Andrew Rossi

In 1900, Sigmund Freud began treating a 17-year old girl he called "Dora." Her parents brought her to therapy after she accused a family friend of sexual assault. Freud's account of his sessions with Dora was the only major case history he published of a female patient. Intercutting his published text with a scripted version told from Dora's point of view, Hysterical Girl revisits this landmark case. Woven throughout are several decades of cinema, Congressional hearings, and media coverage. What emerges is a portrait of the grip that Freud’s theory of hysteria has had on popular culture over the past century and into the present day.

In 1900, Sigmund Freud began treating a 17-year old girl he called "Dora." Her parents brought her to therapy after she accused a family friend of sexual assault. Freud's account of his sessions with Dora was the only major case history he published of a female patient. Intercutting his published text with a scripted version told from Dora's point of view, Hysterical Girl revisits this landmark case. Woven throughout are several decades of cinema, Congressional hearings, and media coverage. What emerges is a portrait of the grip that Freud’s theory of hysteria has had on popular culture over the past century and into the present day.

Entenda melhor sobre o fenômeno das "fake news" nos Estados Unidos e como a desinformação, as teorias da conspiração e as notícias falsas afetam o cidadão comum.

Entenda melhor sobre o fenômeno das "fake news" nos Estados Unidos e como a desinformação, as teorias da conspiração e as notícias falsas afetam o cidadão comum.

From the segregated American South to the fashion capitals of the world, operatic fashion editor André Leon Talley's life and career are on full display, in a poignant portrait that includes appearances by Anna Wintour, Marc Jacobs, Tom Ford, Bethann Hardison, Valentino, and Manolo Blahnik.

From director Andrew Rossi (PAGE ONE: INSIDE THE NEW YORK TIMES, THE FIRST MONDAY IN MAY) comes an electrifying portrait of writer and performer Okwui Okpokwasili and her acclaimed one-woman show, BRONX GOTHIC. Rooted in memories of her childhood, Okwui – who’s worked with conceptual artists like Ralph Lemon and Julie Taymor – fuses dance, song, drama, and comedy to create a mesmerizing space in which audiences can engage with a story about two 12-year-old black girls coming of age in the 1980s. With intimate vérité access to Okwui and her audiences off the stage, BRONX GOTHIC allows for unparalleled insight into her creative process as well as the complex social issues embodied in it.

O abuso infantil, a doença mental e o amor proibido convergem nesse mistério envolvendo mãe e filha que se pensava estar vivendo uma vida de conto de fadas que acabou se tornando um pesadelo.

Chronicles the creation of The Metropolitan Museum of Art's most attended fashion exhibition in history, "China: Through The Looking Glass," an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton.

Dubbed “The Cannibal Cop,” former NYPD officer Gilberto Valle was charged with conspiring to kidnap and eat women but argued it was all a fantasy. His story made headlines both for its disturbing details and its potential to kick off a trend of thought-policing across the nation. Featuring intimate interviews with Valle and insights from experts, Thought Crimes explores if someone can be found guilty for their most dangerous thoughts.

A faculdade vale o que custa? O inovador cineasta Andrew Rossi (Primeira Página: Por Dentro do New York Times) faz a pergunta crítica sobre o valor da educação superior, revelando como as faculdades adotam um modelo de negócios que, frequentemente, prioriza a expansão em detrimento da qualidade do aprendizado. Com mensalidades cada vez mais altas e empréstimos estudantis atingindo a marca de mais de um trilhão de dólares, a outrora grande instituição americana está prestes a romper. Torre de Marfim: A crise universitária norte-americana explora a atual crise na educação, desde os salões de Harvard até as faculdades públicas e o aprendizado online, fornecendo uma visão impressionante sobre o meio universitário.

A faculdade vale o que custa? O inovador cineasta Andrew Rossi (Primeira Página: Por Dentro do New York Times) faz a pergunta crítica sobre o valor da educação superior, revelando como as faculdades adotam um modelo de negócios que, frequentemente, prioriza a expansão em detrimento da qualidade do aprendizado. Com mensalidades cada vez mais altas e empréstimos estudantis atingindo a marca de mais de um trilhão de dólares, a outrora grande instituição americana está prestes a romper. Torre de Marfim: A crise universitária norte-americana explora a atual crise na educação, desde os salões de Harvard até as faculdades públicas e o aprendizado online, fornecendo uma visão impressionante sobre o meio universitário.

A faculdade vale o que custa? O inovador cineasta Andrew Rossi (Primeira Página: Por Dentro do New York Times) faz a pergunta crítica sobre o valor da educação superior, revelando como as faculdades adotam um modelo de negócios que, frequentemente, prioriza a expansão em detrimento da qualidade do aprendizado. Com mensalidades cada vez mais altas e empréstimos estudantis atingindo a marca de mais de um trilhão de dólares, a outrora grande instituição americana está prestes a romper. Torre de Marfim: A crise universitária norte-americana explora a atual crise na educação, desde os salões de Harvard até as faculdades públicas e o aprendizado online, fornecendo uma visão impressionante sobre o meio universitário.

Unprecedented access to the New York Times newsroom yields a complex view of the transformation of a media landscape fraught with both peril and opportunity.

Unprecedented access to the New York Times newsroom yields a complex view of the transformation of a media landscape fraught with both peril and opportunity.

Unprecedented access to the New York Times newsroom yields a complex view of the transformation of a media landscape fraught with both peril and opportunity.

Unprecedented access to the New York Times newsroom yields a complex view of the transformation of a media landscape fraught with both peril and opportunity.

Eat This New York is the story of two best friends' struggle to open a restaurant in the food capital of the world. As Billy Phelps and John McCormick suffer through financial crisis, the loss of their chef, and a crumbling relationship, the filmmakers turn the camera on New York City's legendary restaurateurs who prove that dreams can come true. Billy and John's gamble to open a restaurant together takes shape on Division Street, a unique block in Brooklyn that separates the Satmar Jewish community of Williamsburg from the Latino neighborhood of the South Side. During the course of a year, they convert a former check-cashing shop located under the elevated train tracks of the J/M/Z subway lines into a retro speakeasy. But before the restaurant is fully built they come close to bankruptcy and almost call it quits on their friendship.

Eat This New York is the story of two best friends' struggle to open a restaurant in the food capital of the world. As Billy Phelps and John McCormick suffer through financial crisis, the loss of their chef, and a crumbling relationship, the filmmakers turn the camera on New York City's legendary restaurateurs who prove that dreams can come true. Billy and John's gamble to open a restaurant together takes shape on Division Street, a unique block in Brooklyn that separates the Satmar Jewish community of Williamsburg from the Latino neighborhood of the South Side. During the course of a year, they convert a former check-cashing shop located under the elevated train tracks of the J/M/Z subway lines into a retro speakeasy. But before the restaurant is fully built they come close to bankruptcy and almost call it quits on their friendship.

Eat This New York is the story of two best friends' struggle to open a restaurant in the food capital of the world. As Billy Phelps and John McCormick suffer through financial crisis, the loss of their chef, and a crumbling relationship, the filmmakers turn the camera on New York City's legendary restaurateurs who prove that dreams can come true. Billy and John's gamble to open a restaurant together takes shape on Division Street, a unique block in Brooklyn that separates the Satmar Jewish community of Williamsburg from the Latino neighborhood of the South Side. During the course of a year, they convert a former check-cashing shop located under the elevated train tracks of the J/M/Z subway lines into a retro speakeasy. But before the restaurant is fully built they come close to bankruptcy and almost call it quits on their friendship.

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.