover of a flight attendant who lives in the building, and his boss's unexpected return from a Swiss clinic. Will he reach Sabine in one piece?

Continuing the cutting edge tales of feminist-horror from the original “Built to Kill”, this amped-up epic sequel pushes even more philosophical boundaries in the realm of horror, gore, comedy, action, and thrills, courtesy of leading independent filmmakers from France, Canada, and the USA, includes “No More God in Doctor”, “Those Who Can Die”, and “Nuke Them All”. Put together by Canada’s Darkside Releasing and Citizen 11, this high-octane women-in-horror anthology features award-winning international genre filmmakers.