Sanpei Mine

Filmes

Gappa, the Triphibian Monster
Islander 1
An expedition in the South Pacific lands on a tropical island where the natives worship the mysterious deity Gappa. An earthquake opens up an underground cavern and a baby reptile is discovered inside. The natives warn the foreigners to leave the hatching alone, but they don't listen and take it back to a zoo in Japan. Soon after, moma and papa Gappa start smashing Tokyo looking for their kidnapped child.
Taking the Castle
The Sengoku Era was coming to an end. The monopoly of the ever powerful shogun, Ieyasu Tokugawa, was at a near. Only one man was brave enough to stand in Ieyasu's way - A lone wolf samurai by the name of Kagekatsu Uesugi. Inspired by Uesugi's courage to revolt, a young samurai warrior, Touzou Kuruma decides to join the fight. Their target: the Tamonyama Castle.
Red Handkerchief
A hot-shot detective in Yokohama kills a witness during a drug investigation. He flees to the countryside and evades his past for several years, only to return to find the woman he loved married to his former partner. He searches for answers to his troubled past, knowing that his inevitable doomed fate is more or less sealed.
Glass-Hearted Johnny
Joe Shishido is an ambitious bike racetrack tout who becomes inadvertently involved in a triangle with a vulnerable prostitute (Izumi Ashikawa) and her brutal yakuza pimp (George Ai).
Cupola, Where the Furnaces Glow
Set in Kawaguchi in the early 60s, this simple story chronicles the lives of foundry families and one girl's dreams of higher education.
銀座旋風児 嵐が俺を呼んでいる
Abaixo os Vândalos
Fight Choreographer
This rarely seen gem from master Suzuki casts teenage heartthrob Koji Wada as a young misfit who suddenly finds himself the unwitting pawn in an escalating family feud that ultimately leads to tragedy. Lean, mean, and stylish as always, this tale of youth-gone-wild is both vibrant and touching. Suzuki contrasts tranquil glimpses of traditional regional life with the emergence of the new rock 'n' roll youth culture and the greed and seething cynicism of encroaching Westernism. Also released under the title "Go To Hell, Hoodlums!", this is a melodrama as colorful, shocking, and exhilarating as one would come to expect from Japan's master filmmaker.
Smashing the 0-Line
Katiri is a reporter so ambitiously amoral that he’ll sell out anyone—including his partner and the drug dealer he’s sleeping with—to get a scoop. But what happens when an even more ruthless female gang boss kidnaps his sister?
Farewell to Southern Tosa
Story of an ex-con trying to go straight, but of course the old ways die hard.
Break Down that Wall
A man is wrongfully accused of murder.
The Man Who Wagers Tomorrow
Man who draw blank ticket
Former boxer Daishiro lost his wife, and his only son, Kaoru, went missing, it was a heavy blow for Daishiro. One day, Daishiro got a call from his relative Morihiko. He said he forgot the winning lottery ticket of 2 million yen at the hotel, so he wants Daishiro to go and pick it up. Morihiko used the hotel for secret meetings, so he said he couldn't go there himself because he was afraid it would become public. When Daishiro entered the hotel, the Yakuza, who learned about the lottery from the newspaper, threaten the hotel maid Noriko, and want to rob her. Daishiro helps Noriko and safely picks up the lottery, but a message arrives from his relative Seikichi from Osaka. His missing son Kaoru is said to be a boxer in Osaka. "My son... He has the blood of a boxer in him..." Daishiro is heading to Osaka in a hurry...
Tóquio de Noite
Shoichi Kokubun (Yujiro Ishihara) is a roughneck street musician, who has a brother that is determined to propel him into stardom. In attempt to catch the attention of a popular jazz band, his brother appeals to their manager who has the power to make him a star. In a graphic portrayal of love, betrayal and success, Shoichi brews up a storm with a 'rat-a-tat-tat' on the drums.
A Lenda do Sol dos Últimos Dias do Xogunato
Sanpei
Saheji, um rebelde engenhoso, é obrigado a permanecer em um bordel para pagar sua dívida. No início, ele é tratado como um hóspede indesejável que nunca vai embora, mas logo se envolve com os hóspedes, anfitriões, criados e garotas de alterne – resolvendo os problemas de todos com sua inteligência.
Our Town
Tanekichi Hanai
Com um riquixá e praticamente sem bagagem, um homem volta para casa das Filipinas. A Era Meiji acabava e muita coisa havia mudado. Depois de conhecer sua filha pela primeira vez, já com quatro anos de idade, ele tenta desesperadamente recuperar o tempo perdido com a família.
Crazed Fruit
Two brothers compete for the amorous favors of a young woman during a seaside summer of gambling, boating, and drinking.
Satan's Town
Ômiya
A yakuza boss and his right-hand, Hawasaki, escape from prison. the film concentrates on their relationship, emphasizing loyalty and thier eventual betrayal, enroute they get involved in money trafficking, a cop killing and horse racing scams before the inevitable tragic ending. A patch-work production.
A Harpa da Birmânia
Abe
Fim da Segunda Guerra Mundial. O disciplinado pelotão do capitão Inouye sempre foi bastante musical. Presos pelos ingleses, eles descobrem que uma tropa de japoneses recusa a rendição e será massacrada pelos inimigos. Mizushima, tocador de arpa do grupo, sobe até uma montanha para tocar, na expectativa de convencer os compatriotas a entregarem-se e evitar o banho de sangue.
Invisible Man
When an invisible man is run down by a car it’s up to an eager young reporter and a strange clown to bring a dangerous gang to justice.
Os Sete Samurais
Farmer
No século XVI, durante a era Sengoku, quando os poderosos samurais de outrora estavam com os dias contados, pois eram agora desprezados pelos seus aristocráticos senhores. Kambei (Takashi Shimura), um guerreiro veterano sem dinheiro, chega em uma aldeia indefesa que foi saqueada repetidamente por ladrões assassinos. Os moradores do vilarejo pedem sua ajuda, fazendo com que Kambei recrute seis outros ronins (samurais sem mestre), que concordam em ensinar os habitantes como devem se defender em troca de comida. Os aldeões dão boas-vindas aos guerreiros e algumas relações começam. Katsushiro (Ko Kimura) se apaixona por uma das mulheres locais, embora os outros ronins mantenham distância dos camponeses. O último dos guerreiros que chega é Kikuchio (Toshiro Mifune), que finge estar qualificado mas na realidade é o filho de um camponês que almeja aceitação.